Enhancing the enrollment of students into music education in Nigerian tertiary institutions through ethos and pathos

P. C. Ozoaghuta, E. Ojukwu
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Abstract

The doctrine of ‘Ethos’ asserts that music affects character and emotion of man by way of morals or ethics. The implication of this is that music has a profound ability to alter the way we think, feel and behave. Many Nigerian songs are full of ethos, a crying baby is often calmed and lured to sleep by her mother’s use of gentle lullabies. What else can do this, if not the melodious supremacy of musical art? Similarly, musicians, through the use of artistic language, systematically employ Pathos in their musical compositions as evidenced in most of their dirges. This study X-ray various kinds of parodies the Nigerian society has formed about the music study which directly or indirectly have contributed to poor enrollment of students in the music programme of both Colleges of education and Universities in Nigeria, and through the application of Ethos and Pathos, some of these misconceptions were debunked. The study employs a survey research design. The population for the study comprises one hundred (100) respondents. Sample comprises fifty (50) respondents. Data is gathered through the use of questionnaire. The study reveals that the choice of anyone to study music does not necessary mean that he or she is lazy. The researchers recommend that people should stop believing fallacies about music education and see it as a viable and gainful enterprise.
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通过气质和感伤提高尼日利亚高等院校音乐教育学生的入学率
“精神”学说主张音乐通过道德或伦理的方式影响人的性格和情感。这意味着音乐有一种深刻的能力,可以改变我们思考、感受和行为的方式。许多尼日利亚歌曲都充满了精神气质,哭闹的婴儿常常会被母亲轻柔的摇篮曲安抚并引诱入睡。还有什么能做到这一点,如果不是音乐艺术的旋律至上?同样,音乐家通过艺术语言的运用,在他们的音乐作品中系统地运用悲情,这在他们的大多数挽歌中得到了证明。这项研究透视了尼日利亚社会对音乐研究形成的各种模仿,这些模仿直接或间接地导致尼日利亚教育学院和大学音乐课程的学生入学率低,并通过应用Ethos和Pathos,其中一些误解被揭穿。本研究采用调查研究设计。该研究的人口包括一百(100)名受访者。样本包括五十(50)受访者。通过问卷调查收集数据。研究表明,任何人选择学习音乐并不一定意味着他或她懒惰。研究人员建议人们不要再相信关于音乐教育的谬论,而是把它看作一项可行的、有利可图的事业。
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