The Metapattern of General Evolutionary Dynamics and the Three Dynamical Realms of Big History

T. Volk
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引用次数: 3

Abstract

The goal of this paper is to formalize better the division of big history into three main stages (phases, eras). In my own work they are “dynamical realms,” 1. physical laws, 2. biological evolution, and 3. cultural evolution. I show a deep similarity in two mighty transitions; first, from dynamical realm 1 to 2, and then from 2 to 3. The common “metapattern” in these transitions is that of generalized evolutionary dynamics, which in both cases opened up vast new arenas of possibility space. I first present relevant conclu-sions from my book, Quarks to Culture. A “grand sequence” of twelve fundamental levels was forged through a repeated cycle of “combogenesis” spanning the dynamical realms as families of levels. Next, I provide examples of other scholars who have similarly weighed in on a three-fold arc; notably Christian, Spier, Chaisson, Rolston, Salk, and Voros (following Jansch). Like me, all have nominally recognized similarities between biological and cultural evolution as important in the dynamics of realms two and three. Generally, these scholars have not placed primary emphasis on general evolutionary dynamics as a multiply-instantiated process. The PVS metapattern for evolution (propagation, variation, and selection) is well established as overarching across many patterns in biology, following life’s origin. In culture the operation of general evolution-ary dynamics is, I suggest, dual-tier, consisting of cognitive PVS of individuals coupled to social PVS of groups. The emergence of realm-forming PVS-dynamics twice (biology, culture) created radically new ways to explore and stabilize patterns in expansive fields of diverse types within the respective dynamics. Thus, we can recognize a fundamental-ly similar reason (i.e., two emergent forms of evolutionary dynamics) for why so many scholars have correctly, in my opinion, discerned a threefold arc of big history. Im-portant as well in the flow of progress from quarks to culture were two only slightly less major instantiations of PVS-dynamics (though both crucial): an era of chemical evolution within the realm of physical laws, which led into the realm of biological evolution, and also the evolution of the animal cognitive learning PVS of trial, error, and success, which was essential to the path into cultural evolution. In concluding remarks, I note several outstanding issues: alternative proposals for five orders or four dimensions (i.e., divisions more than three in the arc of big history); the use of the word “evolution,” and three matrices (cosmosphere, biosphere, civisphere) that contain and are constituted by the varieties of patterns within the corresponding dynamical realms.
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一般演化动力学的元模式与大历史的三个动力领域
本文的目的是更好地将大历史划分为三个主要阶段(阶段、时代)。在我自己的工作中,它们是“动态领域”。2.物理定律;2 .生物进化;文化进化。我在两个巨大的转变中展示了深刻的相似之处;首先从动力领域1到动力领域2,然后从动力领域2到动力领域3。在这些转变中,共同的“元模式”是广义进化动力学,在这两种情况下,它都开辟了广阔的可能性空间的新领域。我首先从我的书《夸克到文化》中提出相关结论。12个基本层次的“大序列”是通过一个重复的“合成”循环形成的,它跨越了作为层次家族的动力领域。接下来,我提供了其他学者的例子,他们也同样在三重弧线上进行了权衡;尤其是Christian, Spier, Chaisson, Rolston, Salk和Voros(紧随Jansch之后)。和我一样,所有人名义上都承认生物和文化进化之间的相似性在领域二和领域三的动态中同样重要。一般来说,这些学者没有把重点放在一般的进化动力学作为一个多实例化的过程。进化的PVS元模式(繁殖、变异和选择)已经确立为生物学中许多模式的总体性,遵循生命的起源。我认为,在文化中,一般进化动力的运作是双层的,包括个人的认知pv和群体的社会pv。形成领域的pv -dynamics的两次出现(生物学,文化)创造了全新的方法来探索和稳定各自动力学中不同类型的广阔领域的模式。因此,在我看来,我们可以认识到一个基本相似的原因(即进化动力的两种新兴形式),为什么这么多学者正确地发现了大历史的三重弧线。在从夸克到文化的发展过程中,有两个相对次要的PVS动力学实例(尽管都至关重要)也很重要:一个是物理定律领域内的化学进化时代,这导致了生物进化领域的发展;另一个是动物认知学习PVS的尝试、错误和成功的进化,这对进入文化进化的道路至关重要。在结束语中,我指出了几个突出的问题:五阶或四维(即在大历史的弧线中超过三阶的划分)的备选方案;使用“进化”这个词,以及三个矩阵(宇宙圈、生物圈、文明圈),它们包含并由相应动力领域内的各种模式组成。
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