Tronti and Gramsci on the Young Tronti’s Research Programme

P. Serra
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Abstract

This article reviews, for the first time, all the research, published and unpublished, by the young pre-operaismo Tronti (as well as his key cultural sources, from Ugo Spirito to Galvano Della Volpe), from his 1956 undergraduate thesis, supervised by Ugo Spirito and Lucio Colletti, to an essay written in 1961 for Società, which symbolically closes his pre-operaismo phase. The author reconstructs the formation of the Tronti–Gramsci relationship, between 1958 and 1959, through two fundamental writings. Those texts outline not only all the issues around Gramsci’s thought (that anticipate by a few decades criticisms from, for example, Bobbio, Del Noce, Biagio de Giovanni and Althusser and Laclau), but also the fundamental aspects of a critical reflection on Gramsci and his philosophy.
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特隆蒂与葛兰西论青年特隆蒂的研究计划
本文首次回顾了年轻的前歌剧派作家特隆蒂发表和未发表的所有研究(以及他的主要文化来源,从乌戈·斯皮里托到格拉瓦诺·德拉·沃尔普),从1956年由乌戈·斯皮里托和卢西奥·科莱蒂指导的本科论文,到1961年为《社会》写的一篇文章,这篇文章象征性地结束了他的前歌剧派阶段。作者通过两篇基本著作重构了1958年至1959年间特隆蒂-葛兰西关系的形成。这些文本不仅概述了围绕葛兰西思想的所有问题(例如,博比奥、德尔·诺斯、比亚乔·德·乔瓦尼、阿尔都塞和拉克劳等人几十年来的批评),而且概述了对葛兰西及其哲学进行批判性反思的基本方面。
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