Creepiness and the Uncanny

IF 0.5 2区 文学 0 LANGUAGE & LINGUISTICS STYLE Pub Date : 2023-08-01 DOI:10.5325/style.57.3.0322
Jens Kjeldgaard-Christiansen, Mathias Clasen
{"title":"Creepiness and the Uncanny","authors":"Jens Kjeldgaard-Christiansen, Mathias Clasen","doi":"10.5325/style.57.3.0322","DOIUrl":null,"url":null,"abstract":"ABSTRACT To feel nervously and apprehensively “creeped out” is a familiar emotional state, but its cause—what makes something or someone “creepy”—is poorly understood. A recent evolutionary account of creepiness suggests that the emotion arises from a perceived “ambiguity about the presence of threat” (McAndrew and Koehnke 10). However, not all ambiguous threats are perceived as creepy. This article argues that specifically creepy threats arise from disrupted mentalization, by which is meant difficulties in apprehending the mind of another being in such a way as to make that being seem threateningly unpredictable. The authors propose that this explanation of creepiness also explains “the uncanny,” a concept that is closely related to creepiness and to which a much older and larger research literature attaches. Finally, it is suggested that the present account can make sense of some iconically creepy figures of horror fictions, including zombies, ghosts, and ominously unhuman children.","PeriodicalId":45300,"journal":{"name":"STYLE","volume":"21 1","pages":"0"},"PeriodicalIF":0.5000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"STYLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/style.57.3.0322","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT To feel nervously and apprehensively “creeped out” is a familiar emotional state, but its cause—what makes something or someone “creepy”—is poorly understood. A recent evolutionary account of creepiness suggests that the emotion arises from a perceived “ambiguity about the presence of threat” (McAndrew and Koehnke 10). However, not all ambiguous threats are perceived as creepy. This article argues that specifically creepy threats arise from disrupted mentalization, by which is meant difficulties in apprehending the mind of another being in such a way as to make that being seem threateningly unpredictable. The authors propose that this explanation of creepiness also explains “the uncanny,” a concept that is closely related to creepiness and to which a much older and larger research literature attaches. Finally, it is suggested that the present account can make sense of some iconically creepy figures of horror fictions, including zombies, ghosts, and ominously unhuman children.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
恐怖与不可思议
感到紧张和忧虑的“毛骨悚然”是一种熟悉的情绪状态,但其原因-什么使某事或某人“令人毛骨悚然”-却知之甚少。最近一项关于恐怖的进化解释表明,这种情绪源于“对威胁存在的模糊性”(McAndrew和Koehnke 10)。然而,并不是所有模棱两可的威胁都被认为令人毛骨悚然。这篇文章认为,特别令人毛骨悚然的威胁来自于被扰乱的心理状态,这意味着很难理解另一个人的思想,从而使这个人看起来具有威胁性和不可预测性。作者提出,这种对恐怖的解释也解释了“不可思议”,这是一个与恐怖密切相关的概念,一个更古老、更大的研究文献所关注的概念。最后,有人认为现在的叙述可以解释恐怖小说中一些标志性的令人毛骨悚然的人物,包括僵尸、鬼魂和不祥的非人类儿童。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
STYLE
STYLE Multiple-
CiteScore
1.30
自引率
0.00%
发文量
21
期刊介绍: Style invites submissions that address questions of style, stylistics, and poetics, including research and theory in discourse analysis, literary and nonliterary genres, narrative, figuration, metrics, rhetorical analysis, and the pedagogy of style. Contributions may draw from such fields as literary criticism, critical theory, computational linguistics, cognitive linguistics, philosophy of language, and rhetoric and writing studies. In addition, Style publishes reviews, review-essays, surveys, interviews, translations, enumerative and annotated bibliographies, and reports on conferences.
期刊最新文献
Human Evolution and Fantastic Victorian Fiction Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson Ford Madox Ford Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1