The Iconography of Death in the Logbooks of the Eighteenth-Century Dutch Atlantic Slave Trade

IF 1 2区 历史学 Q1 HISTORY Slavery & Abolition Pub Date : 2023-10-09 DOI:10.1080/0144039x.2023.2264838
Andrew Sluyter
{"title":"The Iconography of Death in the Logbooks of the Eighteenth-Century Dutch Atlantic Slave Trade","authors":"Andrew Sluyter","doi":"10.1080/0144039x.2023.2264838","DOIUrl":null,"url":null,"abstract":"ABSTRACTWhen deaths among the enslaved and crew occurred during the eighteenth-century voyages of the vessels of the Middelburg Commercial Company, many of the officers who kept logbooks aboard drew skulls and crossbones, crosses, hourglasses, and other icons to mark those deaths. While some scholars have previously noted those icons preserved in the margins of 109 logbooks in the Zeeuws Archive in Middelburg, the Netherlands, this first comprehensive description and analysis of that iconography of death contributes a novel dimension to our understanding of the Atlantic slave trade. Many of the icons relate to memento mori symbolism that emerged during the sixteenth and seventeenth centuries in Dutch vanitas paintings and quotidian objects to emphasize the evanescence of mundane existence lived without spirituality, helping to reconcile the conspicuous consumption of material goods extracted from a global colonial empire with a Calvinist piety that abjured earthly possessions. The iconographical analysis reveals seventeen types of icons, ranging from basic marks such as an X to combinations of skulls, crossbones, hourglasses, and wings. Moreover, it reveals which icon types appear most commonly, how they changed over time, how they varied among logbook authors, and how they differed for deaths among the enslaved and crew.KEYWORDS: Atlantic slave tradedeatheighteenth centuryiconographylogbooksMiddelburg Commercial Company AcknowledgmentsI thank Bailey Landry, who worked diligently as an undergraduate intern on this project in 2021 to search logbooks for death icons, as well as the incredible staff at the Zeeuws Archive for answering queries and granting permission to reproduce the death icons.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Zeeuws Archive (Middelburg, the Netherlands), ascension no. 20, Middelburgsche Commercie Compagnie (hereafter MCC) preserves the documents related to the voyage of the Haast U Langzaam, including the logbook (MCC 537) and other volumes that record trades, payroll, muster roll, equipment, trade goods, and return cargo (MCC 538, 539, 540, 541.1, 541.2, 541.3). The quote is on MCC 537, 32; all translations are by the author.2 Phillip D. Curtin, The Atlantic Slave Trade (Madison: University of Wisconsin Press, 1969); The Trans-Atlantic Slave Trade Database (hereafter TSTD), https://www.slavevoyages.org/voyage/database.3 David Eltis and David Richardson, Atlas of the Transatlantic Slave Trade (New Haven: Yale University Press, 2010), 2.4 Joseph C. Miller, ‘Mortality in the Atlantic Slave Trade: Statistical Evidence on Causality’, Journal of Interdisciplinary History 11 (1981): 385–423; David Eltis, ‘Mortality and Voyage Length in the Middle Passage: New Evidence from the Nineteenth Century’, The Journal of Economic History 44 (1984): 301–8; Raymond L. Cohn, ‘Deaths of Slaves in the Middle Passage’, The Journal of Economic History 45 (1985): 685–92; Johannes M. Postma, The Dutch in the Atlantic Slave Trade, 1600–1815 (Cambridge: Cambridge University Press, 1990); Johannes M. Postma, The Atlantic Slave Trade (Gainesville: University of Florida Press, 2003); Simon Hogerzeil and David Richardson, ‘Slave Purchasing Strategies and Shipboard Mortality: Day-to-Day Evidence from the Dutch African Trade, 1751–1797’, The Journal of Economic History 67 (2007): 160–90; Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 22, 30, 162, 175, 179, 204; Karin Lurvink, ‘Underwriting Slavery: Insurance and Slavery in the Dutch Republic (1718–1778)’, Slavery and Abolition 40 (2019): 472–93.5 Emma Christopher, Slave Ship Sailors and their Captive Cargoes, 1730–1807 (Cambridge: Cambridge University Press, 2006); Eric R. Taylor, If We Must Die: Shipboard Insurrections in the Era of the Atlantic Slave Trade (Baton Rouge: Louisiana State University Press, 2006); Marcus Rediker, The Slave Ship: A Human History (New York: Viking, 2007); Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora (Cambridge: Harvard University Press, 2007); James Walvin, The Zong: A Massacre, the Law, and the End of Slavery (New Haven: Yale University Press, 2011); Sowande’ Mustakeem, Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (Urbana: University of Illinois Press, 2016).6 Robert Harms, The Diligent: A Voyage Through the Worlds of the Slave Trade (New York: Basic Books, 2002); David Bindman and Henry Louis Gates, Jr., eds., The Image of the Black in Western Art, vol. 3, From the ‘Age of Discovery’ to the Age of Abolition, 3 parts (Cambridge: The Belknap Press of Harvard University, 2010–2011); Allison Blakely, Blacks in the Dutch World: The Evolution of Racial Imagery in a Modern Society (Bloomington: Indiana University Press, 1993); Elizabeth McGrath and Jean Michel Massing, eds., The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem (London: The Warburg Institute, 2012); Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 173.7 An Boord van de Eenigheid 1761–1763, project manager Hannie Kool-Blokland, https://eenigheid.slavenhandelmcc.nl. The primary sources for the project include MCC 383, 384, 385, 386, 387, 388, 389.1, 389.2, 389.3, 390.8 An Boord van de Eenigheid 1761–1763, Bemanning, https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/oversteek/bemanning-oversteek.9 An Boord van de Eenigheid 1761–1763, Epilogue, https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/thuisreis/epiloog.10 MCC 1368, 44, Letter of 21 May 1767 by Adriaan Visser to his father.11 Simone Koster, ‘God zij geloofd voor de behouden vaart: De rol van godsdienst aan boord van de slavenschepen van de Middelburgse Commercie Compagnie, 1730–1807’ (unpublished paper available from the Zeeuws Archive, 2013), 12–14.12 Koster, ‘God zij geloofd voor de behouden vaart’, 27–8.13 Andrew Sluyter, ‘Death on the Middle Passage: A Cartographic Approach to the Atlantic Slave Trade’, Esclavages et post-esclavages (2020): 3358; Andrew Sluyter, Atlantic Commodity Networks, https://sites.google.com/site/Atlanticnetworksproject; Charlotte S. Sussman, Remembering the Middle Passage, https://sites.duke.edu/middlepassage; Phillip J. Turner, et al., ‘Memorializing the Middle Passage on the Atlantic Seabed in Areas Beyond National Jurisdiction’, Marine Policy 122 (2020): 104254.14 The 67 logbooks for slave voyages are MCC 185, 187, 215, 333, 383, 390, 391, 398, 429, 430, 455, 461, 486, 487, 511, 518, 523, 537, 542, 775, 781, 787, 793, 800, 801, 808, 823, 830, 837, 858, 896, 903, 910, 916, 922, 962, 968, 973, 978, 984, 989, 994, 999, 1004, 1013, 1018, 1077, 1092, 1097, 1125, 1153, 1189, 1193, 1217, 1222, 1228, 1234, 1239, 1246, 1252, 1302, 1307, 1312, 1385, 1397, 1405, 1411.15 MCC 962. Of the 67 logbooks for slave voyages, only this one lacks a summary record in TSTD.16 The 42 logbooks for non-slave voyages are MCC 204, 261, 264, 269, 278, 303, 320, 363, 467, 481, 556, 561, 566, 579, 584, 594, 599, 629, 632, 636, 640, 649, 744, 752, 765, 891, 952a, 1026, 1030, 1035, 1058, 1139, 1160, 1166, 1172, 1179, 1184, 1202, 1208, 1271, 1276, 1376.17 Roelof van Straten, An Introduction to Iconography (Amsterdam: Gordon and Breach, 1994), 3; Gillian Rose, Visual Methodologies: An Introduction to Researching Visual Materials (Los Angeles: Sage Publications, 2016), 198.18 Rose, Visual Methodologies, 200.19 Straten, An Introduction to Iconography, 4–17.20 Alicia Faxon, ‘Some Perspectives on the Transformation of the Dance of Death in Art’, in The Symbolism of Vanitas in the Arts, Literature, and Music: Comparative and Historical Studies, ed. Liana DeGirolami Cheney (Lewiston: The Edwin Mellen Press, 1992), 33–66.21 Michael Brennan, ed., The A-Z of Death and Dying: Social, Medical, and Cultural Aspects (Santa Barbara: Greenwood, 2014), 44–5, 127–8.22 Corinna Ricasoli, ed., The Living Dead: Ecclesiastes Through Art (Paderborn: Verlag Ferdinand Schöningh, 2018), 13–6.23 Ricasoli, The Living Dead, 126–7, 180–1.24 Sarah Tarlow, Bereavement and Commemoration: An Archaeology of Mortality (Oxford: Blackwell, 1999), 71, 77, 88; Jaak Nijssen and Jan Nyssen, ‘Pre-industrial Headstones Across the Continental North Sea Plain’, Journal of Historical Geography 37 (2011): 273–87; Brennan, The A-Z of Death and Dying, 307–8.25 Liana DeGirolami Cheney, ‘Dutch Vanitas Paintings: The Skull’, in The Symbolism of Vanitas in the Arts, Literature, and Music: Comparative and Historical Studies, ed. Liana DeGirolami Cheney (Lewiston: The Edwin Mellen Press, 1992), 113–76.26 Simon Schama, The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (New York: Alfred A. Knopf, 1987), xi, 214.27 Straten, An Introduction to Iconography, 60–6.28 Gabriel Rollenhagen, Selectorum Emblematum: Centuria Secunda (Utrecht: Crispiani Passaei, 1613), 77.29 Brandon Richards, ‘Hier Leydt Begraven: A Primer on Dutch Colonial Gravestones’, Northeast Historical Archaeology 43 (2014): 1–22.30 Straten, An Introduction to Iconography, 37–9.31 Ibid., 45-55.32 Cesare Ripa, Nova Iconologia (Padua: Pietro Paulo Tozzi, 1618), 354; James Hall, Dictionary of Subjects and Symbols in Art (Boulder: Westview Press, 2008), 97.33 Ripa, Nova Iconologia, 521; Straten, An Introduction to Iconography, 38; Hall, Dictionary of Subjects and Symbols in Art, 123.34 Hall, Dictionary of Subjects and Symbols in Art, 97, 123.35 Ibid., 300–1.36 Brennan, The A-Z of Death and Dying, 307–8; Tarlow, Bereavement and Commemoration, 76–9, 127–31.37 Ibid; Ibid., 131–2.38 Hall, Dictionary of Subjects and Symbols in Art, 80–1.39 Jason Farago, ‘Close Read: A Messy Table, a Map of the World’, The New York Times (8 May 2022), https://www.nytimes.com/interactive/2022/05/08/arts/design/dutch-still-life.html.40 William J. Bouwsma, John Calvin: A Sixteenth-Century Portrait (New York: Oxford university Press, 1988).41 Tarlow, Bereavement and Commemoration, 79–82; Nijssen and Nyssen, ‘Pre-industrial Headstones’, 283–84; Christine Kooi, Calvinists and Catholics during Holland's Golden Age: Heretics and Idolaters (New York: Cambridge University Press, 2012).42 Hans Knippenberg, De Religieuze Kaart van Nederland: Omvang en Geografische Spreiding van de Godsdienstige Gezindten Vanaf de Reformatie tot Heden (Assen: Van Gorcum, 1992), 23.43 Ronnie Po-chia Hsia, ‘Introduction’, in Calvinism and Religious Toleration in the Dutch Golden Age, eds. Ronnie Po-chia Hsia and Henk F. K. van Nierop (Cambridge University Press, 2002), 5–6; Knippenberg, De Religieuze Kaart van Nederland, 23.44 David Barringer, There is Nothing Funny about Design (New York City: Princeton Architectural Press, 2009), 75.45 Benjamin Bennett-Carpenter, Death in Documentaries: The Memento Mori Experience (Leiden: Brill Rodopi, 2018), ix.46 MCC 858. Other logbooks with similar unintentional variation include MCC 808, 896, and 903.47 MCC 215, 383, 390, 430, 486, 487, 518, 523, 787, 793, 800, 801, 823, 830, 922, 973, 984, 999, 1004, 1013, 1193, 1222, 1228, 1234, 1239, 1246, 1302, 1307, 1385.48 MCC 185, 391, 429, 455, 511, 537, 775, 781, 808, 837, 916, 1018, 1097, 1125, 1411. Note that this list assumes one errant type 10 for the first crew death in the logbook of the 1764–1766 voyage of the Haast U Langzaam, in which the author used type 15 for 5 subsequent crew deaths (MCC 511, 27).49 Harms, The Diligent; Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 173.50 MCC 187, 542, 858, 910, 968, 978, 989, 994, 1077, 1092, 1312, 1405. Note that this list assumes one errant type 7 for the first enslaved death in the logbook of the 1779–1780 voyage of the Nieuwe Hoop, in which the author used type 10 for the other 14 enslaved deaths (MCC 858, 25).51 MCC 333, 398, 461, 896, 903, 962, 1153, 1189, 1217, 1252, 1397, 1411.52 Koster, ‘God zij geloofd voor de behouden vaart’, 27; MCC 429, 903, 962, 1092, 1222, and 1312 use heads, and MCC 429, 1092, and 1222 depict them with kinky hair.53 MCC 429, 1092.54 MCC 1092.55 The terms used were variations of manslaaf for men, vrouweslaaf for women, jongeslaaf for boys, and meisjeslaaf or meijdslaaf for girls.56 MCC 333, 391, 398, 511, 858, 896, 903, 962, 1092, 1153, 1217, 1252, 1312.57 MCC 383, 391, 429, 461, 511, 808, 962, 1004, 1092, 1097, 1153, 1189, 1217, 1246, 1252, 1312, 1397, 1411.58 MCC 1246, 7, 38, 47, 69.59 MCC 1189, 14, 67.60 MCC 429, 46, 47, 48, 50.61 Brennan, The A-Z of Death and Dying, 307–8; Tarlow, Bereavement and Commemoration, 131–2.62 L.J. Joosse, ‘Zeeuwse predikanten en hun visie op slavernij en slavenhandel, 1640–1740’, Archief: Mededelingen van het Koninklijk Zeeuwsch Genootschap der Wetenschappen (1 January 2005): 77–98.Additional informationFundingThis work was supported by College of Humanities and Social Sciences, Louisiana State UniversityNotes on contributorsAndrew SluyterAndrew Sluyter is a Carnegie Fellow and Professor of Geography and Anthropology at Louisiana State University, Baton Rouge, LA 70808 U.S.A. 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Abstract

ABSTRACTWhen deaths among the enslaved and crew occurred during the eighteenth-century voyages of the vessels of the Middelburg Commercial Company, many of the officers who kept logbooks aboard drew skulls and crossbones, crosses, hourglasses, and other icons to mark those deaths. While some scholars have previously noted those icons preserved in the margins of 109 logbooks in the Zeeuws Archive in Middelburg, the Netherlands, this first comprehensive description and analysis of that iconography of death contributes a novel dimension to our understanding of the Atlantic slave trade. Many of the icons relate to memento mori symbolism that emerged during the sixteenth and seventeenth centuries in Dutch vanitas paintings and quotidian objects to emphasize the evanescence of mundane existence lived without spirituality, helping to reconcile the conspicuous consumption of material goods extracted from a global colonial empire with a Calvinist piety that abjured earthly possessions. The iconographical analysis reveals seventeen types of icons, ranging from basic marks such as an X to combinations of skulls, crossbones, hourglasses, and wings. Moreover, it reveals which icon types appear most commonly, how they changed over time, how they varied among logbook authors, and how they differed for deaths among the enslaved and crew.KEYWORDS: Atlantic slave tradedeatheighteenth centuryiconographylogbooksMiddelburg Commercial Company AcknowledgmentsI thank Bailey Landry, who worked diligently as an undergraduate intern on this project in 2021 to search logbooks for death icons, as well as the incredible staff at the Zeeuws Archive for answering queries and granting permission to reproduce the death icons.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Zeeuws Archive (Middelburg, the Netherlands), ascension no. 20, Middelburgsche Commercie Compagnie (hereafter MCC) preserves the documents related to the voyage of the Haast U Langzaam, including the logbook (MCC 537) and other volumes that record trades, payroll, muster roll, equipment, trade goods, and return cargo (MCC 538, 539, 540, 541.1, 541.2, 541.3). The quote is on MCC 537, 32; all translations are by the author.2 Phillip D. Curtin, The Atlantic Slave Trade (Madison: University of Wisconsin Press, 1969); The Trans-Atlantic Slave Trade Database (hereafter TSTD), https://www.slavevoyages.org/voyage/database.3 David Eltis and David Richardson, Atlas of the Transatlantic Slave Trade (New Haven: Yale University Press, 2010), 2.4 Joseph C. Miller, ‘Mortality in the Atlantic Slave Trade: Statistical Evidence on Causality’, Journal of Interdisciplinary History 11 (1981): 385–423; David Eltis, ‘Mortality and Voyage Length in the Middle Passage: New Evidence from the Nineteenth Century’, The Journal of Economic History 44 (1984): 301–8; Raymond L. Cohn, ‘Deaths of Slaves in the Middle Passage’, The Journal of Economic History 45 (1985): 685–92; Johannes M. Postma, The Dutch in the Atlantic Slave Trade, 1600–1815 (Cambridge: Cambridge University Press, 1990); Johannes M. Postma, The Atlantic Slave Trade (Gainesville: University of Florida Press, 2003); Simon Hogerzeil and David Richardson, ‘Slave Purchasing Strategies and Shipboard Mortality: Day-to-Day Evidence from the Dutch African Trade, 1751–1797’, The Journal of Economic History 67 (2007): 160–90; Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 22, 30, 162, 175, 179, 204; Karin Lurvink, ‘Underwriting Slavery: Insurance and Slavery in the Dutch Republic (1718–1778)’, Slavery and Abolition 40 (2019): 472–93.5 Emma Christopher, Slave Ship Sailors and their Captive Cargoes, 1730–1807 (Cambridge: Cambridge University Press, 2006); Eric R. Taylor, If We Must Die: Shipboard Insurrections in the Era of the Atlantic Slave Trade (Baton Rouge: Louisiana State University Press, 2006); Marcus Rediker, The Slave Ship: A Human History (New York: Viking, 2007); Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora (Cambridge: Harvard University Press, 2007); James Walvin, The Zong: A Massacre, the Law, and the End of Slavery (New Haven: Yale University Press, 2011); Sowande’ Mustakeem, Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (Urbana: University of Illinois Press, 2016).6 Robert Harms, The Diligent: A Voyage Through the Worlds of the Slave Trade (New York: Basic Books, 2002); David Bindman and Henry Louis Gates, Jr., eds., The Image of the Black in Western Art, vol. 3, From the ‘Age of Discovery’ to the Age of Abolition, 3 parts (Cambridge: The Belknap Press of Harvard University, 2010–2011); Allison Blakely, Blacks in the Dutch World: The Evolution of Racial Imagery in a Modern Society (Bloomington: Indiana University Press, 1993); Elizabeth McGrath and Jean Michel Massing, eds., The Slave in European Art: From Renaissance Trophy to Abolitionist Emblem (London: The Warburg Institute, 2012); Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 173.7 An Boord van de Eenigheid 1761–1763, project manager Hannie Kool-Blokland, https://eenigheid.slavenhandelmcc.nl. The primary sources for the project include MCC 383, 384, 385, 386, 387, 388, 389.1, 389.2, 389.3, 390.8 An Boord van de Eenigheid 1761–1763, Bemanning, https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/oversteek/bemanning-oversteek.9 An Boord van de Eenigheid 1761–1763, Epilogue, https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/thuisreis/epiloog.10 MCC 1368, 44, Letter of 21 May 1767 by Adriaan Visser to his father.11 Simone Koster, ‘God zij geloofd voor de behouden vaart: De rol van godsdienst aan boord van de slavenschepen van de Middelburgse Commercie Compagnie, 1730–1807’ (unpublished paper available from the Zeeuws Archive, 2013), 12–14.12 Koster, ‘God zij geloofd voor de behouden vaart’, 27–8.13 Andrew Sluyter, ‘Death on the Middle Passage: A Cartographic Approach to the Atlantic Slave Trade’, Esclavages et post-esclavages (2020): 3358; Andrew Sluyter, Atlantic Commodity Networks, https://sites.google.com/site/Atlanticnetworksproject; Charlotte S. Sussman, Remembering the Middle Passage, https://sites.duke.edu/middlepassage; Phillip J. Turner, et al., ‘Memorializing the Middle Passage on the Atlantic Seabed in Areas Beyond National Jurisdiction’, Marine Policy 122 (2020): 104254.14 The 67 logbooks for slave voyages are MCC 185, 187, 215, 333, 383, 390, 391, 398, 429, 430, 455, 461, 486, 487, 511, 518, 523, 537, 542, 775, 781, 787, 793, 800, 801, 808, 823, 830, 837, 858, 896, 903, 910, 916, 922, 962, 968, 973, 978, 984, 989, 994, 999, 1004, 1013, 1018, 1077, 1092, 1097, 1125, 1153, 1189, 1193, 1217, 1222, 1228, 1234, 1239, 1246, 1252, 1302, 1307, 1312, 1385, 1397, 1405, 1411.15 MCC 962. Of the 67 logbooks for slave voyages, only this one lacks a summary record in TSTD.16 The 42 logbooks for non-slave voyages are MCC 204, 261, 264, 269, 278, 303, 320, 363, 467, 481, 556, 561, 566, 579, 584, 594, 599, 629, 632, 636, 640, 649, 744, 752, 765, 891, 952a, 1026, 1030, 1035, 1058, 1139, 1160, 1166, 1172, 1179, 1184, 1202, 1208, 1271, 1276, 1376.17 Roelof van Straten, An Introduction to Iconography (Amsterdam: Gordon and Breach, 1994), 3; Gillian Rose, Visual Methodologies: An Introduction to Researching Visual Materials (Los Angeles: Sage Publications, 2016), 198.18 Rose, Visual Methodologies, 200.19 Straten, An Introduction to Iconography, 4–17.20 Alicia Faxon, ‘Some Perspectives on the Transformation of the Dance of Death in Art’, in The Symbolism of Vanitas in the Arts, Literature, and Music: Comparative and Historical Studies, ed. Liana DeGirolami Cheney (Lewiston: The Edwin Mellen Press, 1992), 33–66.21 Michael Brennan, ed., The A-Z of Death and Dying: Social, Medical, and Cultural Aspects (Santa Barbara: Greenwood, 2014), 44–5, 127–8.22 Corinna Ricasoli, ed., The Living Dead: Ecclesiastes Through Art (Paderborn: Verlag Ferdinand Schöningh, 2018), 13–6.23 Ricasoli, The Living Dead, 126–7, 180–1.24 Sarah Tarlow, Bereavement and Commemoration: An Archaeology of Mortality (Oxford: Blackwell, 1999), 71, 77, 88; Jaak Nijssen and Jan Nyssen, ‘Pre-industrial Headstones Across the Continental North Sea Plain’, Journal of Historical Geography 37 (2011): 273–87; Brennan, The A-Z of Death and Dying, 307–8.25 Liana DeGirolami Cheney, ‘Dutch Vanitas Paintings: The Skull’, in The Symbolism of Vanitas in the Arts, Literature, and Music: Comparative and Historical Studies, ed. Liana DeGirolami Cheney (Lewiston: The Edwin Mellen Press, 1992), 113–76.26 Simon Schama, The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (New York: Alfred A. Knopf, 1987), xi, 214.27 Straten, An Introduction to Iconography, 60–6.28 Gabriel Rollenhagen, Selectorum Emblematum: Centuria Secunda (Utrecht: Crispiani Passaei, 1613), 77.29 Brandon Richards, ‘Hier Leydt Begraven: A Primer on Dutch Colonial Gravestones’, Northeast Historical Archaeology 43 (2014): 1–22.30 Straten, An Introduction to Iconography, 37–9.31 Ibid., 45-55.32 Cesare Ripa, Nova Iconologia (Padua: Pietro Paulo Tozzi, 1618), 354; James Hall, Dictionary of Subjects and Symbols in Art (Boulder: Westview Press, 2008), 97.33 Ripa, Nova Iconologia, 521; Straten, An Introduction to Iconography, 38; Hall, Dictionary of Subjects and Symbols in Art, 123.34 Hall, Dictionary of Subjects and Symbols in Art, 97, 123.35 Ibid., 300–1.36 Brennan, The A-Z of Death and Dying, 307–8; Tarlow, Bereavement and Commemoration, 76–9, 127–31.37 Ibid; Ibid., 131–2.38 Hall, Dictionary of Subjects and Symbols in Art, 80–1.39 Jason Farago, ‘Close Read: A Messy Table, a Map of the World’, The New York Times (8 May 2022), https://www.nytimes.com/interactive/2022/05/08/arts/design/dutch-still-life.html.40 William J. Bouwsma, John Calvin: A Sixteenth-Century Portrait (New York: Oxford university Press, 1988).41 Tarlow, Bereavement and Commemoration, 79–82; Nijssen and Nyssen, ‘Pre-industrial Headstones’, 283–84; Christine Kooi, Calvinists and Catholics during Holland's Golden Age: Heretics and Idolaters (New York: Cambridge University Press, 2012).42 Hans Knippenberg, De Religieuze Kaart van Nederland: Omvang en Geografische Spreiding van de Godsdienstige Gezindten Vanaf de Reformatie tot Heden (Assen: Van Gorcum, 1992), 23.43 Ronnie Po-chia Hsia, ‘Introduction’, in Calvinism and Religious Toleration in the Dutch Golden Age, eds. Ronnie Po-chia Hsia and Henk F. K. van Nierop (Cambridge University Press, 2002), 5–6; Knippenberg, De Religieuze Kaart van Nederland, 23.44 David Barringer, There is Nothing Funny about Design (New York City: Princeton Architectural Press, 2009), 75.45 Benjamin Bennett-Carpenter, Death in Documentaries: The Memento Mori Experience (Leiden: Brill Rodopi, 2018), ix.46 MCC 858. Other logbooks with similar unintentional variation include MCC 808, 896, and 903.47 MCC 215, 383, 390, 430, 486, 487, 518, 523, 787, 793, 800, 801, 823, 830, 922, 973, 984, 999, 1004, 1013, 1193, 1222, 1228, 1234, 1239, 1246, 1302, 1307, 1385.48 MCC 185, 391, 429, 455, 511, 537, 775, 781, 808, 837, 916, 1018, 1097, 1125, 1411. Note that this list assumes one errant type 10 for the first crew death in the logbook of the 1764–1766 voyage of the Haast U Langzaam, in which the author used type 15 for 5 subsequent crew deaths (MCC 511, 27).49 Harms, The Diligent; Eltis and Richardson, Atlas of the Transatlantic Slave Trade, 173.50 MCC 187, 542, 858, 910, 968, 978, 989, 994, 1077, 1092, 1312, 1405. Note that this list assumes one errant type 7 for the first enslaved death in the logbook of the 1779–1780 voyage of the Nieuwe Hoop, in which the author used type 10 for the other 14 enslaved deaths (MCC 858, 25).51 MCC 333, 398, 461, 896, 903, 962, 1153, 1189, 1217, 1252, 1397, 1411.52 Koster, ‘God zij geloofd voor de behouden vaart’, 27; MCC 429, 903, 962, 1092, 1222, and 1312 use heads, and MCC 429, 1092, and 1222 depict them with kinky hair.53 MCC 429, 1092.54 MCC 1092.55 The terms used were variations of manslaaf for men, vrouweslaaf for women, jongeslaaf for boys, and meisjeslaaf or meijdslaaf for girls.56 MCC 333, 391, 398, 511, 858, 896, 903, 962, 1092, 1153, 1217, 1252, 1312.57 MCC 383, 391, 429, 461, 511, 808, 962, 1004, 1092, 1097, 1153, 1189, 1217, 1246, 1252, 1312, 1397, 1411.58 MCC 1246, 7, 38, 47, 69.59 MCC 1189, 14, 67.60 MCC 429, 46, 47, 48, 50.61 Brennan, The A-Z of Death and Dying, 307–8; Tarlow, Bereavement and Commemoration, 131–2.62 L.J. Joosse, ‘Zeeuwse predikanten en hun visie op slavernij en slavenhandel, 1640–1740’, Archief: Mededelingen van het Koninklijk Zeeuwsch Genootschap der Wetenschappen (1 January 2005): 77–98.Additional informationFundingThis work was supported by College of Humanities and Social Sciences, Louisiana State UniversityNotes on contributorsAndrew SluyterAndrew Sluyter is a Carnegie Fellow and Professor of Geography and Anthropology at Louisiana State University, Baton Rouge, LA 70808 U.S.A. Email: asluyter@lsu.edu.
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18世纪荷兰大西洋奴隶贸易航海日志中的死亡意象
《欧洲艺术中的奴隶:从文艺复兴的奖杯到废奴主义的象征》(伦敦:华宝学院,2012);Eltis和Richardson,《跨大西洋奴隶贸易地图集》,173.7年,1761 - 1763年,项目经理Hannie Kool-Blokland, https://eenigheid.slavenhandelmcc.nl。The primary sources for The项目include MCC 383、384、385、386、387、388、389。1 389。2、389。3、8 390 An Eenigheid 1761 - 1763号上的船员、https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/oversteek/bemanning-oversteek.9 An登上Eenigheid 1761年- 1763年,44岁的尾声,1368 https://eenigheid.slavenhandelmcc.nl/trajecten-van-de-reis/thuisreis/epiloog.10 MCC,字母或21 1767年5月由阿德里安·维瑟to his father。11西蒙·科斯特,“信上帝保持海运:宗教的作用在船上的奴隶贸易米德尔堡商业公司,1730年- 1807年”(unpublished纸可从泽乌档案,2013),12 - 14 . 12科斯特,”信上帝保持海运',27 - 8.13安德鲁,Death on the Middle Passage: A Cartographic Approach to the大西洋奴隶贸易,Esclavages et post-esclavages(2020年):3358;Andrew Sluyter, Atlantic Commodity Networks, https://sites.google.com/site/atlanticnetworkproject;Charlotte S. Sussman,记住中间通道,https://sites.duke.edu/middlepassage;Phillip J. Turner等人,“在国家管辖之外的地区纪念大西洋海底的中间通道”,海事政策122 (2020):104254。14 67 logbooks for The slave旅行are MCC 185、187、215、333、383、390、391、398 429、430、455、461、486 487、511、518、523、537、542、775 781、787、793、800、801、808、823、830、837 858 896、903、910、916、922、962、968、973、978 984 989,994,999,1004,1013,1018,1077,1092,1097年,1125年,1153 1189 1217、108、1222,1228,1234,1239,1246,1252年,1302,1307年,1312,1385,1397、1405 1411。15 MCC 962。Of the 67 logbooks for a slave旅行,only this one缺乏在TSTD摘要记录。16个42 logbooks量为non-slave旅行are MCC 204、261、264、269、278、303、320、363,467 481、556、561、566 579、584、594、599、629、632、636、640、649,744、752、765 891,952a 1026、1030 1035、1058,1139,1160,1184年1166,1172年,1179,1202年,1208,1271、1276 1376。17 Roelof街道、Iconography导论》(阿姆斯特丹:戈登和泄露,1994),3票;吉莉安·罗斯、Visual Methodologies: An Introduction to Researching Visual材料(洛杉矶:Sage Publications, 2016), 198 18。罗斯,Visual Methodologies 200人。19街道、Iconography导论》、4 - 17℃20 Alicia Faxon Some Perspectives on the Transformation of the Dance of Death)的艺术”,在the Symbolism或Vanitas in the Arts, Literature, and Music:比较和历史研究,ed . Liana DeGirolami切尼(刘易斯顿:Edwin Mellen出版社,1992)21、33 - 66。迈克尔·布伦南,ed ., The a - z of Death and Dying:社交、医疗和文化方面(圣芭芭拉:Greenwood, 2014), 44 - 5(127 - 8。22 Corinna Ricasoli, ed ., The Living Dead:传道书Through Art(帕德伯恩:Verlag), 2018年费迪南德Schoningh Ricasoli, 13 - 23 6 . The Living Dead, 126 - 7, 180 - 1。24 Sarah Tarlow, Bereavement and纪念活动:An考古或死亡》(牛津:布莱克威尔,1999)、71、77、88;Jaak Nijssen和Jan Nyssen,《跨越北海大陆平原的前工业领袖》,《历史地理杂志》37 (2011):273 - 87;Brennan), The a - z of Death and Dying, 307 - 8.25 Liana DeGirolami切尼,“荷兰Vanitas群像:The Skull),在The Symbolism或Vanitas in The Arts, Literature, and Music:比较和历史研究,ed . Liana DeGirolami切尼(刘易斯顿:Edwin Mellen Press, 1992), 113 - 76 . 26西蒙·沙马,The Embarrassment或财富:解释或荷兰Culture in The Golden Age(纽约:(Alfred A . Knopf), 1987), xi, 214。27岁的街道,Iconography导论》,60 - 6 . Gabriel Rollenhagen 28 Selectorum Emblematum:世纪Secunda(乌得勒支:Crispiani Passaei 29, 1613年),享年77。布兰登·理查兹,“这里埋葬Leydt: A Primer on荷兰殖民Gravestones 43,东北历史考古学》(2014):1 - 22℃30街道、Iconography导论》31、37 - 9。同上,第32至55 Cesare Ripa, Nova Iconologia(帕多瓦:Pietro Paulo Tozzi, 1618年),354票;《艺术中的主题和符号词典》(博尔德:Westview出版社,2008),97.33 Ripa, Nova Iconologia, 521;《肖像学导论》,38岁;霍尔,《艺术中的主题和符号词典》,123.34霍尔,《艺术中的主题和符号词典》,97,123.35同上,300 - 1.36布伦南,《死亡与死亡的A-Z》,307 - 8;同上,76 - 9,127 - 31.37;同上,131 - 2.38 Hall,艺术中的主题和符号词典,80 - 1.39 Jason Farago,“Close Read: A Messy Table, A Map of the World”,《纽约时报》(2022年5月8日),https://www.nytimes.com/interactive/2022/05/08 arts/design/dutch-still-life.html.40 William J。 约翰·加尔文:16世纪肖像(纽约:牛津大学出版社,1988年)塔洛,《丧亲与纪念》,79-82页;Nijssen and Nyssen,《Pre-industrial Headstones》,283-84;《荷兰黄金时代的加尔文主义者和天主教徒:异教徒和偶像崇拜者》(纽约:剑桥大学出版社,2012),第42页Hans Knippenberg, De Religieuze Kaart van Nederland: Omvang en Geografische spiding van De goddsdienstige Gezindten Vanaf De reformreform tot Heden (Assen: van Gorcum, 1992), 23.43 Ronnie Po-chia Hsia,“导论”,《荷兰黄金时代的加尔文主义与宗教宽容》,主编。夏宝嘉、范尼罗普(剑桥大学出版社,2002),5-6;尼彭伯格,De Religieuze Kaart van Nederland, 23.44 David Barringer,《设计没有什么好笑的》(纽约市:普林斯顿建筑出版社,2009),75.45 Benjamin Bennett-Carpenter,《纪录片中的死亡:死亡的记忆》(莱顿:Brill Rodopi, 2018),第46页世纪挑战集团858年。其他具有类似无意变化的日志包括MCC 808、896和903.47 MCC 215、383、390、430、486、487、518、523、787、793、800、801、823、830、922、973、984、999、1004、1013、1193、1222、1228、1234、1239、1246、1302、1307、1385.48 MCC 185、391、429、455、511、537、775、781、808、837、916、1018、1097、1125、1411。请注意,本列表假定1764-1766年Haast U Langzaam号航行日志中的第一批船员死亡是错误的类型10,其中作者对随后的5名船员死亡使用了类型15 (MCC 511, 27)勤奋者哈姆斯;《跨大西洋奴隶贸易地图集》,173.50 MCC 187,542, 858, 910, 968, 978, 989, 994, 1077, 1092, 1312, 1405。请注意,本列表假定1779-1780年Nieuwe Hoop航行日志中的第一个奴隶死亡是错误的类型7,而作者对其他14个奴隶死亡使用了类型10 (MCC 858, 25) 51[3]柯思特,“神的zij gelood voor of behouden vaart”,27;MCC 429、903、962、1092、1222和1312使用人头,而MCC 429、1092和1222用卷曲的头发描绘他们所使用的术语是指男性的manslaaf,指女性的vrouweslaaf,指男孩的jongeslaaf,以及指女孩的meisjeslaaf或meijdslaafMCC 333、391、398、511、858、896、903、962、1092、1153、1217、1252、1312.57 MCC 383、391、429、461、511、808、962、1004、1092、1097、1153、1189、1217、1246、1252、1312、1397、1411.58 MCC 1246、7、38、47、69.59 MCC 1189、14、67.60 MCC 429、46、47、48、50.61布伦南,死亡与死亡的A-Z, 307-8;L.J. Joosse,“Zeeuwse predikanten en hun visie op slavernij en slavenhandel, 1640-1740”,档案馆:Mededelingen van heet Koninklijk Zeeuwsch Genootschap der Wetenschappen(2005年1月1日):77-98。本研究得到了路易斯安那州立大学人文与社会科学学院的支持。作者简介:andrew Sluyter是路易斯安那州立大学卡内基研究员和地理学与人类学教授,地址:美国巴吞鲁日,LA 70808。
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