A Beast to Be Slain: The Tiger and the Unquenched Desire of Man

IF 0.1 3区 文学 0 LITERATURE JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI:10.2979/jml.2023.a908977
Sina Movaghati
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Abstract

Abstract: Ever since the British colonists blessed tiger hunting as the cardinal "royal" sport of the Haut monde , a surge of interest took place among the leisure class to travel to the British Raj in order to re-practice their ancestral fox hunting on foreign hunting grounds—this time with a more fearsome quarry. Since tigers were considered exotic and fierce creatures, overpowering these beasts secured a certain cachet for the victor, signifying his virility and manliness. As a result, the encounter between man and the tiger—both in the metaphoric and non-metaphoric sense—provided a literary trope for the twentieth-century writers who associated the animal with the erotic hunger of the male protagonists. By studying the traditional beliefs surrounding these mystical creatures, the present article reads some of the notable literary fictions of the twentieth century that use the tiger as a central animal motif— The Beast in the Jungle (1903), Death in Venice (1912), and The Remains of the Day (1989)—in light of each other.
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一只待杀的野兽:老虎与人类不灭的欲望
摘要:自从英国殖民者将猎虎作为“上世界”的主要“皇家”运动以来,有闲阶层中掀起了一股兴趣,他们前往英国统治时期,在外国的狩猎场重新练习他们祖先的猎狐活动——这次是用更可怕的猎物。由于老虎被认为是外来的凶猛动物,打败这些野兽为胜利者赢得了一定的荣誉,象征着他的阳刚和男子气概。因此,人与老虎的相遇——无论是隐喻的还是非隐喻的——为20世纪的作家提供了一种文学修辞,他们把动物与男主人公的性欲饥饿联系在一起。通过研究围绕这些神秘生物的传统信仰,本文阅读了20世纪一些以老虎为中心主题的著名文学小说——《丛林中的野兽》(1903年)、《威尼斯之死》(1912年)和《白天的遗迹》(1989年)。
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