Beyond the Door of No Return by David Diop (review)
Daniel Bokemper
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引用次数: 0
Abstract
Reviewed by: Beyond the Door of No Return by David Diop Daniel Bokemper DAVID DIOP Beyond the Door of No Return Trans. Sam Taylor. New York. Farrar, Straus and Giroux. 2023. 256 pages. REGRET IS A FORCE that changes us. It immerses us in melancholy and begs questions, without answers, about what could've been. This is what lies Beyond the Door of No Return, the latest novel from Booker Prize winner David Diop. While less bleak than At Night All Blood Is Black (WLT, Spring 2021, 97), Beyond is no less poignant. It's part odyssey, part tragic romance, and entirely topical despite its historic setting. Beyond examines the late stages of slavery in West Africa through the memoir of a French botanist, Michel Adanson. After his death, he wills his entire estate to his mostly estranged daughter, Aglaé. After finding a secret compartment in one of her father's drawers, she discovers a portfolio addressed to her. Within it is Michel's entire account of the woman whose name he muttered on his deathbed: Maram. Most of the novel traces Michel's three-year excursion in the Republic of Senegal. And though Michel is a mostly unassuming botanist, Diop doesn't diminish how the character enables the slave trade. Michel may envision himself a white savior by his disdain for slavery, but it's made abundantly clear his craft only serves to perpetuate a misanthropic system. Diop is also adept at weaving myth into realistic fiction. Ritual and superstition follow every step of Michel's journey. With each new revelation, the scientist deconstructs his rigid boundaries in his secret pursuit of a lost girl and snakeskin-wearing mystic. Beyond's biggest mystery is unraveled quickly, but in doing so, Diop reframes our understanding of the story. In other words, the voyage across the savannah shifts inward and travels further than any physical journey could possibly go. The author's prose—and, by extension, Sam Taylor's excellent translation—mixes vivid metaphor with direct action. Violence is conveyed as it should be: jarring, uncomfortable, and permeant. It lingers like a stench that's only subdued by Diop's magical descriptions of passion and longing. Beyond's conclusion is harrowing and beautiful but persists a bit further than necessary. It may resonate more in a later read (which all of Diop's novels demand), though it still feels like the parallel the writer draws out is exactly that—overextended. At the same time, it could be seen as a stark reminder of how, no matter the tragedy that befalls us, life persists uncaged. Beyond the Door of No Return is a welcome predecessor to an inevitable masterpiece. It reveals an unseen side of Diop's storytelling and, in doing so, justifies the risk of untamed love. [End Page 56] Daniel Bokemper Oklahoma City Copyright © 2023 World Literature Today and the Board of Regents of the University of Oklahoma
大卫·迪奥普《在不归之门之外》(书评)
大卫·迪奥普《不归之门之外》作者:大卫·迪奥普《不归之门之外》萨姆泰勒。纽约。Farrar, Straus and Giroux. 2023。256页。后悔是一种改变我们的力量。它让我们沉浸在忧郁之中,让我们问一些没有答案的问题:本来会发生什么?这就是布克奖得主大卫·迪奥普的最新小说《不归之门之外》。虽然没有《夜血皆黑》(the Night All Blood Is Black, WLT, Spring 2021, 1997)那么凄凉,但《超越》同样令人心酸。它部分是奥德赛,部分是悲剧浪漫,尽管它的历史背景完全是主题。Beyond通过法国植物学家米歇尔·阿丹森(Michel Adanson)的回忆录考察了西非奴隶制的后期阶段。在他死后,他将他的全部财产留给了他的女儿agla。在她父亲的一个抽屉里找到一个秘密隔间后,她发现了一个写给她的文件夹。书中有米歇尔对那个女人的完整描述,他在临终前喃喃自语着她的名字:玛拉姆。小说的大部分描写了米歇尔在塞内加尔共和国的三年旅行。虽然米歇尔是一个谦逊的植物学家,但迪奥普并没有贬低这个角色如何促成奴隶贸易。米歇尔可能会把自己想象成一个白人救世主,因为他对奴隶制的蔑视,但很明显,他的手艺只是为了延续一个厌恶人类的系统。迪奥普还擅长将神话融入现实主义小说。仪式和迷信伴随着米歇尔的每一步旅程。随着每一个新的启示,科学家解构了他的刚性边界在他的秘密追求一个失踪的女孩和穿着蛇皮的神秘主义者。《超越》最大的谜团很快就解开了,但在此过程中,迪奥普重新定义了我们对这个故事的理解。换句话说,穿越大草原的旅程向内移动,比任何物理旅行都要远。作者的散文,以及萨姆·泰勒出色的翻译,将生动的隐喻与直接的行动结合在一起。暴力以其应有的方式被传达:不和谐、不舒服和被允许。它像一股恶臭一样萦绕不去,只有在迪奥普对激情和渴望的神奇描述中才得以平息。Beyond的结论是凄美的,但有些过于冗长。它可能会在后来的阅读中产生更大的共鸣(这是迪奥普所有小说的要求),尽管它仍然感觉作者所描绘的平行确实是过度延伸。与此同时,它也可以被视为一个鲜明的提醒:无论悲剧降临到我们身上,生活都是如何不受束缚地坚持下去的。《在不归之门之外》是一部不可避免的杰作的受欢迎的前身。它揭示了迪奥普叙事中不为人知的一面,并以此证明了不受约束的爱情的风险。[End Page 56] Daniel Bokemper俄克拉荷马城版权©2023今日世界文学和俄克拉荷马大学校董会
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