The Effect of Music and Editing Style on Subjective Perception of Time When Watching Videos

IF 1.2 0 FILM, RADIO, TELEVISION Projections-The Journal for Movies and Mind Pub Date : 2023-06-01 DOI:10.3167/proj.2023.170203
Kathryn Nicole Sam, K. Jayasankara Reddy
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Abstract

Abstract Arousal, editing style, and eye movements have been implicated in time perception when watching videos. However, little multimodal research has explored how manipulating both the auditory and visual properties of videos affects temporal processing. This study investigated how editing density and music-induced arousal affect viewers’ time perception. Thirty-nine participants watched six videos varying in editing density and music while their eye movements were recorded. They estimated the videos’ duration and reported their subjective experience of time passage and emotional involvement. Fast-paced editing was associated with the feeling of time passing faster, a relationship mediated by fixation durations. High-arousal background music was also associated with the feeling of time passing faster. The consequences of this study in terms of a possible auditory driving effect are explored.
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音乐和剪辑风格对观看视频时主观时间感知的影响
在观看视频时,唤醒、编辑风格和眼球运动与时间感知有关。然而,很少有多模态研究探讨了同时操纵视频的听觉和视觉特性如何影响时间处理。本研究探讨剪辑密度和音乐诱导的觉醒如何影响观众的时间感知。39名参与者观看了6段不同剪辑密度和音乐的视频,同时记录了他们的眼球运动。他们估计了视频的持续时间,并报告了他们对时间流逝和情感投入的主观体验。快节奏的编辑与时间过得更快的感觉有关,这种关系由注视时间的持续时间介导。高唤醒的背景音乐也与时间过得更快的感觉有关。本研究的结果在可能的听觉驱动效应方面进行了探讨。
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来源期刊
CiteScore
0.90
自引率
28.60%
发文量
18
期刊介绍: Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.
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