{"title":"Affective Trajectory of Viewers’ Long-term Engagement with TV Series","authors":"Iris Vidmar Jovanović","doi":"10.3167/proj.2023.170201","DOIUrl":null,"url":null,"abstract":"Abstract Referring to the widespread disappointment over the ending of the Game of Thrones , George R.R. Martin recently cried: “I don't understand how people can come to hate so much something that they once loved.” My aim here is to offer an account that explains this shift in viewers’ emotions, which I refer to as affective trajectory. On my proposal, viewers are attached to a certain work for a considerable amount of time when they care for it and feel rewarded by such caring. When this sense of reward is absent from their experience, they start to feel disappointed. To account for such an absence, and such a shift, I first analyze some of the ways in which a show inspires and rewards a sense of care in the viewers, and I then move on to examine how this sense is betrayed. Underlying my analysis are insights from cognitive approaches to aesthetics, philosophy of taste and emotions, and television studies.","PeriodicalId":43599,"journal":{"name":"Projections-The Journal for Movies and Mind","volume":null,"pages":null},"PeriodicalIF":1.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections-The Journal for Movies and Mind","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/proj.2023.170201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract Referring to the widespread disappointment over the ending of the Game of Thrones , George R.R. Martin recently cried: “I don't understand how people can come to hate so much something that they once loved.” My aim here is to offer an account that explains this shift in viewers’ emotions, which I refer to as affective trajectory. On my proposal, viewers are attached to a certain work for a considerable amount of time when they care for it and feel rewarded by such caring. When this sense of reward is absent from their experience, they start to feel disappointed. To account for such an absence, and such a shift, I first analyze some of the ways in which a show inspires and rewards a sense of care in the viewers, and I then move on to examine how this sense is betrayed. Underlying my analysis are insights from cognitive approaches to aesthetics, philosophy of taste and emotions, and television studies.
期刊介绍:
Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores how the mind experiences, understands, and interprets the audiovisual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition, and emotion, according to frameworks supplied by philosophy of mind, phenomenology, psychology, and the cognitive-and neurosciences. The journal seeks to facilitate a dialogue between scholars in these disciplines and bring the study of moving image media to the forefront of contemporary intellectual debate.