Depictions of Nature Imagery in Literature: An Eco-critical Perspective

None Rebecca Ufuoma Davies
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Abstract

The paper examines the function of nature imagery in literature from an eco-critical viewpoint. It makes the case that nature may be a potent instrument for fostering ecological awareness and responsibility as well as for visualizing more just and sustainable ways for people to engage with the environment. The first section of the paper defines eco-criticism as an interdisciplinary field that was born out of the late 20th-century environmental catastrophe. The use of nature imagery in literature to foster an understanding of ecological interdependence, encourages a sense of location and connection to the environment, and arouses wonder and awe for the natural world is then examined. The study articulates how depictions of nature have been used to support environmental justice and sustainability and criticizes industrialization, urbanization, and the exploitation of natural resources. The paper concludes that natural imagery in literature can help us envision more equitable and sustainable forms of human-environmental interaction and this creative labor is essential for tackling the environmental concerns of our day. It calls for continued attention to nature imagery in literature and integrating eco-critical approaches into literary studies more broadly.
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文学中自然意象的描绘:一个生态批判的视角
本文从生态批评的角度考察了自然意象在文学中的作用。它表明,自然可能是一种强有力的工具,可以培养生态意识和责任,并为人们与环境互动提供更公正和可持续的方式。本文的第一部分将生态批评定义为一个跨学科的领域,它诞生于20世纪后期的环境灾难。在文学中使用自然意象来促进对生态相互依存的理解,鼓励与环境的位置和联系感,并唤起对自然世界的惊叹和敬畏。该研究阐明了对自然的描绘如何被用来支持环境正义和可持续性,并批评了工业化、城市化和自然资源的开发。论文的结论是,文学中的自然意象可以帮助我们设想更公平和可持续的人与环境相互作用形式,这种创造性的劳动对于解决当今的环境问题至关重要。它呼吁继续关注文学中的自然意象,并将生态批评方法更广泛地纳入文学研究。
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