‘I miss when my problems were about nothing’: Millennial angst, neoliberal feminism, and paratexts in Search Party (2016–2022)

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION Critical Studies in Television Pub Date : 2023-11-01 DOI:10.1177/17496020231209862
Sarah Lahm
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Abstract

This article investigates the articulation of complex demands of neoliberal feminism, such as individualism, entrepreneurialism and self-management on the millennial woman in recent streaming series. The portrayal of a fractured female self and its entanglement with millennial angst will shed light on serial depictions of neoliberal individualism and female subjectivity. Search Party, a satirical, genre-bending, half-hour comedy-drama serves as an example through which the contradictory demands of neoliberal feminism are negotiated and questioned. In addition to assessment of the narrative and character framing, paratextual materials and specifically the series’ promotional posters work to further situate the twenty-first century millennial female, underscoring her split self.
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“我怀念我的问题无关紧要的时候”:《搜索派对》中的千禧一代焦虑、新自由主义女权主义和超文本(2016-2022)
本文探讨了新自由主义女性主义的复杂诉求,如个人主义、创业主义和自我管理,在最近的流媒体电视剧中对千禧一代女性的表达。对破碎的女性自我的描绘及其与千禧一代焦虑的纠缠将为新自由主义个人主义和女性主体性的一系列描绘提供启示。《搜索派对》是一部半小时的讽刺喜剧,它是新自由主义女权主义相互矛盾的要求被协商和质疑的一个例子。除了对叙事和人物框架的评估之外,文本材料,特别是系列的宣传海报,进一步定位了21世纪的千禧一代女性,强调了她分裂的自我。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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