{"title":"Beyond Memory","authors":"José Miguel Palacios","doi":"10.1525/fq.2023.77.1.38","DOIUrl":null,"url":null,"abstract":"The introduction situates the Special Focus section “Chilean Film and Media: Fifty Years Later (1973/2023)” in its historical and cultural context. The year 2023 marks the fiftieth anniversary of the coup that toppled the socialist government of Salvador Allende on September 11, 1973. To reflect on the role of film and media in relation to the coup demands a move away from mere commemoration and, more broadly, from memory studies as the overarching critical framework that has dominated studies of Chilean cinema. This Special Focus section seeks to move beyond memory without neglecting the duty to remember. It is a project of reactivation, reappropriation, and repoliticization of the cinematic memory of the coup. This approach favors continuities between films made throughout the last five decades under different historical moments—the socialist years of Allende, the dictatorship, the postdictatorship, and the estallido social (social uprising) of October 2019.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"18 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.77.1.38","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
The introduction situates the Special Focus section “Chilean Film and Media: Fifty Years Later (1973/2023)” in its historical and cultural context. The year 2023 marks the fiftieth anniversary of the coup that toppled the socialist government of Salvador Allende on September 11, 1973. To reflect on the role of film and media in relation to the coup demands a move away from mere commemoration and, more broadly, from memory studies as the overarching critical framework that has dominated studies of Chilean cinema. This Special Focus section seeks to move beyond memory without neglecting the duty to remember. It is a project of reactivation, reappropriation, and repoliticization of the cinematic memory of the coup. This approach favors continuities between films made throughout the last five decades under different historical moments—the socialist years of Allende, the dictatorship, the postdictatorship, and the estallido social (social uprising) of October 2019.
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.