{"title":"An Author without a Nation: Fictional Renderings of Leopoldo Lugones in Argentine Literature","authors":"Rodrigo López Martínez","doi":"10.1017/lar.2023.47","DOIUrl":null,"url":null,"abstract":"Abstract This article examines three novels that use fiction to revise the figure of the Argentine author Leopoldo Lugones: Ricardo Piglia’s Respiración artificial (1980), C. E. Feiling’s Un poeta nacional (1993), and César Aira’s Lugones (2020). These three novels present different portrayals of Lugones, which also mirror their opposing views of the Argentine literary tradition. Piglia, Feiling, and Aira look back at the so-called national poet when self-fashioning themselves as writers and outlining a literary project in a (post)dictatorial scenario. In a cultural field marked by the effects of state terror and neoliberal reform policies, these fictional renderings of Lugones become a means of reflecting on the political past and the future of literature. Ultimately, I argue that Respiración artificial , Un poeta nacional , and Lugones devise a figure of the Argentine author decoupled from the mission of consolidating a national identity that Lugones epitomized for nearly half a century.","PeriodicalId":47316,"journal":{"name":"Latin American Research Review","volume":"133 1","pages":"0"},"PeriodicalIF":0.7000,"publicationDate":"2023-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Latin American Research Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/lar.2023.47","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article examines three novels that use fiction to revise the figure of the Argentine author Leopoldo Lugones: Ricardo Piglia’s Respiración artificial (1980), C. E. Feiling’s Un poeta nacional (1993), and César Aira’s Lugones (2020). These three novels present different portrayals of Lugones, which also mirror their opposing views of the Argentine literary tradition. Piglia, Feiling, and Aira look back at the so-called national poet when self-fashioning themselves as writers and outlining a literary project in a (post)dictatorial scenario. In a cultural field marked by the effects of state terror and neoliberal reform policies, these fictional renderings of Lugones become a means of reflecting on the political past and the future of literature. Ultimately, I argue that Respiración artificial , Un poeta nacional , and Lugones devise a figure of the Argentine author decoupled from the mission of consolidating a national identity that Lugones epitomized for nearly half a century.
摘要本文考察了阿根廷作家莱奥波尔多·卢戈内斯的三部小说:里卡多·皮格利亚的《Respiración artificial》(1980)、c.e.费林的《Un poeta nacional》(1993)和卡萨·艾拉的《卢戈内斯》(2020)。这三部小说呈现了对卢戈内斯不同的描绘,也反映了他们对阿根廷文学传统的对立看法。皮格利亚、飞玲和艾拉回顾了所谓的民族诗人在(后)独裁的情况下,如何将自己塑造成作家,并概述了一个文学计划。在一个以国家恐怖主义和新自由主义改革政策的影响为标志的文化领域,这些对卢戈内斯的虚构渲染成为反思政治过去和文学未来的一种手段。最后,我认为Respiración人工、民族诗歌和卢戈内斯塑造了一个阿根廷作家的形象,他脱离了巩固国家认同的使命,而卢戈内斯是近半个世纪以来国家认同的化身。
期刊介绍:
The Latin American Research Review is the premier interdisciplinary journal that publishes original research and surveys of current research on Latin America and the Caribbean. Interdisciplinary offerings reflect ahead-of-the-curve research, as well as new directions of knowledge creation in areas such as cultural studies, Latino issues and transnationalism, all of which increasingly intersect with Latin America in ways that are intellectually challenging and illuminating.