ОБРАЗ РЕБЁНКА В ЛИТЕРАТУРЕ УЖАСОВ (НА МАТЕРИАЛЕ СБОРНИКА Д. БОБЫЛЕВОЙ «ЗАБЫТЫЙ ЧЕЛОВЕК»)

Екатерина Гаранина, Валерий Хомяков
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Abstract

The article examines the image of a child in the collection of short stories by the modern Russian writer Daria Bobyleva «The Forgotten Man». Seven stories of the collection are taken for analysis, in which the image of a child plays a key role in semantic and compositional terms. The paper attempts to classify the analyzed stories from the point of view of the meaning of the child's image. This image is considered from the point of view of its folklore sources, in particular – in the context of the heat features of the bylichek and post-folklore «creepy stories». The image of the child is analyzed as an important compositional element that allows you to create the effect of «terrible», as part of the other world. The article also discusses some psychological prerequisites that allow including the image of a child in stories based on mystical horror. As a result, of the conducted research, it can be concluded that the image of a child plays an important role in creating artistic unity in this collection
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《被遗忘的人》(d。d。
本文考察了俄罗斯现代作家达里娅·波比列娃的短篇小说集《被遗忘的人》中的儿童形象。本文分析了该文集中的七个故事,其中儿童形象在语义和构图方面起着关键作用。本文试图从儿童形象意义的角度对所分析的故事进行分类。这幅图像是从民间传说的角度来考虑的,特别是在bylichek的热特征和后民间传说的“恐怖故事”的背景下。孩子的形象被分析为一个重要的组成元素,允许你创造“可怕”的效果,作为另一个世界的一部分。文章还讨论了一些心理上的先决条件,允许在基于神秘恐怖的故事中包含一个孩子的形象。因此,通过所进行的研究,可以得出结论,儿童形象在创造艺术统一方面发挥了重要作用
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