The Nationalization of Patriotism in Russian Literature during the Crimean War: Institutions, Everyday Nationalism, and Images of Peasants

Alexey Vdovin
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Abstract

Abstract This article explores the issue of Russian imperial nationalism in the early phase of its formation, namely the nationalization of patriotism in literature during the Crimean War, 1853–56. Using historical studies and theories of nationalism, the author shows how and why an acute discourse of a nationalistic experience of community uniting the elite with the common people arose in St. Petersburg society, theater, and literature. Drawing on many published and archival materials, the article describes the institutions of escalating nationalism (thick journals, newspapers, the Maritime Ministry, theater, salons, and circles), everyday rituals (wearing “Russian” clothes), and the images of peasants, who in the fiction of Aleksei Potekhin, Aleksei Pisemskii, Ivan Gorbunov, Ivan Turgenev, and Dmitrii Grigorovich acted as bearers of authentic “Russianness.” The growing popularity of these writers’ texts can be explained by the fact that they demonstratively linked the psychology and subjectivity of peasant characters with their ethnic identity. Contrary to official propaganda that portrayed peasants as loyal to the tsar, faith, and Fatherland, the new representation satisfied the demand of the elite and socially diverse theater audience for images of unity within a single national community and compensated for the disappointment of defeats at the front.
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克里米亚战争时期俄罗斯文学中爱国主义的民族化:制度、日常民族主义与农民形象
本文探讨了俄罗斯帝国民族主义形成初期的问题,即1853 - 1856年克里米亚战争期间文学中爱国主义的民族化。作者利用民族主义的历史研究和理论,展示了如何以及为什么在圣彼得堡的社会、戏剧和文学中出现了一种将精英与普通人团结在一起的社区的民族主义经验的尖锐论述。这篇文章利用了许多出版的和档案材料,描述了不断升级的民族主义机构(厚厚的期刊、报纸、海事局、剧院、沙龙和圈子),日常仪式(穿着“俄罗斯”服装),以及农民的形象,他们在阿列克谢·波捷欣、阿列克谢·皮塞姆斯基、伊万·戈尔布诺夫、伊万·图格涅夫和德米特里·格里戈洛维奇的小说中扮演着真正的“俄罗斯性”的角色。这些作家的文本之所以越来越受欢迎,可以解释为他们将农民人物的心理和主体性与其民族身份明显地联系在一起。与官方宣传将农民描绘成忠于沙皇、信仰和祖国的形象相反,新的表现形式满足了精英阶层和社会多样化的戏剧观众对单一民族社区内团结形象的需求,并弥补了前线失败的失望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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