A Single Life

Q2 Arts and Humanities Philip Roth Studies Pub Date : 2023-01-01 DOI:10.1353/prs.2023.a907267
John J. Fitzgerald
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Abstract

A Single Life John J. Fitzgerald (bio) Daniel Ross Goodman. A Single Life: A Novel. KTAV Publishing House, 2020. 289 pp. $24.95 hardback. Published during daniel ross goodman’s prolific summer of 2020, a Single Life: A Novel, one of his first two books (along with Somewhere Over the Rainbow: Wonder and Religion in American Cinema [Hamilton, 2020]) is as eclectic as the writer himself. A rabbi with a PhD in Jewish theology, Goodman also has completed graduate-level coursework in English and Comparative Literature and engaged in Jewish-Christian dialogue in other published works. A Single Life displays a compelling and evocative fluency in these areas, as well as in the vexed matters of dating and race relations in our contemporary world. In addition, the lead character’s struggle with Jewish identity may particularly resonate with readers of Philip Roth. The protagonist of A Single Life is Eli Newman, whom we are introduced to in Part I as a yeshiva student in Baltimore with an unenviable romantic résumé; he hasn’t made it to a third date in eight years. Proclaiming to his roommate Yoni that he has resigned himself to a life of holy celibacy like the rabbinic sage Ben Azzai and many Christians, Eli initially presents as self-absorbed, whiny, and neurotic (and perhaps inspired by the identically named central figure in Roth’s short story “Eli, the Fanatic” [1959]). While his anxiousness perdures, he becomes a more familiar and sympathetic figure as the novel marches on and we are gradually introduced to his background. (Even in the first chapter, there are suggestions that his “appearance” and love of secular literature aren’t facilitating his dates with religious Jewish girls.) Yoni invites Eli to go out with his sister Rena, who shares Eli’s interests in literature and film but not his devout religious practice, which quickly sinks a promising start. Part II fast-forwards to Eli’s life in his early thirties as a Talmud teacher at a Modern Orthodox high school in Connecticut. Here some readers will recall Roth’s representations of romance in academic settings, as we find Eli visually and intellectually smitten with English teacher Emma Yates, who appears to feel the same way about him. While they only glance at each other from afar due to Eli’s reticence to engage publicly with a non-Jewish woman, Emma sends him a Facebook friend request and they begin exchanging messages and background stories. At this point, it’s revealed [End Page 112] that Eli is half Black and Emma (who is white) was raised Catholic but presently rejects all religion. The third and final part of A Single Life begins with a flashback to Eli’s time as a twelve-year-old in Houston with his fellow book-loving classmate Jessica David. Like Eli, Jessica is Jewish and at least partially Black, although their hand-holding mutual crush is abruptly severed by Eli’s father’s decision to relocate to Baltimore. Part III then returns to Eli’s exclusively virtual relationship with Emma, which soon progresses to video chatting. Still, he constantly frets—both in real life and apparently fantasized interactions—about whether their religious, racial, and other differences will pose insurmountable obstacles. (The reader may be reminded of the similar dilemma faced by the Jewish-Christian couple Nathan and Maria in The Counterlife [1986].) Rena and Jessica are also still in the back of his mind, and Goodman skillfully holds the reader in suspense until the end about whom—if anyone—the ever-indecisive Eli will end up with. Certainly, A Single Life is an essentially Jewish novel. Eli and his fellow faithful pepper their thoughts and mutual conversations with Hebrew, Yiddish, and Aramaic terms, which provide a vivid sense of culture without being confusing to non-Jewish readers. (The author includes copious footnotes that translate these terms into English.) In particular, the book is thoroughly Talmudic in spirit and letter; Eli chronically wrestles with himself over the proper course of action regarding women, often citing the Talmud itself or other religious authorities. But A Single Life also demonstrates an interreligious acumen. For instance, Eli considers the childless and...
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单身生活
约翰·j·菲茨杰拉德(传记)丹尼尔·罗斯·古德曼。《单身生活:一部小说》。KTAV出版社,2020。289页,精装本24.95美元。在丹尼尔·罗斯·古德曼多产的2020年夏天出版的《单身生活:一部小说》,是他的前两本书之一(另外两本是《彩虹之上的某个地方:美国电影中的奇迹与宗教》[汉密尔顿,2020]),和作者本人一样兼收并蓄。古德曼是一位拥有犹太神学博士学位的拉比,还完成了研究生水平的英语和比较文学课程,并在其他出版作品中参与了犹太-基督教对话。《单身生活》在这些方面,以及在我们当代世界中令人烦恼的约会和种族关系问题上,都表现得令人信服和令人回味。此外,主人公与犹太人身份的斗争可能会引起菲利普·罗斯的读者的共鸣。《单身生活》的主角是伊莱·纽曼(Eli Newman),我们在第一部分中介绍过他,他是巴尔的摩的一名犹太学生,有着令人羡慕的浪漫主义人格;他已经八年没有第三次约会了。伊莱向他的室友尤尼宣布,他已经像拉比圣人本·阿扎伊(Ben Azzai)和许多基督徒一样,放弃了神圣的独身生活,他最初表现得只顾自己、爱抱怨、神经质(也许是受到罗斯短篇小说《狂热者伊莱》(1959)中同名中心人物的启发)。虽然他的焦虑持续着,但随着小说的发展,他成为了一个更加熟悉和同情的人物,我们逐渐了解了他的背景。(甚至在第一章中,就有人暗示他的“外表”和对世俗文学的热爱并没有促进他与虔诚的犹太女孩的约会。)尤尼邀请伊莱和他的妹妹瑞娜一起出去玩,她和伊莱一样对文学和电影感兴趣,但对他虔诚的宗教信仰却不太感兴趣,这很快就毁掉了一个充满希望的开端。第二部分快进到伊莱三十出头的生活,他是康涅狄格州一所现代东正教高中的犹太法典老师。在这里,一些读者会想起罗斯在学术背景下的浪漫表现,因为我们发现伊莱在视觉上和智力上都被英语老师艾玛·耶茨迷住了,她似乎对他也有同样的感觉。由于伊莱不愿公开与非犹太女性交往,他们只能隔着很远的距离看对方一眼,但艾玛向他发送了Facebook好友请求,他们开始交换信息和背景故事。在这一点上,它揭示了伊莱有一半黑人血统,而艾玛(白人)是天主教徒,但目前拒绝所有宗教。《单身生活》的第三部分,也是最后一部分,以闪回12岁的伊莱和他爱读书的同学杰西卡·大卫在休斯顿的时光开始。和伊莱一样,杰西卡也是犹太人,至少有一部分是黑人,尽管伊莱的父亲决定搬到巴尔的摩,他们的相互迷恋突然中断了。然后,第三部分回到伊莱与艾玛的专属虚拟关系,这很快就发展到视频聊天。尽管如此,无论是在现实生活中,还是在幻想中的互动中,他总是担心他们的宗教、种族和其他差异是否会构成不可逾越的障碍。(读者可能会想起《反生活》[1986]中犹太裔基督徒夫妇内森和玛丽亚所面临的类似困境。)瑞娜和杰西卡也一直萦绕在他的脑海中,古德曼巧妙地给读者制造了悬念,直到最后,一直优柔寡断的伊莱会和谁在一起——如果有的话。当然,《单身生活》本质上是一部犹太小说。伊莱和他的信徒们用希伯来语、意第绪语和阿拉姆语来表达他们的思想和相互交谈,这提供了一种生动的文化感,而不会让非犹太读者感到困惑。(作者提供了大量的脚注,将这些术语翻译成英文。)特别是,这本书是彻底的精神和字母塔木德;伊莱经常引用《塔木德》本身或其他宗教权威,长期与自己就如何正确对待女性进行斗争。但《单身生活》也展示了他对不同宗教的敏锐。例如,伊莱认为没有孩子的人……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Philip Roth Studies
Philip Roth Studies Arts and Humanities-Literature and Literary Theory
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