{"title":"“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions","authors":"Kalani Michell","doi":"10.1215/0094033x-10708377","DOIUrl":null,"url":null,"abstract":"This essay redirects attention to questions of reception in German-speaking contexts, instead of a limited stress on what is “produced” there. This not only affords us, German studies scholars at North American universities, an opportunity to take into account our own reception of imported European goods within our specific institutional and local cultural contexts. It also confirms what we so often claim in our teaching statements, namely, that our students play a key role in the meaning of these objects, not as mere “receivers” but as fellow interlocuters, since the questions asked about these objects structure them in the first place. The messiness of these transcultural European trade routes needs to be taken seriously so that the noise, mixed messages, and missed signals might become part of our objects of interpretation, instead of being relegated to the footnotes of standard histories.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":"31 5","pages":"0"},"PeriodicalIF":0.4000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033x-10708377","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
This essay redirects attention to questions of reception in German-speaking contexts, instead of a limited stress on what is “produced” there. This not only affords us, German studies scholars at North American universities, an opportunity to take into account our own reception of imported European goods within our specific institutional and local cultural contexts. It also confirms what we so often claim in our teaching statements, namely, that our students play a key role in the meaning of these objects, not as mere “receivers” but as fellow interlocuters, since the questions asked about these objects structure them in the first place. The messiness of these transcultural European trade routes needs to be taken seriously so that the noise, mixed messages, and missed signals might become part of our objects of interpretation, instead of being relegated to the footnotes of standard histories.
期刊介绍:
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.