Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s

Pub Date : 2023-10-20 DOI:10.14746/i.2023.34.43.13
Liubov Krupnyk
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 The article reviews the role of feature films that recreate the conflictual relations of the shared history which Poland and Ukraine look at from significantly different vantage points. It analyzes these films’ influence on Polish-Ukrainian relations, as well as the results of the Polish-Ukrainian dialogue. Using examples of Polish films that were commercially successful – With Fire and Sword by Jerzy Hoffman (1999) and Volyn by Wojciech Smarzowski (2016) – the article traces how cinema can articulate the problems of shared history that exist in the collective memory, and what kind of results it brings.
 
 
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Abstract

The article reviews the role of feature films that recreate the conflictual relations of the shared history which Poland and Ukraine look at from significantly different vantage points. It analyzes these films’ influence on Polish-Ukrainian relations, as well as the results of the Polish-Ukrainian dialogue. Using examples of Polish films that were commercially successful – With Fire and Sword by Jerzy Hoffman (1999) and Volyn by Wojciech Smarzowski (2016) – the article traces how cinema can articulate the problems of shared history that exist in the collective memory, and what kind of results it brings.
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20世纪90年代至2010年代的电影与波兰-乌克兰关系
& # x0D;& # x0D;& # x0D;这篇文章回顾了波兰和乌克兰从截然不同的角度重新塑造共同历史的冲突关系的故事片的作用。它分析了这些电影对波兰和乌克兰关系的影响,以及波兰和乌克兰对话的结果。本文以商业上成功的波兰电影为例——杰西·霍夫曼的《火与剑》(1999)和沃伊切赫·斯马佐夫斯基的《沃林》(2016)——追溯了电影如何阐明存在于集体记忆中的共同历史问题,以及它带来了什么样的结果。& # x0D;& # x0D;
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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