{"title":"Cinema and Polish-Ukrainian Relations Between the 1990s and 2010s","authors":"Liubov Krupnyk","doi":"10.14746/i.2023.34.43.13","DOIUrl":null,"url":null,"abstract":"
 
 
 The article reviews the role of feature films that recreate the conflictual relations of the shared history which Poland and Ukraine look at from significantly different vantage points. It analyzes these films’ influence on Polish-Ukrainian relations, as well as the results of the Polish-Ukrainian dialogue. Using examples of Polish films that were commercially successful – With Fire and Sword by Jerzy Hoffman (1999) and Volyn by Wojciech Smarzowski (2016) – the article traces how cinema can articulate the problems of shared history that exist in the collective memory, and what kind of results it brings.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":"53 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Images","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/i.2023.34.43.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
The article reviews the role of feature films that recreate the conflictual relations of the shared history which Poland and Ukraine look at from significantly different vantage points. It analyzes these films’ influence on Polish-Ukrainian relations, as well as the results of the Polish-Ukrainian dialogue. Using examples of Polish films that were commercially successful – With Fire and Sword by Jerzy Hoffman (1999) and Volyn by Wojciech Smarzowski (2016) – the article traces how cinema can articulate the problems of shared history that exist in the collective memory, and what kind of results it brings.
期刊介绍：
The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.
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