Giving Birth in Silence

Fu-Yu Chang, Jacinta Aguirre
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Abstract

Jacinta, deaf from birth, chose to give birth to her own baby at home without her hearing aids. Fu-Yu assisted and took photos of the process. This is a Photo Essay about alternative possibilities to biomedical childbirth. We share our experience through this medium, as the ‘visual’ was our shared sensory perception at the time. Besides acknowledging the intersubjectivities that surfaced, we see the importance of recognising that ‘images are representations of the world filtered by the positionalities of the makers themselves, influenced by unique experiences that brought them to that point in time … Images become an extension of a way of thinking, visually connecting maker with participant along lines of thought’ (Cartwright and Crowder 2017, 515). Although Fu-Yu is the one operating the camera, Jacinta, her partner, her mother, her cat and her home ‘make the image’. Whilst Jacinta was in labour, Fu-Yu was assisting Carmen Susana (the midwife) and recording the event at the same time with a camera hanging around her neck. We want to offer the audience this shared ‘visual’ experience as an invitation to think and ‘visualise’ care and childbirth from a disability-studies perspective.
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在沉默中分娩
雅辛塔天生失聪,她选择在没有助听器的情况下在家里生下自己的孩子。付玉协助并拍摄了这一过程。这是一篇关于生物医学分娩的其他可能性的摄影文章。我们通过这种媒介分享我们的经验,因为“视觉”是我们当时共同的感官知觉。除了承认出现的主体间性之外,我们还看到了认识到“图像是由制作者自身的位置过滤的世界的表征,受到将他们带到那个时间点的独特经历的影响……图像成为一种思维方式的延伸,沿着思想路线将制作者与参与者在视觉上联系起来”的重要性(Cartwright和Crowder 2017, 515)。虽然伏玉是操作相机的人,但杰辛塔、她的伴侣、她的母亲、她的猫和她的家“构成了这张照片”。当杰辛塔临产时,富玉在一旁帮助助产士卡门·苏珊娜(Carmen Susana),同时用挂在脖子上的相机记录下了整个过程。我们希望为观众提供这种共享的“视觉”体验,邀请他们从残疾研究的角度思考和“可视化”护理和分娩。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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