{"title":"The New Development of Zhou Enlai’s Theme Painting in the 1970s and 1980s:Taking Oil Painting Works as an Example","authors":"昕冉 王","doi":"10.12677/arl.2023.124060","DOIUrl":null,"url":null,"abstract":"In the red art creation of New China, depicting the image of great people is an eternal and un-changing hotspot. During the late 1970s to 1980s, a large number of red art works depicting the","PeriodicalId":56904,"journal":{"name":"艺术研究快报","volume":"87 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"艺术研究快报","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12677/arl.2023.124060","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In the red art creation of New China, depicting the image of great people is an eternal and un-changing hotspot. During the late 1970s to 1980s, a large number of red art works depicting the