The Dickens Checklist

Abstract

The Dickens Checklist Dominic Rainsford The Dickens Checklist, recording new publications, doctoral dissertations, and online ressources of significance for Dickens studies, appears in each issue of the journal. A cumulative cross-referenced edition of the Checklist, consisting of listings since vol. 37, no. 1 (March 2020), is available at dickenssociety.org, and is updated once a year. _______ Secondary Sources: Biography and Criticism Celeste, Mark. “Visualizing Mutuality: Teaching / Networks in Our Mutual Friend.” Victorians Institute Journal, vol. 49, 2022, pp. 166–97. Chelebourg, Christian. “Scrooge en famille: lecture socialisée d’un rite fictionnel.” Noël entre magie blanche et magie noire, edited by Christian Chelebourg, Lettres Modernes Minard, 2022, pp. 121–37. Revue des lettres modernes: Écritures jeunesse: 4. [CC ] Dick, Archie. Reading Spaces in South Africa, 1850–1920s. Cambridge UP, 2020. Elements in Publishing and Book Culture. [Ch. 3: “Dickens on the Page, the Podium, and the Stage”] Dickens Quarterly, vol. 40, no. 1, Mar. 2023. [Dominic Rainsford, “From the Editor,” pp. 5–7; Benjamin O’Dell, “David Copperfield, Émile, and the Legacy of Enlightenment Education Literature,” pp. 8–27; James Armstrong, “‘In a Dark Wig’: Reinventing Byron as Steerforth in David Copperfield,” pp. 28–44; Kathryne Ford, “Dickensian Divisions: David Copperfield’s ‘Hero[ine] of my own life,’” pp. 45–63; Lanya Lamouria, “Charles Dickens, Charles Babbage, Richard Babley: Material Memory in David Copperfield,” pp. 64–82; Jeremy Parrott, “Electrical Undercurrents in David Copperfield,” pp. 83–107; Robert Sirabian, review of The Lawyer in Dickens, by Franziska Quabeck, pp. 108–12; Michelle Allen-Emerson, review of Bite the Hand that Reads: Dickens, Animals, and Sanitary Reform, by Terry Scarborough, pp. 112–16; Tamara S. Wagner, review of The Tramp in British Literature, 1850–1950, by Luke Lewin Davies, and Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture, by Alistair Robinson, pp. 116–21; Dominic Rainsford, “The Dickens Checklist,” pp. 127–30] Dickens Studies Annual, vol. 54, no. 1, 2023. [Introduction, pp. v–vii; James Armstrong, “Rejecting ‘Nature’ in Martin Chuzzlewit: Racism, Slavery, and Death in Eden,” pp. 1–13; Jane E. Kim, “Watching the Detectives: The Reciprocal Gaze in Our Mutual Friend,” pp. 14–34; Laura White, “Insects, Age, and Failure: The Suppressed Chapter of ‘The Wasp in a Wig,’” pp. 35–50; James Hamby, “‘Let us veil our meaning’: Holiday Romance and the Second Reform Act of 1867,” pp. 51–73; Melissa Jenkins, “Whither, Hardy?: Selected Hardy Studies 2010–2022,” pp. 74–83; Richard A. Kaye, “Twenty-First-Century Oscar Wilde: A Review Essay,” pp. 84–119.] The Dickensian, vol. 118, part 3, no. 516, Winter 2022. [Catherine Waters, “From the New President,” pp. 253–56; William F. Long, “Dickens, Ainsworth and Turpin’s Gyves,” pp. 258–68; Renata Goroshkova, “A Tale of Two Magazines: Dickens on the Pages of Contemporary and Fatherland Notes,” pp. 269–80; Abderrezzaq Ghafsi, “Emir Abdelkader in Charles Dickens’s Journals,” pp. 281–90; Robert C. Hanna, “Joseph M. Field, International Copyright, and a Masque for Boz,” pp. 291–308; Don Richard Cox, “The Charles Collins Letter: Some Additional Mysteries,” pp. 309–18; Brian Ruck, “Illegitimacy in Dickens, and the Riddle of Ellen Ternan,” pp. 319–32; Iain Crawford, review of Dickens and Democracy in the Age of Paper: Representing the People, by Carolyn Vellenga Berman, pp. 334–37; Helena Kelly, review of Down from London: Seaside Reading in the Railway Age, by Carolyn W. de la L. Oulton, pp. 337–39; Francesca Orestano, review of A Sweet View: The Making of an English Idyll, by Malcolm Andrews, pp. 339–42; Boze Herrington, review of England in the Age of Dickens: 1812–1870, by Jeremy Black, pp. 343–44; Sydney Wren, review of Dickens and Staplehurst: A Biography of a Rail Crash, by Gerald Dickens, pp. 345–47; Lucy Whitehead, review of This Much Is True, by Miriam Margolyes, pp. 347–49; Maria Juko, review of Dear Mr. Dickens, by Nancy Churnin and Bethany Stancliffe, pp. 349–51; Philipp Röttgers, review of A Christmas Carol (music album), by Majestica, pp. 352–53; Paul Graham, review of Frederic Kitton and St Albans: From Pickwick to Preservation (exhibition), pp. 354–55; “Fellowship Notes and News...