The art of novelist Afanasiy Fedorov

A. A. Burtsev, M. A. Burtseva
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Abstract

The article is devoted to the study of Afanasiy Fedorov's stories, which have a central place in the writer's heritage. His genre system includes various forms of short prose: from everyday stories to plot short stories, from small sketches, sketches of a character to psychological stories. The author's skill manifested itself primarily in the creation of a diverse artistic anthropology, consisting more of human rather than social types. Therefore, in his stories there is no tendentiousness and ideological bias characteristic of socialist realism. The characters' actions are psychologically motivated. The innovation of the Yakut writer was the creation of foreign heroes. In the poetics of his stories, the tradition of Russian literature was felt: like Anton Chekhov, he strove to show the complexity and significance of life phenomena through the simplest and most insignificant events of everyday life. On the whole, the logic of Afanasiy Fedorov's work was of an inductive nature: starting with small genres of prose, he gradually moved on to large epic forms.
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小说家阿法纳西·费多罗夫的艺术
这篇文章致力于研究阿法纳西·费多罗夫的故事,这些故事在这位作家的遗产中占有中心地位。他的体裁体系包括各种形式的短篇散文:从日常故事到情节短篇,从小品、人物小品到心理故事。作者的技巧主要体现在创造了一个多样化的艺术人类学,更多地由人类而不是社会类型组成。因此,他的小说没有社会主义现实主义的倾向性和意识形态偏见。角色的行为是由心理驱动的。雅库特作家的创新是对外国英雄的创造。在他的故事的诗学中,可以感受到俄罗斯文学的传统:像契诃夫一样,他努力通过日常生活中最简单、最不起眼的事件来表现生活现象的复杂性和意义。总的来说,阿法纳西·费多罗夫作品的逻辑是归纳性的:从小体裁的散文开始,他逐渐转向大的史诗形式。
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