Words and Music: Considering the Musicianship of Lyric Writing

Stuart Chapman Hill
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Abstract

Abstract: Popular songs are ubiquitous in the lives of school-age children, but the construction of traditional school music curricula does not always provide an adequate framework for studying them. In particular, the salience of words qua lyrics is an inescapable feature of popular songs, and recognizing the musical properties of those lyrics opens for study an important dimension of the real-world music that students of all ages engage so readily. Rather than treating song lyrics as separate from the music, I here attempt to establish that lyrics can be treated as musical entities, as demonstrated in scholarship from popular music theorists and musicologists that highlights the musical properties of song lyrics and the musicianship of those who write them. Then, I argue that existing school curricula could do more to give lyrics their musical due, which would not only enhance the teaching and learning of popular songwriting itself, but also may expand notions of what counts as music more broadly, with benefits for school music curricula overall, perhaps especially in the domains of choral and general music.
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词与乐:论抒情写作的音乐性
摘要:流行歌曲在学龄儿童的生活中无处不在,但传统的学校音乐课程建设并不总是为他们的学习提供一个足够的框架。特别是,歌词的显著性是流行歌曲不可避免的特征,认识到这些歌词的音乐属性为研究现实世界音乐的一个重要维度打开了大门,所有年龄段的学生都很容易参与其中。与其将歌词与音乐分开对待,我在这里试图建立歌词可以被视为音乐实体,正如流行音乐理论家和音乐学家所证明的那样,他们强调了歌词的音乐属性和那些写歌词的人的音乐素养。然后,我认为现有的学校课程可以做得更多,赋予歌词音乐应有的意义,这不仅可以加强流行歌曲创作本身的教学和学习,还可以更广泛地扩展音乐的概念,对学校音乐课程整体有益,也许特别是在合唱和普通音乐领域。
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1.60
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10.00%
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期刊最新文献
Opening Up to the Unexpected: Reclaiming Emotion and Power in the Public Space of Music Education 中国音乐教育与国际音乐教育 [Chinese Music Education and International Music Education] by Jianhua Guan (review) Music for All or Partisan Advocacy? Exploring Socialized Epistemologies Musik–Vielfalt–Integration–Inklusion: Musikdidaktik für die eine Schule [Music–Diversity–Inclusion–Integration: A New Philosophy of Music Education for an Inclusive School] by Irmgard Merkt (review) Editorial Reflections on Philosophizing in Music Education
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