The temporary exhibition as a tool for communication and relationship between science and society: the case study of the Darwin-Dohrn Museum in Naples (Italy)

IF 1.4 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Museum Management and Curatorship Pub Date : 2023-10-14 DOI:10.1080/09647775.2023.2269132
Thalassia Giaccone
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Abstract

ABSTRACTThe temporary exhibition ‘Sharks of the Mediterranean sea’ features scientific and artistic collections. Priority focus is the knowledge of the biodiversity of the selachians of the Mediterranean sea and the Gulf of Naples (Italy), through a museum itinerary that illustrates their biology, ecology, vulnerability, protection, and scientific research. The aim here is to describe the scientific communication strategies used to inform/educate the public but above all to promote a reflection that stimulates the latter to be a protagonist of a concrete action of care and custody of the selachians through a paradigm shift of the person-sea and person-shark relationship. The result is an exhibition set up in the graphic/photographic, videographic, and scenographic/museographic aspects, focusing on the visitor’s experience, his or her psychology, emotional and aesthetic relationships with the museum spaces as well as the solicitations of curiosity triggered by the interaction with the collections.KEYWORDS: SharksMediterranean Seaexhibitionscientific communicationmuseum AcknowledgementsI thank Prof. Ferdinando Boero, Prof. Roberto Danovaro and Dr. Claudia Gili for reviewing the scientific content of the exhibition, colleagues Dr. Elisa Cenci, Dr. Marco Signore, Dr. Andrea Travaglini, Dr. Maria Cristina Vigo Majello for collaboration on scientific design, text writing, and exhibit design, Dr. Ester Vollono for graphic design, Dr. Anna Maria Miglietta and the Museum of Marine Biology ‘Pietro Parenzan’ for the loan of the skin of Cetorhinus maximus, the underwater photographers and video-operators Rocco Cannella, Riccardo Cingillo, Emilio Mancuso, Alessandro Pagano, Domenico Roscigno, Chiara Soldati and Marco Spinelli for underwater images and filming, the scientific illustrators Marc Dando and Alberto Gennari, the Dohrn Foundation and finally dr. Massimiliano Bottaro for the contribution of Project Elife (Elasmobranchs Low-impact Fishing Experience) LIFE18 NAT/IT/000846.Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsThalassia GiacconeThalassia Giaccone is a technologist at the Marine Animal Conservation and Public Engagement Department in Naples (Zoological Station Anton Dohrn, Darwin-Dohrn Museum). She received the Ph.D. degree in Environmental Sciences: Marine Environment and Resources at the University of Messina. She works on scientific communication, exhibition, and museum activities but also on marine bioconstructions with calcareous algae and free-living calcareous algae of the photic and mesophotic zone.
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临时展览作为科学与社会之间交流和关系的工具——以意大利那不勒斯达尔文-多恩博物馆为例
“地中海鲨鱼”临时展览展出了科学和艺术收藏品。重点是地中海和那不勒斯湾(意大利)的塞拉基亚人的生物多样性知识,通过博物馆的行程说明他们的生物学,生态学,脆弱性,保护和科学研究。这里的目的是描述用于告知/教育公众的科学传播策略,但最重要的是促进一种反思,通过人-海和人-鲨关系的范式转变,刺激后者成为照顾和监护塞拉基亚人的具体行动的主角。其结果是在图形/摄影,录像和场景/博物馆方面设置展览,重点关注参观者的体验,他或她的心理,情感和审美与博物馆空间的关系,以及与藏品互动引发的好奇心。关键词:感谢ferdinand Boero教授、Roberto Danovaro教授和Claudia Gili博士对展览科学内容的审阅,感谢Elisa Cenci博士、Marco Signore博士、Andrea Travaglini博士、Maria Cristina Vigo Majello博士在科学设计、文字写作和展览设计方面的合作,感谢Ester Vollono博士在平面设计方面的合作。Anna Maria Miglietta博士和海洋生物博物馆“Pietro Parenzan”借出了最大鲸的皮肤,水下摄影师和视频操作员Rocco Cannella, Riccardo Cingillo, Emilio Mancuso, Alessandro Pagano, Domenico Roscigno, Chiara Soldati和Marco Spinelli负责水下图像和拍摄,科学插画家Marc Dando和Alberto Gennari,Dohrn基金会,最后是Massimiliano Bottaro博士,感谢他对Elife项目(Elasmobranchs低影响钓鱼体验项目)的贡献。披露声明作者未报告潜在的利益冲突。其他信息关于贡献者的说明thalassia Giaccone alassia Giaccone是那不勒斯海洋动物保护和公众参与部的技术专家(动物站Anton Dohrn,达尔文-多恩博物馆)。她在墨西拿大学获得环境科学:海洋环境与资源博士学位。她从事科学交流、展览和博物馆活动,同时也从事光和中光带钙藻和自由生活钙藻的海洋生物建设。
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来源期刊
Museum Management and Curatorship
Museum Management and Curatorship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
4.60
自引率
28.60%
发文量
54
期刊介绍: Museum Management and Curatorship (MMC) is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice. It is published quarterly and all submitted manuscripts will undergo double-blind review. The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility.
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