Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America by Amy D. Finstein (review)

Pub Date : 2023-09-01 DOI:10.1353/bdl.2023.a911893
Robin B. Williams
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Finstein’s Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America is a welcome addition to the growing body of literature on the impact of automobiles on the American built environment that includes suburbanization and large-scale highway systems.1 Instead of the broad national scope of most studies, Finstein offers a doubly focused approach, analyzing a specific type of automobile infrastructure—the elevated urban highway—through three early examples: Wacker Drive in Chicago, the West Side (or Miller) [End Page 153] Highway in New York, and the Central Artery in Boston. Her sharper focus allows her to unpack the complexities of urban highway construction at the local level. Yet, by exploring the topic across three different cities spanning roughly sixty years, she adeptly reveals the diversity of challenges and responses to accommodating the automobile. Most refreshing is her analysis of the highways as built form and their relationship to contemporaneous trends in architecture. Finstein draws on the methodology employed by Leo Marx in The Machine in the Garden, which analyzed how the intrusion of the railroad onto the American frontier served as an expression of modernity that shaped the public’s view and use of the American landscape. As she notes, “This book builds on Marx’s pivotal model by positioning the rise of the automobile and its representation of machined progress as the twentieth-century equivalent of his paradigm” (11). Her study enriches the understanding of elevated urban highways as more than engineering projects to address their civic and social objectives and ramifications. Organized into three sections, the book achieves a successful balance between surveying the broader context of the emerging technologies reshaping cities, including automobiles, and providing a focused analysis of the three elevated highway case studies. The first section involves a thorough discussion of “three innovations that radically and successively altered the basis of urban life and urban form”—the railroad, the skyscraper, and the automobile—and that responded to the growing desire for technology, speed, and privatization (15). Finstein insightfully connects the desire for speed in nineteenth-century rail-based transit systems to the rapid evolution of technologies relating to business recordkeeping, telecommunications, and commerce that drove demand for office buildings. Facilitating their upward growth and more rapid internal movement, the elevator allowed skyscrapers to dominate urban skylines, a visible expression of the privatization of the public realm that anticipated the impact of the private automobile. Of the various forms of new technology addressed in the first chapter, her discussion of automobiles, surprisingly, was most problematic in oversimplifying the degree to which private property owners controlled street pavement work and in neglecting to mention the impact of street-use legislation such as jay-walking laws that set an important precedent for the exclusive use of elevated highways by private vehicles. Those omissions are amply compensated by her highly detailed second chapter examining the range of proposed solutions to the growing crisis of automobile congestion that emerged by the 1920s. Here Finstein provides a fascinating back history on four categories of proposals, ranging from stop-gap regulatory practices (such as one-way streets and parking bans) and small-scale engineering solutions to large-scale engineering and beautification plans and utopian visions of futuristic car-based urbanism, with elevated highways drawing from all four. With this last topic of utopian visions, Finstein establishes the linkages between architects and automobility—addressing Le Corbusier, Hugh Ferriss, Harvey Wiley Corbett, Frank Lloyd Wright, and Norman Bel Geddes—that distinguish her book from other studies of highways and roads. With its focus on the technological challenges facing cities during the late nineteenth and early twentieth centuries, this first section offers great value and perspective on topics far broader than the declared topic of the book and could easily...","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/bdl.2023.a911893","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

Reviewed by: Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America by Amy D. Finstein Robin B. Williams (bio) Amy D. Finstein Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America Philadelphia: Temple University Press, 2020 xi + 289 pages, 114 black-and-white illustrations ISBN: 9781439919187, $29.95 PB ISBN: 9781439919170, $115.50 HB ISBN: 9781439919194, $29.95 EB Amy D. Finstein’s Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America is a welcome addition to the growing body of literature on the impact of automobiles on the American built environment that includes suburbanization and large-scale highway systems.1 Instead of the broad national scope of most studies, Finstein offers a doubly focused approach, analyzing a specific type of automobile infrastructure—the elevated urban highway—through three early examples: Wacker Drive in Chicago, the West Side (or Miller) [End Page 153] Highway in New York, and the Central Artery in Boston. Her sharper focus allows her to unpack the complexities of urban highway construction at the local level. Yet, by exploring the topic across three different cities spanning roughly sixty years, she adeptly reveals the diversity of challenges and responses to accommodating the automobile. Most refreshing is her analysis of the highways as built form and their relationship to contemporaneous trends in architecture. Finstein draws on the methodology employed by Leo Marx in The Machine in the Garden, which analyzed how the intrusion of the railroad onto the American frontier served as an expression of modernity that shaped the public’s view and use of the American landscape. As she notes, “This book builds on Marx’s pivotal model by positioning the rise of the automobile and its representation of machined progress as the twentieth-century equivalent of his paradigm” (11). Her study enriches the understanding of elevated urban highways as more than engineering projects to address their civic and social objectives and ramifications. Organized into three sections, the book achieves a successful balance between surveying the broader context of the emerging technologies reshaping cities, including automobiles, and providing a focused analysis of the three elevated highway case studies. The first section involves a thorough discussion of “three innovations that radically and successively altered the basis of urban life and urban form”—the railroad, the skyscraper, and the automobile—and that responded to the growing desire for technology, speed, and privatization (15). Finstein insightfully connects the desire for speed in nineteenth-century rail-based transit systems to the rapid evolution of technologies relating to business recordkeeping, telecommunications, and commerce that drove demand for office buildings. Facilitating their upward growth and more rapid internal movement, the elevator allowed skyscrapers to dominate urban skylines, a visible expression of the privatization of the public realm that anticipated the impact of the private automobile. Of the various forms of new technology addressed in the first chapter, her discussion of automobiles, surprisingly, was most problematic in oversimplifying the degree to which private property owners controlled street pavement work and in neglecting to mention the impact of street-use legislation such as jay-walking laws that set an important precedent for the exclusive use of elevated highways by private vehicles. Those omissions are amply compensated by her highly detailed second chapter examining the range of proposed solutions to the growing crisis of automobile congestion that emerged by the 1920s. Here Finstein provides a fascinating back history on four categories of proposals, ranging from stop-gap regulatory practices (such as one-way streets and parking bans) and small-scale engineering solutions to large-scale engineering and beautification plans and utopian visions of futuristic car-based urbanism, with elevated highways drawing from all four. With this last topic of utopian visions, Finstein establishes the linkages between architects and automobility—addressing Le Corbusier, Hugh Ferriss, Harvey Wiley Corbett, Frank Lloyd Wright, and Norman Bel Geddes—that distinguish her book from other studies of highways and roads. With its focus on the technological challenges facing cities during the late nineteenth and early twentieth centuries, this first section offers great value and perspective on topics far broader than the declared topic of the book and could easily...
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Amy D. Finstein著《高空现代交通:美国前州际公路的高架公路、建筑和城市变化》
书评:现代交通高空:高架公路,建筑,和城市变化前美国州际公路,由艾米D.芬斯坦罗宾B.威廉姆斯(传记)艾米D.芬斯坦现代交通高空:高架公路,建筑,和城市变化前美国州际公路费城:坦普尔大学出版社,2020 xi + 289页,114黑白插图ISBN: 9781439919187, 29.95美元PB ISBN: 9781439919170, 115.50美元HB ISBN: 9781439919194, 29.95美元EB艾米D.芬斯坦的现代交通高空:关于汽车对包括郊区化和大规模高速公路系统在内的美国建筑环境的影响的文献越来越多,《美国前州际公路的高架公路、建筑和城市变化》是一本受欢迎的补充与大多数研究的全国范围不同,芬斯坦提供了一种双重聚焦的方法,通过三个早期的例子分析了一种特定类型的汽车基础设施——高架城市高速公路:芝加哥的瓦克大道,纽约的西区(或米勒)高速公路,以及波士顿的中央动脉。她敏锐的眼光使她能够在地方层面上解开城市高速公路建设的复杂性。然而,通过在三个不同的城市中探索这个主题,跨越了大约60年,她熟练地揭示了适应汽车的挑战和反应的多样性。最令人耳目一新的是她对高速公路作为建筑形式的分析,以及它们与当代建筑趋势的关系。芬斯坦借鉴了利奥·马克思在《花园里的机器》中所采用的方法,分析了铁路对美国边境的入侵如何成为一种现代性的表达,这种表达塑造了公众对美国景观的看法和使用。正如她所指出的,“本书建立在马克思的关键模型的基础上,将汽车的兴起及其对机械进步的代表定位为20世纪马克思范式的等同物”(11)。她的研究丰富了对高架城市高速公路的理解,不仅仅是作为工程项目来解决其公民和社会目标和后果。本书分为三个部分,在调查包括汽车在内的新兴技术重塑城市的更广泛背景和提供三个高架公路案例研究的重点分析之间取得了成功的平衡。第一部分全面讨论了“从根本上先后改变了城市生活和城市形态基础的三种创新”——铁路、摩天大楼和汽车,它们回应了人们对技术、速度和私有化日益增长的渴望(15)。芬斯坦深刻地将19世纪以铁路为基础的交通系统对速度的渴望与商业记录保存、电信和商业相关技术的快速发展联系起来,这些技术推动了对办公楼的需求。电梯促进了它们的向上增长和更快速的内部运动,使摩天大楼主宰了城市的天际线,这是预料到私人汽车影响的公共领域私有化的明显表现。令人惊讶的是,在第一章讨论的各种形式的新技术中,她对汽车的讨论最成问题的地方在于过度简化了私人财产所有者对街道路面工作的控制程度,而忽略了提及街道使用立法的影响,比如乱闯马路法,它为私人车辆专用高架公路开了一个重要的先例。她的第二章非常详细,对20世纪20年代出现的日益严重的汽车拥堵危机提出了一系列解决方案,这充分弥补了这些遗漏。在这里,芬斯坦提供了四类提案的迷人历史,从权宜之计的监管实践(如单行道和停车禁令)和小规模的工程解决方案,到大规模的工程和美化计划,以及未来汽车为基础的城市主义的乌托邦愿景,高架公路都来自这四类提案。通过乌托邦愿景的最后一个主题,芬斯坦建立了建筑师和汽车之间的联系,解决了勒·柯布西耶、休·费里斯、哈维·威利·科比特、弗兰克·劳埃德·赖特和诺曼·贝尔·格迪斯的问题,这使她的书与其他关于高速公路和道路的研究区别开来。第一部分关注的是19世纪末和20世纪初城市所面临的技术挑战,它提供了巨大的价值和视角,远远超出了本书所宣称的主题,并且很容易……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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