{"title":"The Flying Spirit of Movement within These Solid Objects: Marie Menken’s Home Movies","authors":"Adam Charles Hart","doi":"10.3998/fc.4731","DOIUrl":null,"url":null,"abstract":"Marie Menken (1909-1970) was one of the most influential and beloved filmmakers of the American avant-garde, a liberatory inspiration for several subsequent generations of artists. Her films were characterized by wildly kinetic handheld camerawork, which have largely been understood through the lens of those she inspired. This essay analyzes Menken’s films in terms more specific to her, focusing on her broadly inclusive, often structuring celebration of motion in all its forms.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"2003 4","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3998/fc.4731","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Marie Menken (1909-1970) was one of the most influential and beloved filmmakers of the American avant-garde, a liberatory inspiration for several subsequent generations of artists. Her films were characterized by wildly kinetic handheld camerawork, which have largely been understood through the lens of those she inspired. This essay analyzes Menken’s films in terms more specific to her, focusing on her broadly inclusive, often structuring celebration of motion in all its forms.
期刊介绍：
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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