{"title":"A future without homophobia? Gay men and personal responsibility in the Chilean telenovela <i>Casa de Muñecos</i>","authors":"Ricardo Ramírez","doi":"10.1177/17496020231201747","DOIUrl":null,"url":null,"abstract":"The inclusion of four gay characters in the telenovela Casa de Muñecos (2018-9) was an event that, until then, had not taken place in any other Chilean telenovela. Through a qualitative textual analysis of these figures, this article argues that the programme has strengthened a neoliberal discourse of personal responsibility that makes gay men not only accountable for their own well-being but also for the well-being of others, as they are singled out as responsible for making the ‘right’ decisions that will contribute to the process of articulating a non-homophobic future in the country.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"39 1","pages":"0"},"PeriodicalIF":1.1000,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020231201747","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
The inclusion of four gay characters in the telenovela Casa de Muñecos (2018-9) was an event that, until then, had not taken place in any other Chilean telenovela. Through a qualitative textual analysis of these figures, this article argues that the programme has strengthened a neoliberal discourse of personal responsibility that makes gay men not only accountable for their own well-being but also for the well-being of others, as they are singled out as responsible for making the ‘right’ decisions that will contribute to the process of articulating a non-homophobic future in the country.
期刊介绍：
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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