The Artist-Collector: Eugene von Guérard and the Berlin Ethnological Museum

IF 0.6 3区 历史学 Q1 HISTORY AUSTRALIAN HISTORICAL STUDIES Pub Date : 2023-10-02 DOI:10.1080/1031461x.2023.2256350
V. Ruth Pullin, Thomas A. Darragh
{"title":"The Artist-Collector: Eugene von Guérard and the Berlin Ethnological Museum","authors":"V. Ruth Pullin, Thomas A. Darragh","doi":"10.1080/1031461x.2023.2256350","DOIUrl":null,"url":null,"abstract":"AbstractThe nineteenth-century landscape painter Eugene von Guérard was an avid collector. A series of letters held by the Ethnological Museum Berlin, translated by the authors from ‘old’ German into English, describes his personal collection of Australian Aboriginal cultural objects and its transfer, along with 64 objects acquired on consignment, to the Ethnological Department of the Berlin Museum in 1879. Complemented by the publication of the complete correspondence in a companion paper, this article contextualises the letters within von Guérard's careers as artist, curator and collector, positioning them within the framework of his travels as recorded in his sketchbooks, and in relation to specific consequential experiences and individuals, prevailing colonial narratives and European and colonial collecting agendas and networks. The letters inform, and are informed by, von Guérard’s art, collecting and professional practices, with new insights captured in the intersections between them. Notes1 Thomas Duckett (1839–1868), 12 April [1867]. Thomas Duckett papers. Harris Museum and Art Gallery, Preston, UK. PRSMG Arch141.2 James Smith, ‘A Colonial Artist], The Illustrated Australian Mail 4, no 1. (22 February 1862): 49–50.3 Eugen von Guérard to Julius von Haast, 20 January 1885, Haast Family Papers, Alexander Turnbull Library, Wellington, New Zealand, 177-0037. Published in English translation in: Thomas A. Darragh and Ruth Pullin, Lieber Freund! Letters from Eugen von Guérard to Julius von Haast (Ballarat: Art Gallery of Ballarat, 2018), 63. Von Guérard, one of Australia’s greatest nineteenth-century landscape painters, was born in Vienna in 1811, travelled and studied in Italy between 1827 and 1838, and studied and lived in Düsseldorf until 1852. He spent twenty-eight years in Australia, travelling extensively from his Melbourne base, and in 1882 returned to Düsseldorf, before settling in London with his daughter in 1891. He died in 1901.4 ‘List of Works selected from E. von Guérard's Catalogue’, Public Library, Museums & National Gallery of Victoria, 29 October 1881. PROV 805, unit 115.5 Thomas A. Darragh and Ruth Pullin, ‘Eugene von Guérard and the Ethnological Museum Berlin: Correspondence 1878–1880’, Proceedings of the Royal Society of Victoria 135, no. 1–2 (Melbourne: CSIRO Publishing, in press).6 N. Peterson, L. Allen and L. Hamby, ‘Introduction’, in The Makers and Making of Indigenous Australian Museum Collections, ed. Nicolas Peterson, Lindy Allen, Louise Hamby (Melbourne: Melbourne University Press, 2008), 8; Voss, Report to the General Administration, response to 2232/78, 12 November 1878, Zentralarchiv, Staatliche Museen zu Berlin.7 Research is currently being undertaken by the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS), to which the authors have contributed; see also: Anna Weinreich et al., ‘Artists, Archives and Ancestral Connections: An Aboriginal Collection between Australia and Berlin’, in Southeast Australian Aboriginal Art: Culture-Making and Curating for Country, ed. F. Edmonds, M. Clarke, and S. Thorner (Canberra: AIATSIS Press, forthcoming).8 Sophie Hasenclever’s father, Wilhelm von Schadow, was the revered Director of the Düsseldorf Academy during the years that von Guérard studied there; von Guérard visited Sophie and her husband at Grevenbroich on 25 October 1845: von Guérard sketchbook XVI, 1843. State Library of New South Wales, DGB14, v. 6. [loose sheet]; von Guérard’s earliest connection with the Numismatics Department was in 1841, when he sold his father’s (Bernard von Guérard, 1771–1836) coin collection to the museum.9 The Ethnologisches Museum Berlin (hereafter EMB), Staatliche Museen zu Berlin (hereafter SMB), opened as the Königliches Museum für Völkerkunde (Royal Museum of Ethnology) in 1886.10 Von Guérard to Friedländer, 10 February 1878, Incoming Register 852/78, Zentralarchiv, SMB. Bastian had visited Australia, and Victoria, in 1851. Klaus-Peter Koepping, Adolf Bastian and the Psychic Unity of Mankind (Brisbane: University of Queensland Press, 1983), 8.11 Von Guérard to Bastian, 14 February 1878, Incoming Register 852/78, Zentralarchiv, SMB.12 Ibid.13 Ibid.14 Janice Lally, ‘The Australian Aboriginal Collection and the Berlin Ethnological Museum’, in Peterson, Allen, and Hamby, Makers and Making, 190.15 H. Glenn Penny, In Humboldt’s Shadow: A Tragic History of German Ethnology (Princeton: Princeton University Press, 2021), 7.16 Adolf Bastian, Alexander von Humboldt Festrede (Berlin: Wiegand and Hempel, 1869) in Koepping, 160.17 Bastian quoted in Lally, 194.18 Penny, 8, 7.19 See Ruth Pullin, Eugene von Guérard: Nature Revealed (Melbourne: National Gallery of Victoria, 2011), 246.20 Alexander von Humboldt, Cosmos: A Sketch of a Physical Description of the Universe, vol. 2, trans. E.C. Otté (London: Henry G. Bohn, 1849), 453, 438.21 ‘A Pioneer of the Fifties: Leaves from the Journal of an Australian Gold Digger, 18 August 1853–16 March 1854/ Johann Joseph Eugen von Guérard’, unpublished manuscript, Dixson Galleries, State Library of New South Wales, Sydney, 11.22 The weapons depicted suggest the title Aborigines in Pursuit of Their Enemies, 1854; Argus, 30 December 1854, 8.23 Von Guérard showed seven works: Official Catalogue of the Melbourne Exhibition 1854, in connexion with the Paris Exhibition, 1855, Section VIII, catalogue numbers 4–40: 35.24 Elizabeth Willis, ‘Gentlemen Collectors: The Port Phillip District, 1835–1855’, in Peterson, Allen and Hamby, Makers and Making, 131.25 Von Guérard, who had studied with Ludwig’s brother, August Becker in Düsseldorf, showed August’s Midnight Sun in Norway at the 1854 Melbourne Exhibition (Cat. No. 328).26 Eugene von Guérard, ‘Australien Reminiszenzen’, Mitchell Library, State Library of New South Wales, Sydney.27 Eugene von Guérard, ‘My My by Geelong’, 22 April 1854. State Library of Victoria, H3803.28 Von Guérard visited the Seidels on 12 March 1854, but the position of the undated sketch in his sketchbook suggests an 1855 date.29 Von Guérard to Voss, 7 July 1879, Incoming Register 1926/79, Zentralarchiv, SMB.30 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB. For maps of von Guérard’s expeditions, see Ruth Pullin, Eugene von Guérard's Sketchbooks: The Artist as Traveller (Ballarat: Art Gallery of Ballarat 2018), 307–17.31 Von Guérard to Voss, 7 July 1879. EMB object identification number (EMB ID): VI 2572.32 Philip Jones, in This Wondrous Land: Colonial Art on Paper, ed. Alisa Bunbury (Melbourne: National Gallery of Victoria, 2011), 99.33 Eugene von Guérard, Sketchbook XXIV, 1855 and Sketchbook XVIII, State Library of New South Wales, DGB16, vol. 3: 80–85 and DGB14, vol.7: 74.34 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.35 James Dawson, cited in Tim Bonyhady, The Colonial Earth (Melbourne: Miegunyah Press, 2000), 341.36 For example, Eugene von Guérard, ‘Aboriginal Family Group’, 22 June 1856, pencil, 17.5 × 23.7 cm, The University of Melbourne Art Collection.37 Andrew Sayers, Aboriginal Artists of the Nineteenth Century (Melbourne: Oxford University Press Australia, in association with the National Gallery of Australia 1994), 3.38 The equestrian circus also inspired Johnny Dawson’s [European couple and horse; Horse race], State Library of New South Wales, Sydney, PXA 606.39 Von Guérard to Bastian 25 August 1878, Zentralarchiv, SMB.40 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.41 Gilgar Gunditj elder, Aunty Eileen Alberts, descendent of Johnny Dawson (Kangatong). Personal communication with Ruth Pullin, 15 September 2022.42 John Dawson, Drawing, c. 1855, pencil, ink and watercolour, 23.7 × 30 cm, Eugen von Guérard collection, EMB, VI 2585 b. Reproduced in Pullin, Eugene von Guérard’s Sketchbooks: The Artist as Traveller, 174.43 Judy Leech, on Caitlyn Lehmann’s presentation, ‘Hoofing It! Ballet on Saddle and Stage at Astley’s Circus’, On Stage Magazine (Theatre Heritage Australia, 31 August 2019), https://theatreheritage.org.au/on-stage-magazine/general-articles/item/591-hoofing-it-ballet-on-saddle-and-stage-at-astley-s-circus (accessed 10 January 2023).44 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.45 Von Guérard to Voss, 7 July 1879; von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.46 A Correspondent, ‘Sketches in Australia’, Illustrated London News, vol. XXIX, no. 830 (15 November 1856), 491.47 EMB ID: two stone axes VI 2575, 2576; kangaroo-teeth necklace VI 2579; net bag VI 2577; boomerang VI 2574; reed basket (Bin nuck) VI 2578. The entry on the reed basket, number 21 on von Guérard’s ‘List of Australian Objects’, makes reference to number 17 on the list: von Guérard to Voss, 7 July 1879.48 Ian D. Clark, ‘We Are All of One Blood’ – A History of the Djabwurrung Aboriginal People of Western Victoria, 1836–1901, Vol. 1 (Place of publication and publisher unknown, 2016), 284.49 Eugene von Guérard, Portrait of King Kooneware [sic], 26 June 1856, 9' × 11 ½'. In Supplementary Catalogue: Australasia – Melanesia – Micronesia – Polynesia, Supplementary Catalogue (London: Francis Edwards, Bookseller, 1903), Cat. no. 3752, 54.50 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.51 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.52 Von Guérard to Alfred Howitt, 9 February 1874. Howitt Papers, State Library of Victoria, Melbourne, MS 9356, 1045/3a, no. 4.53 Ian D. Clark, An Ethnohistory of the Djargurdwurrung People of Camperdown (Place of publication and publisher unknown, 2022), 201, 203. A photograph of this group with Isabella Dawson is held by the Camperdown & District Historical Society.54 James Dawson, ‘Framlingham Aboriginal Station. Protest Against its Alienation’, Camperdown Chronicle, 26 September 1889, 2.55 Von Guérard to Bastian 25 August 1878, Zentralarchiv, SMB.56 Ibid.57 Ibid.58 Robert Brough Smyth, Aborigines of Victoria, with Notes Relating to the Habits of the Natives of Other Parts of Australia and Tasmania Compiled from Various Sources for the Government of Victoria (Melbourne: John Ferres, Government Printer. Published also by George Robertson, 1878), 278, fig. 27.59 Von Guérard to Bastian, 25 August 1878.60 [Robert Brough Smyth], Catalogue of the Objects of Ethnotypical Art in the National Gallery Published by Direction of the Trustees of the Public Library & Museums of Victoria (Melbourne: Mason, Firth & McCutcheon, 1878); von Guérard to von Haast, 16 January 1879, Zentralarchiv, SMB. In Darragh and Pullin, Lieber Freund!, 30; Brough Smyth’s collection was purchased on 15 November 1877.61 ‘[…] Township of Dunkelt’ [Dunkeld], Eugene von Guérard Sketchbook No. XXV, 1856. State Library of New South Wales, DGB16, vol. 4, 10; von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; womerah and two spears, EMB VI 2561,VI 2562, VI 2563.62 Lithograph published in S. Dougan Bird, On Australasian Climates and Their Influence in the Prevention and Arrest of Pulmonary Consumption (London: Longman, Green, Longman, Roberts & Green, 1863), [plates 94–5].63 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; boomerang, EMB VI 2573.64 Eugene von Guérard, Aborigines by a Fire before Mt William as Seen from Mt Dryden in the Grampians, 24 × 32 cm., Phillips Auctioneers, London, in March 1984. Current whereabouts unknown.65 Eugene von Guérard, Sketchbook XXV, 1856. State Library of New South Wales, DGB 16, v. 4: 31, 32.66 Heavy shield, EMB ID: VI 2567; liangle, VI 2568; womerah, VI 2569; waddy, VI 2571. Von Guérard to Voss, 7 July 1879.67 Clark, Djargurdwurrung People of Camperdown, 59; James Bonwick, Western Victoria. Its Geography, Geology and Social Condition. The Narrative of an Educational Tour in 1857, First published Geelong: Thomas Brown, 1858 (Heinemann, Australia, 1970), 43; A small group of Djargurdwurrung people around a campfire is visible in the middle distance of von Guérard’s Cloven Hills and Mt Elephant with Part of Lake Bookar [sic] f. Meningoort, [March 1857], pencil on paper, private collection; Thomas Dowling, King Tom and the Mount Elephant Tribe 1856, National Library of Australia.68 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; Willis, 115.69 ‘Obituary. Mrs W. A. Taylor’, Camperdown Chronicle (10 August 1929), 5.70 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: serrated spear VI 2560; two shields VI 2564 and VI 2566.71 Smyth, Aborigines of Victoria, 330, 332.72 Ibid., 352–53; EMB ID: three projectiles (weet-weet) VI 2565 a–c.; von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.73 Von Guérard to Voss, 25 August 1878, Zentralarchiv, SMB.74 Smyth, Aborigines of Victoria, 352.75 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: 8 possum skins VI 2580; emu wing VI 2586 a–b; emu tail feathers VI 2581.The tail of the Australian lyre bird was not registered.76 Eugene von Guérard, Sketchbook XXXV 1864: [57], [56].77 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: 4 message sticks VI 2582 a–d; waist belt, Malden Islands VI2584.78 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.79 Voss, Report to the General Administration, response to 2232/78, 12 November 1878.80 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.81 Ibid.82 In 1878 £25 sterling was the equivalent of £2438 today (https://www.bankofengland.co.uk/monetary-policy/inflation/inflation-calculator, accessed 31 August 2023), or approximately AUD $4784.00.83 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.84 Von Guérard to Voss, 9 July 1879, Zentralarchiv, SMB.85 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.86 Voss Report, 12 November 1878, Zentralarchiv, SMB.87 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.88 Voss, Report, 12 November 1878, Zentralarchiv, SMB.89 Von Guérard to Friedländer, 20 January 1880, Incoming Register 1926/80.90 Voss, Report, 12 November 1878, Zentralarchiv, SMB.91 Von Guérard to Haast, 4 January 1881, in Darragh and Pullin, Lieber Freund!, 45.92 Von Guérard to Friedländer, 22 June 1880, Incoming Register 2131/80; Lally, 199; Koepping, 19.93 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.94 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.95 Von Guérard to Haast, 7 May 1880, in Darragh and Pullin, Lieber Freund!, 39.96 Von Guérard to Haast, 27 November 1880 and 27 April 1881, in Darragh and Pullin, Lieber Freund!, 42, 47; 3386 coins and medals were purchased on 21 September 1881.97 Tim Ingold, cited in Gaye Sculthorpe, Maria Nugent, Howard Morphy, ‘Introduction’, Ancestors, Artefacts, Empire: Indigenous Australia in British and Irish Museums (London: The British Museum Press and National Museum of Australia Press, 2021), 18, fn.5.98 Ibid., 18.99 Daniel Clarke, artist, photographer and from 1865 manager of Framlingham Mission.100 Sabra G. Thorner, ‘The Photograph as Archive: Crafting Contemporary Koorie Culture’, Journal of Material Culture 24, no. 1 (March 2019): 28.101 Philip Jones, ‘Reciprocity: Artefacts of Aboriginal Trade and Exchange’, in Sculthorpe, Nugent, and Morphy, Ancestors, Artefacts, Empire, 41.102 Von Guérard to Bastian, 25 August, 1878, Zentralarchiv, SMB.103 Lally, 193, 200.104 Sculthorpe, Nugent, Morphy, Ancestors, Artefacts, Empire, 17. See also: Leonn Satterthwait, ‘Collections as Artefacts: The Making and Thinking of Anthropological Museum Collections’, in Peterson, Allen, and Hamby, Makers and Making, 50–51.105 Anna Weinreich et al., ‘Artists, Archives and Ancestral Connections’ (forthcoming).106 Anna Weinreich, in Em||power||relations, ed. J. Binter et al. 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Abstract

AbstractThe nineteenth-century landscape painter Eugene von Guérard was an avid collector. A series of letters held by the Ethnological Museum Berlin, translated by the authors from ‘old’ German into English, describes his personal collection of Australian Aboriginal cultural objects and its transfer, along with 64 objects acquired on consignment, to the Ethnological Department of the Berlin Museum in 1879. Complemented by the publication of the complete correspondence in a companion paper, this article contextualises the letters within von Guérard's careers as artist, curator and collector, positioning them within the framework of his travels as recorded in his sketchbooks, and in relation to specific consequential experiences and individuals, prevailing colonial narratives and European and colonial collecting agendas and networks. The letters inform, and are informed by, von Guérard’s art, collecting and professional practices, with new insights captured in the intersections between them. Notes1 Thomas Duckett (1839–1868), 12 April [1867]. Thomas Duckett papers. Harris Museum and Art Gallery, Preston, UK. PRSMG Arch141.2 James Smith, ‘A Colonial Artist], The Illustrated Australian Mail 4, no 1. (22 February 1862): 49–50.3 Eugen von Guérard to Julius von Haast, 20 January 1885, Haast Family Papers, Alexander Turnbull Library, Wellington, New Zealand, 177-0037. Published in English translation in: Thomas A. Darragh and Ruth Pullin, Lieber Freund! Letters from Eugen von Guérard to Julius von Haast (Ballarat: Art Gallery of Ballarat, 2018), 63. Von Guérard, one of Australia’s greatest nineteenth-century landscape painters, was born in Vienna in 1811, travelled and studied in Italy between 1827 and 1838, and studied and lived in Düsseldorf until 1852. He spent twenty-eight years in Australia, travelling extensively from his Melbourne base, and in 1882 returned to Düsseldorf, before settling in London with his daughter in 1891. He died in 1901.4 ‘List of Works selected from E. von Guérard's Catalogue’, Public Library, Museums & National Gallery of Victoria, 29 October 1881. PROV 805, unit 115.5 Thomas A. Darragh and Ruth Pullin, ‘Eugene von Guérard and the Ethnological Museum Berlin: Correspondence 1878–1880’, Proceedings of the Royal Society of Victoria 135, no. 1–2 (Melbourne: CSIRO Publishing, in press).6 N. Peterson, L. Allen and L. Hamby, ‘Introduction’, in The Makers and Making of Indigenous Australian Museum Collections, ed. Nicolas Peterson, Lindy Allen, Louise Hamby (Melbourne: Melbourne University Press, 2008), 8; Voss, Report to the General Administration, response to 2232/78, 12 November 1878, Zentralarchiv, Staatliche Museen zu Berlin.7 Research is currently being undertaken by the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS), to which the authors have contributed; see also: Anna Weinreich et al., ‘Artists, Archives and Ancestral Connections: An Aboriginal Collection between Australia and Berlin’, in Southeast Australian Aboriginal Art: Culture-Making and Curating for Country, ed. F. Edmonds, M. Clarke, and S. Thorner (Canberra: AIATSIS Press, forthcoming).8 Sophie Hasenclever’s father, Wilhelm von Schadow, was the revered Director of the Düsseldorf Academy during the years that von Guérard studied there; von Guérard visited Sophie and her husband at Grevenbroich on 25 October 1845: von Guérard sketchbook XVI, 1843. State Library of New South Wales, DGB14, v. 6. [loose sheet]; von Guérard’s earliest connection with the Numismatics Department was in 1841, when he sold his father’s (Bernard von Guérard, 1771–1836) coin collection to the museum.9 The Ethnologisches Museum Berlin (hereafter EMB), Staatliche Museen zu Berlin (hereafter SMB), opened as the Königliches Museum für Völkerkunde (Royal Museum of Ethnology) in 1886.10 Von Guérard to Friedländer, 10 February 1878, Incoming Register 852/78, Zentralarchiv, SMB. Bastian had visited Australia, and Victoria, in 1851. Klaus-Peter Koepping, Adolf Bastian and the Psychic Unity of Mankind (Brisbane: University of Queensland Press, 1983), 8.11 Von Guérard to Bastian, 14 February 1878, Incoming Register 852/78, Zentralarchiv, SMB.12 Ibid.13 Ibid.14 Janice Lally, ‘The Australian Aboriginal Collection and the Berlin Ethnological Museum’, in Peterson, Allen, and Hamby, Makers and Making, 190.15 H. Glenn Penny, In Humboldt’s Shadow: A Tragic History of German Ethnology (Princeton: Princeton University Press, 2021), 7.16 Adolf Bastian, Alexander von Humboldt Festrede (Berlin: Wiegand and Hempel, 1869) in Koepping, 160.17 Bastian quoted in Lally, 194.18 Penny, 8, 7.19 See Ruth Pullin, Eugene von Guérard: Nature Revealed (Melbourne: National Gallery of Victoria, 2011), 246.20 Alexander von Humboldt, Cosmos: A Sketch of a Physical Description of the Universe, vol. 2, trans. E.C. Otté (London: Henry G. Bohn, 1849), 453, 438.21 ‘A Pioneer of the Fifties: Leaves from the Journal of an Australian Gold Digger, 18 August 1853–16 March 1854/ Johann Joseph Eugen von Guérard’, unpublished manuscript, Dixson Galleries, State Library of New South Wales, Sydney, 11.22 The weapons depicted suggest the title Aborigines in Pursuit of Their Enemies, 1854; Argus, 30 December 1854, 8.23 Von Guérard showed seven works: Official Catalogue of the Melbourne Exhibition 1854, in connexion with the Paris Exhibition, 1855, Section VIII, catalogue numbers 4–40: 35.24 Elizabeth Willis, ‘Gentlemen Collectors: The Port Phillip District, 1835–1855’, in Peterson, Allen and Hamby, Makers and Making, 131.25 Von Guérard, who had studied with Ludwig’s brother, August Becker in Düsseldorf, showed August’s Midnight Sun in Norway at the 1854 Melbourne Exhibition (Cat. No. 328).26 Eugene von Guérard, ‘Australien Reminiszenzen’, Mitchell Library, State Library of New South Wales, Sydney.27 Eugene von Guérard, ‘My My by Geelong’, 22 April 1854. State Library of Victoria, H3803.28 Von Guérard visited the Seidels on 12 March 1854, but the position of the undated sketch in his sketchbook suggests an 1855 date.29 Von Guérard to Voss, 7 July 1879, Incoming Register 1926/79, Zentralarchiv, SMB.30 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB. For maps of von Guérard’s expeditions, see Ruth Pullin, Eugene von Guérard's Sketchbooks: The Artist as Traveller (Ballarat: Art Gallery of Ballarat 2018), 307–17.31 Von Guérard to Voss, 7 July 1879. EMB object identification number (EMB ID): VI 2572.32 Philip Jones, in This Wondrous Land: Colonial Art on Paper, ed. Alisa Bunbury (Melbourne: National Gallery of Victoria, 2011), 99.33 Eugene von Guérard, Sketchbook XXIV, 1855 and Sketchbook XVIII, State Library of New South Wales, DGB16, vol. 3: 80–85 and DGB14, vol.7: 74.34 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.35 James Dawson, cited in Tim Bonyhady, The Colonial Earth (Melbourne: Miegunyah Press, 2000), 341.36 For example, Eugene von Guérard, ‘Aboriginal Family Group’, 22 June 1856, pencil, 17.5 × 23.7 cm, The University of Melbourne Art Collection.37 Andrew Sayers, Aboriginal Artists of the Nineteenth Century (Melbourne: Oxford University Press Australia, in association with the National Gallery of Australia 1994), 3.38 The equestrian circus also inspired Johnny Dawson’s [European couple and horse; Horse race], State Library of New South Wales, Sydney, PXA 606.39 Von Guérard to Bastian 25 August 1878, Zentralarchiv, SMB.40 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.41 Gilgar Gunditj elder, Aunty Eileen Alberts, descendent of Johnny Dawson (Kangatong). Personal communication with Ruth Pullin, 15 September 2022.42 John Dawson, Drawing, c. 1855, pencil, ink and watercolour, 23.7 × 30 cm, Eugen von Guérard collection, EMB, VI 2585 b. Reproduced in Pullin, Eugene von Guérard’s Sketchbooks: The Artist as Traveller, 174.43 Judy Leech, on Caitlyn Lehmann’s presentation, ‘Hoofing It! Ballet on Saddle and Stage at Astley’s Circus’, On Stage Magazine (Theatre Heritage Australia, 31 August 2019), https://theatreheritage.org.au/on-stage-magazine/general-articles/item/591-hoofing-it-ballet-on-saddle-and-stage-at-astley-s-circus (accessed 10 January 2023).44 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.45 Von Guérard to Voss, 7 July 1879; von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.46 A Correspondent, ‘Sketches in Australia’, Illustrated London News, vol. XXIX, no. 830 (15 November 1856), 491.47 EMB ID: two stone axes VI 2575, 2576; kangaroo-teeth necklace VI 2579; net bag VI 2577; boomerang VI 2574; reed basket (Bin nuck) VI 2578. The entry on the reed basket, number 21 on von Guérard’s ‘List of Australian Objects’, makes reference to number 17 on the list: von Guérard to Voss, 7 July 1879.48 Ian D. Clark, ‘We Are All of One Blood’ – A History of the Djabwurrung Aboriginal People of Western Victoria, 1836–1901, Vol. 1 (Place of publication and publisher unknown, 2016), 284.49 Eugene von Guérard, Portrait of King Kooneware [sic], 26 June 1856, 9' × 11 ½'. In Supplementary Catalogue: Australasia – Melanesia – Micronesia – Polynesia, Supplementary Catalogue (London: Francis Edwards, Bookseller, 1903), Cat. no. 3752, 54.50 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.51 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.52 Von Guérard to Alfred Howitt, 9 February 1874. Howitt Papers, State Library of Victoria, Melbourne, MS 9356, 1045/3a, no. 4.53 Ian D. Clark, An Ethnohistory of the Djargurdwurrung People of Camperdown (Place of publication and publisher unknown, 2022), 201, 203. A photograph of this group with Isabella Dawson is held by the Camperdown & District Historical Society.54 James Dawson, ‘Framlingham Aboriginal Station. Protest Against its Alienation’, Camperdown Chronicle, 26 September 1889, 2.55 Von Guérard to Bastian 25 August 1878, Zentralarchiv, SMB.56 Ibid.57 Ibid.58 Robert Brough Smyth, Aborigines of Victoria, with Notes Relating to the Habits of the Natives of Other Parts of Australia and Tasmania Compiled from Various Sources for the Government of Victoria (Melbourne: John Ferres, Government Printer. Published also by George Robertson, 1878), 278, fig. 27.59 Von Guérard to Bastian, 25 August 1878.60 [Robert Brough Smyth], Catalogue of the Objects of Ethnotypical Art in the National Gallery Published by Direction of the Trustees of the Public Library & Museums of Victoria (Melbourne: Mason, Firth & McCutcheon, 1878); von Guérard to von Haast, 16 January 1879, Zentralarchiv, SMB. In Darragh and Pullin, Lieber Freund!, 30; Brough Smyth’s collection was purchased on 15 November 1877.61 ‘[…] Township of Dunkelt’ [Dunkeld], Eugene von Guérard Sketchbook No. XXV, 1856. State Library of New South Wales, DGB16, vol. 4, 10; von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; womerah and two spears, EMB VI 2561,VI 2562, VI 2563.62 Lithograph published in S. Dougan Bird, On Australasian Climates and Their Influence in the Prevention and Arrest of Pulmonary Consumption (London: Longman, Green, Longman, Roberts & Green, 1863), [plates 94–5].63 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; boomerang, EMB VI 2573.64 Eugene von Guérard, Aborigines by a Fire before Mt William as Seen from Mt Dryden in the Grampians, 24 × 32 cm., Phillips Auctioneers, London, in March 1984. Current whereabouts unknown.65 Eugene von Guérard, Sketchbook XXV, 1856. State Library of New South Wales, DGB 16, v. 4: 31, 32.66 Heavy shield, EMB ID: VI 2567; liangle, VI 2568; womerah, VI 2569; waddy, VI 2571. Von Guérard to Voss, 7 July 1879.67 Clark, Djargurdwurrung People of Camperdown, 59; James Bonwick, Western Victoria. Its Geography, Geology and Social Condition. The Narrative of an Educational Tour in 1857, First published Geelong: Thomas Brown, 1858 (Heinemann, Australia, 1970), 43; A small group of Djargurdwurrung people around a campfire is visible in the middle distance of von Guérard’s Cloven Hills and Mt Elephant with Part of Lake Bookar [sic] f. Meningoort, [March 1857], pencil on paper, private collection; Thomas Dowling, King Tom and the Mount Elephant Tribe 1856, National Library of Australia.68 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; Willis, 115.69 ‘Obituary. Mrs W. A. Taylor’, Camperdown Chronicle (10 August 1929), 5.70 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: serrated spear VI 2560; two shields VI 2564 and VI 2566.71 Smyth, Aborigines of Victoria, 330, 332.72 Ibid., 352–53; EMB ID: three projectiles (weet-weet) VI 2565 a–c.; von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.73 Von Guérard to Voss, 25 August 1878, Zentralarchiv, SMB.74 Smyth, Aborigines of Victoria, 352.75 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: 8 possum skins VI 2580; emu wing VI 2586 a–b; emu tail feathers VI 2581.The tail of the Australian lyre bird was not registered.76 Eugene von Guérard, Sketchbook XXXV 1864: [57], [56].77 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB; EMB ID: 4 message sticks VI 2582 a–d; waist belt, Malden Islands VI2584.78 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.79 Voss, Report to the General Administration, response to 2232/78, 12 November 1878.80 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.81 Ibid.82 In 1878 £25 sterling was the equivalent of £2438 today (https://www.bankofengland.co.uk/monetary-policy/inflation/inflation-calculator, accessed 31 August 2023), or approximately AUD $4784.00.83 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.84 Von Guérard to Voss, 9 July 1879, Zentralarchiv, SMB.85 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.86 Voss Report, 12 November 1878, Zentralarchiv, SMB.87 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.88 Voss, Report, 12 November 1878, Zentralarchiv, SMB.89 Von Guérard to Friedländer, 20 January 1880, Incoming Register 1926/80.90 Voss, Report, 12 November 1878, Zentralarchiv, SMB.91 Von Guérard to Haast, 4 January 1881, in Darragh and Pullin, Lieber Freund!, 45.92 Von Guérard to Friedländer, 22 June 1880, Incoming Register 2131/80; Lally, 199; Koepping, 19.93 Von Guérard to Bastian, 25 August 1878, Zentralarchiv, SMB.94 Von Guérard to Voss, 7 July 1879, Zentralarchiv, SMB.95 Von Guérard to Haast, 7 May 1880, in Darragh and Pullin, Lieber Freund!, 39.96 Von Guérard to Haast, 27 November 1880 and 27 April 1881, in Darragh and Pullin, Lieber Freund!, 42, 47; 3386 coins and medals were purchased on 21 September 1881.97 Tim Ingold, cited in Gaye Sculthorpe, Maria Nugent, Howard Morphy, ‘Introduction’, Ancestors, Artefacts, Empire: Indigenous Australia in British and Irish Museums (London: The British Museum Press and National Museum of Australia Press, 2021), 18, fn.5.98 Ibid., 18.99 Daniel Clarke, artist, photographer and from 1865 manager of Framlingham Mission.100 Sabra G. Thorner, ‘The Photograph as Archive: Crafting Contemporary Koorie Culture’, Journal of Material Culture 24, no. 1 (March 2019): 28.101 Philip Jones, ‘Reciprocity: Artefacts of Aboriginal Trade and Exchange’, in Sculthorpe, Nugent, and Morphy, Ancestors, Artefacts, Empire, 41.102 Von Guérard to Bastian, 25 August, 1878, Zentralarchiv, SMB.103 Lally, 193, 200.104 Sculthorpe, Nugent, Morphy, Ancestors, Artefacts, Empire, 17. See also: Leonn Satterthwait, ‘Collections as Artefacts: The Making and Thinking of Anthropological Museum Collections’, in Peterson, Allen, and Hamby, Makers and Making, 50–51.105 Anna Weinreich et al., ‘Artists, Archives and Ancestral Connections’ (forthcoming).106 Anna Weinreich, in Em||power||relations, ed. J. Binter et al. (Berlin: Ethnologisches Museum, Staatliche Museen zu Berlin, 2022), 61.
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艺术家-收藏家:尤金·冯·古萨姆拉德和柏林民族学博物馆
21《五十年代的先驱者:一位澳大利亚淘金者的日记,1853年8月18日至1854年3月16日/ Johann Joseph Eugen von gusamrard》,未发表的手稿,悉尼新南威尔士州图书馆迪克森画廊,11.22所描绘的武器显示了土著居民追捕敌人的标题,1854年;1854年墨尔本展览的官方目录,与巴黎展览有关,1855年,第八部分,目录编号4-40:35.24伊丽莎白·威利斯,“绅士收藏家:菲利普港区,1835-1855”,彼得森,艾伦和汉比,制造者和制造,131.25冯·古萨姆拉德曾与路德维希的兄弟奥古斯特·贝克尔在<s:1>塞尔多夫学习,在1854年墨尔本展览上展示了挪威8月的午夜太阳(Cat。328号)点Eugene von gusamrard,“Australien reminzenzen”,Mitchell图书馆,新南威尔士州立图书馆,悉尼。27 Eugene von gusamrard,“My My by Geelong”,1854年4月22日。冯·古萨姆拉德于1854年3月12日拜访了塞德尔一家,但从他的速写本中未注明日期的素描位置来看,日期是1855年冯·古萨杰致沃斯,1879年7月7日,1926/79号入职登记册,中特拉拉奇夫,SMB。关于冯·古萨玛德的探险地图,见Ruth Pullin,尤金·冯·古萨玛德的速写本:作为旅行者的艺术家(巴拉瑞特:巴拉瑞特美术馆2018),307-17.31冯·古萨玛德致沃斯,1879年7月7日。菲利普·琼斯,《这片奇妙的土地:纸上的殖民艺术》,Alisa Bunbury主编(墨尔本:维多利亚国家美术馆,2011年),99.33 Eugene von gusamrard,速写本XXIV, 1855年和速写本XVIII,新南威尔士州图书馆,DGB16,第3卷80-85和DGB14,第7卷74.34冯·gusamrard to Voss, 1879年7月7日,Zentralarchiv, SMB.35 James Dawson,引用于Tim Bonyhady, The Colonial Earth(墨尔本:Miegunyah Press, 2000), 341.36例如,尤金·冯·古萨杰,“土著家庭集团”,1856年6月22日,铅笔,17.5 × 23.7厘米,墨尔本大学艺术收藏。37安德鲁·塞耶斯,19世纪的土著艺术家(墨尔本:澳大利亚牛津大学出版社,与澳大利亚国家美术馆1994年合作),3.38马术马戏团也启发了约翰尼·道森的[欧洲夫妇和马;[赛马],新南威尔士州国立图书馆,悉尼,PXA 606.39, 1878年8月25日,Von gusamrard给Bastian, Zentralarchiv, SMB.40, Von gusamrard给Voss, 1879年7月7日,Zentralarchiv, SMB.41, Gilgar Gunditj elder,阿姨Eileen Alberts, Johnny Dawson (Kangatong)的后裔。约翰·道森,绘画,约1855年,铅笔,墨水和水彩,23.7 × 30厘米,欧根·冯·古萨玛德收藏,EMB, VI 2585 b.在普林复制,尤金·冯·古萨玛德的速写本:艺术家作为旅行者,174.43朱迪·里奇,在凯特琳·莱曼的演讲上,“Hoofing It!”44 .《阿斯特利马戏团马鞍上和舞台上的芭蕾舞》,《舞台杂志》(澳大利亚戏剧遗产,2019年8月31日),https://theatreheritage.org.au/on-stage-magazine/general-articles/item/591-hoofing-it-ballet-on-saddle-and-stage-at-astley-s-circus(2023年1月10日访问)1879年7月7日,冯·古萨杰致沃斯,中央情报局,45;1878年8月25日,von gusamrard致Bastian, Zentralarchiv, SMB.46一位通讯员,“澳大利亚的素描”,《伦敦新闻画报》,第29卷,第29号。830(1856年11月15日),491.47 EMB ID:两个石轴VI 2575, 2576;袋鼠牙项链VI 2579;网袋VI 2577;回飞镖VI 2574;芦苇篮子(Bin nuk) VI 2578。芦苇篮子上的条目是von gusamrard“澳大利亚物品清单”上的第21个条目,参考了清单上的第17个条目:von gusamrard致Voss, 1879.7月7日。Ian D. Clark,“我们都是一个血统”——西维多利亚的Djabwurrung土著人民的历史,1836-1901,第1卷(出版地点和出版商未知,2016年),284.49 Eugene von gusamrard, King Kooneware的肖像[原文如此],1856年6月26日,9' x 11½'。《补充目录:澳大拉西亚-美拉尼西亚-密克罗尼西亚-波利尼西亚,补充目录》(伦敦:弗朗西斯·爱德华兹,书商,1903年),Cat。不。1878年8月25日,冯·古斯曼给巴斯蒂安的信,1879年7月7日,冯·古斯曼给沃斯的信,1874年2月9日,冯·古斯曼给阿尔弗雷德·豪威特的信。Howitt论文,维多利亚州国立图书馆,墨尔本,MS 9356, 1045/3a, no。4.53伊恩·d·克拉克:《坎普顿的贾格杜隆族人的民族历史》(出版地点和出版商未知,2022),201,203。这群人与伊莎贝拉·道森的合影由坎珀当和地区历史协会保存。《对其异化的抗议》,坎珀当纪事,1889年9月26日,2.55冯·古斯曼拉德致巴斯蒂安1878年8月25日,Zentralarchiv, SMB.56同上,57同上。 58罗伯特·布劳·史密斯,维多利亚州的土著居民,从各种来源为维多利亚州政府汇编的有关澳大利亚其他地区和塔斯马尼亚州土著居民习惯的注释(墨尔本:约翰·费雷斯,政府印刷公司)。由George Robertson出版,1878年),278年,图27.59 Von gusamrard to Bastian, 1878年8月25日[Robert Brough Smyth],由维多利亚公共图书馆和博物馆的受托人指导出版的国家美术馆的民族典型艺术品目录(墨尔本:Mason, Firth & McCutcheon, 1878年);冯·古萨杰致冯·哈斯特,1879年1月16日,中央档案馆,SMB。在Darragh and Pullin, Lieber Freund!, 30岁;Brough Smyth的收藏于1877年11月15日购买。“[…]Dunkelt镇”[Dunkeld], Eugene von gusamrard速写本编号。第二十五章,1856年版。新南威尔士州立图书馆,DGB16,第4卷,第10卷;1879年7月7日,von gusamrard to Voss,中央档案馆,SMB;妇女和两支长矛,EMB VI 2561,VI 2562, VI 2563.62平版印刷,发表于S. Dougan Bird,关于澳大利亚气候及其对预防和阻止肺病的影响(伦敦:Longman, Green, Longman, Roberts & Green, 1863),[版94-5].63冯·古萨杰致沃斯,1879年7月7日,中央档案馆;Eugene von gusamrard,从格兰屏地区的德莱顿山看威廉山之前的一场大火,24 × 32厘米。1984年3月,伦敦菲利普斯拍卖行。目前下落不明Eugene von gusamrard,速写本XXV, 1856年。新南威尔士州国家图书馆,DGB 16, v. 4:31, 32.66重盾,EMB ID: VI 2567;三角形,VI 2568;妇女,VI 2569;waddy, VI 2571。冯·古斯曼拉德致沃斯,1879.67年7月7日Clark, djargurdurrung People of Camperdown, 59;詹姆斯·邦威克,西维多利亚。它的地理、地质和社会条件。《1857年教育之旅的叙述》,吉朗:托马斯·布朗,1858年首次出版(澳大利亚海涅曼出版社,1970年),43页;在von gusamrard的《Cloven Hills and Mt Elephant and Part of Lake Bookar》的中间距离,可以看到一小群djargurdurrung人围着篝火[sic] . f. Meningoort,[1857年3月],铅笔在纸上,私人收藏;托马斯·道林,《汤姆国王和象山部落1856》,澳大利亚国家图书馆,1879年7月7日,冯·古萨姆拉德致沃斯;威利斯,155.69 '讣告。W. A.泰勒夫人,《坎珀当纪事》(1929年8月10日),1879年7月7日,冯·古萨伊德致沃斯,中央档案馆;EMB编号:锯齿矛VI 2560;两个盾牌VI 2564和VI 2566.71史密斯,维多利亚的土著,330,332.72同上,352-53;EMB ID:三枚射弹(wet - wet) VI 2565 a-c;1878年8月25日,冯·古萨玛德致巴斯蒂安,Zentralarchiv, SMB.73冯·古萨玛德致沃斯,1878年8月25日,Zentralarchiv, SMB.74史密斯,维多利亚土著,352.75冯·古萨玛德致沃斯,1879年7月7日,Zentralarchiv, SMB;EMB ID: 8张负鼠皮VI 2580;鸸鹋翼VI 2586 a-b;鸸鹋尾羽VI 2581澳大利亚七弦琴鸟的尾巴没有标记Eugene von guassrard, Sketchbook xxx1864: b[57], b[56].77冯·古萨杰致沃斯,1879年7月7日,中央档案馆;EMB ID: 4个留言棒VI 2582 a-d;1878年8月25日,冯·古萨伊德给巴斯蒂安的报告,1878年8月25日,Zentralarchiv, SMB.81同上。82年,25英镑相当于今天的2438英镑(https://www.bankofengland.co.uk/monetary-policy/inflation/inflation-calculator,访问日期为2023年8月31日),或大约4784.00澳元。1879年7月9日,冯·古斯曼传给沃斯,1878年8月25日,中特拉拉奇夫,SMB.86 Voss报告,1878年11月12日,中特拉拉奇夫,SMB.87 Voss报告,1878年11月12日,中特拉拉奇夫,SMB.89 Voss报告,1878年11月12日,中特拉拉奇夫,SMB.89 Voss报告,1878年11月12日,1926/80.90 Voss报告,1878年11月12日,中特拉拉奇夫,SMB.91冯·古斯曼传给哈斯特,1881年1月4日,达拉赫和普林,利伯弗伦德!, 45.92冯·古萨雷德至Friedländer, 1880年6月22日,入境登记册第2131/80号;拉莱柱,199;1878年8月25日,冯·古萨玛德致巴斯蒂安,1879年7月7日,冯·古萨玛德致沃斯,1879年5月7日,冯·古萨玛德致哈斯特,1880年5月7日,达拉赫和普林,利伯·弗伦德!1880年11月27日和1881年4月27日,达拉格和普林,利伯·弗伦德!, 42, 47;1881.97年9月21日购买了3386枚硬币和奖章蒂姆·英戈尔德,引用于Gaye Sculthorpe, Maria Nugent, Howard Morphy,“介绍”,祖先,文物,帝国:英国和爱尔兰博物馆中的土著澳大利亚(伦敦:大英博物馆出版社和澳大利亚国家博物馆出版社,2021年),18,fn.5.98同上,18.99丹尼尔·克拉克,艺术家,摄影师,从1865年起担任Framlingham传教士的经理。
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来源期刊
CiteScore
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自引率
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期刊介绍: Australian Historical Studies is a refereed journal dealing with Australian, New Zealand and Pacific regional issues. The journal is concerned with aspects of the Australian past in all its forms: heritage and conservation, archaeology, visual display in museums and galleries, oral history, family history, and histories of place. It is published in March, June and September each year.
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Real Men Don’t Kill Koalas: Gender and Conservationism in the Queensland Koala Open Season of 1927 My Grandfather’s Clock: Four Centuries of a British–Australian Family Honiara: Village-City of Solomon Islands Settling for Less: Why States Colonize and Why They Stop The Years of Terror: Banbu-Deen: Kulin and Colonists at Port Phillip 1835–1851
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