{"title":"Pesan Moral Dalam Film Merindu Cahaya De Amstel","authors":"Siti Fatimatul Munawaroh, Arik Dwijayanto, Teguh Ansori","doi":"10.37680/jcs.v3i1.2952","DOIUrl":null,"url":null,"abstract":"Film is one of the mass media that has a function as a medium of information, education, persuasion, and also entertainment. Therefore, film can be used as a medium for conveying moral messages to the public through the scenes shown. The film Missing Cahaya de Amstel is a film with a religious genre with the theme of hijrah which contains many moral messages. This research is a qualitative research using a descriptive approach with semiotic theory. The data collection technique in this study was by means of observation, namely observing and watching every scene of the film Merindu Cahaya de Amstel carefully. Then do documentation in the form of taking pictures by taking screenshots of scenes that are considered to contain a moral message. The data analysis technique in this study uses semiotic analysis in every scene that contains elements of a moral message with the Ferdinand De Saussure Semiotics model. Based on the results of the analysis of the data obtained in this study, it shows that the signifiers and signifieds are found in the scenes in the film Merindu Cahaya de Amstel and contain elements of a moral message. The moral message contained in the film Missing Light de Amstel. First, tolerance with indicators of accepting differences, respecting others, respecting other people's beliefs and allowing or not forcing desires. Second, social care with indicators of mutual help and sympathy as well as empathy or tolerance","PeriodicalId":53977,"journal":{"name":"Catalan Journal of Communication & Cultural Studies","volume":"65 1","pages":"0"},"PeriodicalIF":0.8000,"publicationDate":"2023-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catalan Journal of Communication & Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37680/jcs.v3i1.2952","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 1
Abstract
Film is one of the mass media that has a function as a medium of information, education, persuasion, and also entertainment. Therefore, film can be used as a medium for conveying moral messages to the public through the scenes shown. The film Missing Cahaya de Amstel is a film with a religious genre with the theme of hijrah which contains many moral messages. This research is a qualitative research using a descriptive approach with semiotic theory. The data collection technique in this study was by means of observation, namely observing and watching every scene of the film Merindu Cahaya de Amstel carefully. Then do documentation in the form of taking pictures by taking screenshots of scenes that are considered to contain a moral message. The data analysis technique in this study uses semiotic analysis in every scene that contains elements of a moral message with the Ferdinand De Saussure Semiotics model. Based on the results of the analysis of the data obtained in this study, it shows that the signifiers and signifieds are found in the scenes in the film Merindu Cahaya de Amstel and contain elements of a moral message. The moral message contained in the film Missing Light de Amstel. First, tolerance with indicators of accepting differences, respecting others, respecting other people's beliefs and allowing or not forcing desires. Second, social care with indicators of mutual help and sympathy as well as empathy or tolerance
电影是一种大众传媒,具有信息、教育、说服和娱乐的功能。因此,电影可以作为一种媒介,通过所展示的场景向公众传递道德信息。电影《失踪的卡哈亚·德·阿姆斯特尔》是一部以海吉拉为主题的宗教类型电影,其中包含了许多道德信息。本研究采用符号学理论的描述方法进行定性研究。本研究的数据收集方法是通过观察的方式,即仔细观察和观看电影《Merindu Cahaya de Amstel》的每一个场景。然后以拍照的形式进行记录,将被认为包含道德信息的场景截图下来。本研究中的数据分析技术使用费迪南德·德·索绪尔符号学模型对每个包含道德信息元素的场景进行符号学分析。根据本研究获得的数据分析结果表明,能指和所指出现在电影《阿姆斯特尔的欢乐》的场景中,并包含道德信息的元素。电影《阿姆斯特尔之光》所传达的道德信息。首先,宽容,包括接受差异,尊重他人,尊重他人的信仰,允许或不强迫自己的欲望。第二,社会关怀,包括互助和同情以及同理心或宽容