Honouring Uncelebrated Heroes in Maaza Mengiste’s <i>The Shadow King</i> and <i>Beneath the Lion’s Gaze</i>

Chrispin Mkumba
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Abstract

This paper examines literary representations of marginalised, uncelebrated heroes in two novels by Maaza Mengiste: The Shadow King and Beneath the Lion’s Gaze. The central argument is that Mengiste excavates and portrays the overlooked heroic contributions of select male and female protagonists to honour their legacy and illuminate their vital yet under-recognised roles in constructing Ethiopian national identity. By adopting close textual analysis, the paper examines the conception of ‘heroism’ to characters derived from Mengiste’s fictionalised historiography centred upon Ethiopia. Furthermore, the sociocultural and ideological factors engendering the marginalisation of these heroic figures shall be scrutinised within the novels’ specific narrative contexts. Incorporating critical theoretical perspectives, the efficacy of violence as a liberating praxis against political oppression shall be evaluated through the lens of Frantz Fanon. At the same time, Marxian theories of alienation are employed to elucidate the subjective motivations compelling certain protagonists towards heroic but uncelebrated deeds. Methodologically, the paper is grounded in a close literary analysis of the theme of unheralded heroism within the two primary texts. A synthesis of supplementary scholarly perspectives bolsters this paper’s central thesis regarding unrecognised heroic narratives. The paper argues that despite contributing substantially to anti-oppressive struggles, Mengiste’s marginal protagonists remain uncelebrated within Ethiopia’s dominant historical discourses due to their race, class, gender, and ideological positionality.
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纪念Maaza Mengiste的《暗影王》中的无名英雄<i> /i>和<i>在狮子的注视下</i>
本文考察了Maaza Mengiste的两部小说《影子国王》和《狮子凝视之下》中边缘化的无名英雄的文学表现。核心论点是,门吉斯特挖掘并描绘了一些被忽视的男女主角的英雄贡献,以纪念他们的遗产,并阐明了他们在构建埃塞俄比亚民族认同方面至关重要但尚未得到认可的角色。通过采用严密的文本分析,本文考察了“英雄主义”的概念,从门吉斯特的虚构的历史编纂中心埃塞俄比亚衍生的人物。此外,这些英雄人物被边缘化的社会文化和意识形态因素也需要在小说特定的叙事语境中加以审视。结合批判的理论观点,暴力作为一种反对政治压迫的解放实践的有效性应通过弗朗茨·法农的镜头来评估。与此同时,马克思的异化理论被用来阐明迫使某些主人公做出英雄但不为人知的行为的主观动机。在方法论上,本文以对两个主要文本中无名英雄主义主题的密切文学分析为基础。综合补充的学术观点支持了本文关于未被认可的英雄叙事的中心论点。本文认为,尽管对反压迫斗争做出了重大贡献,但由于种族、阶级、性别和意识形态的立场,门吉斯特的边缘主角在埃塞俄比亚的主流历史话语中仍然不为人所知。
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