Plant Pillars

Q1 Arts and Humanities FormAkademisk Pub Date : 2023-09-21 DOI:10.7577/formakademisk.5436
Teresia Millberg
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 To sustain the idea of the design of a garden it is essential to look at the plant materials that they are constructed with. We as gardeners, do not use solid materials as our building blocks, we rely on malleable plant materials to build our design. The materials vary over the season, which makes them complex to define. 
 The impressions of a garden is experienced through the expressions of its aesthetics, and without solid documentation of the form, structure, colour schemes and more, it is difficult to form an understanding of the garden as a whole. 
 The essence of a design lies in the plant materials that the gardener crafts and arranges in a specific way to create an aesthetic expression. In my work I have developed a method for the craftsman (or –woman) where the intangible plant materials and the subtle/distinct effects of colour and form and their aesthetic values can be measured utilising the system of a plant catalogue. 
 How will we understand what makes a good and sustainable design if we don’t find methods to document and assess the aesthetics and the craftsmanship behind it?","PeriodicalId":37241,"journal":{"name":"FormAkademisk","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FormAkademisk","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7577/formakademisk.5436","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT To sustain the idea of the design of a garden it is essential to look at the plant materials that they are constructed with. We as gardeners, do not use solid materials as our building blocks, we rely on malleable plant materials to build our design. The materials vary over the season, which makes them complex to define. The impressions of a garden is experienced through the expressions of its aesthetics, and without solid documentation of the form, structure, colour schemes and more, it is difficult to form an understanding of the garden as a whole. The essence of a design lies in the plant materials that the gardener crafts and arranges in a specific way to create an aesthetic expression. In my work I have developed a method for the craftsman (or –woman) where the intangible plant materials and the subtle/distinct effects of colour and form and their aesthetic values can be measured utilising the system of a plant catalogue. How will we understand what makes a good and sustainable design if we don’t find methods to document and assess the aesthetics and the craftsmanship behind it?
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植物根柱子
摘要# x0D;为了维持一个花园的设计理念,观察它们所使用的植物材料是必不可少的。作为园丁,我们不使用固体材料作为我们的建筑材料,我们依靠可塑的植物材料来构建我们的设计。随着季节的变化,这些材料会有所不同,这使得它们很难定义。& # x0D;对花园的印象是通过其美学的表达来体验的,如果没有形式、结构、配色方案等方面的坚实记录,就很难形成对整个花园的理解。& # x0D;设计的本质在于花匠以特定的方式对植物材料进行加工和安排,从而创造出一种审美表现。在我的工作中,我为工匠(或女性)开发了一种方法,在这种方法中,无形的植物材料、颜色和形状的微妙/独特效果以及它们的美学价值可以利用植物目录系统来衡量。& # x0D;如果我们找不到方法来记录和评估其背后的美学和工艺,我们将如何理解什么是好的和可持续的设计?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
期刊最新文献
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