Skill, craft, and poiesis-intensive innovation

Q1 Arts and Humanities FormAkademisk Pub Date : 2023-09-21 DOI:10.7577/formakademisk.5415
Cristina Grasseni
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Abstract

What is craft practice? The  purpose of this paper is to contrast the categorization of craft practice with that of skill and innovation. I argue for the relevance of innovative skilled practice to future-making. Both skill and craft play an important part in collective engagements with futuring. With an ethnographic methodology, typical of anthropological fieldwork, I have explored skill in dairy farming, cheese making, and currently food gardening. In all these three realms, the results of ethnographic observation are that ideational processes immediately connect to intimate acquaintance with materials and ecosystems (including flora and fauna, soil, climate, landscape and humans). My conclusion is that craft practice and its outcomes imply a highly localized cosmology of evaluation. I show how comparative ethnography allows the mapping of these relations between people and places, and their more-than-local connections.
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技能、工艺和理论密集型创新
什么是工艺实践?本文的目的是对比工艺实践的分类与技能和创新的分类。我认为创新技能实践与未来创造的相关性。在与未来的集体接触中,技能和工艺都扮演着重要的角色。用人类学田野调查的典型的民族志方法论,我探索了奶牛养殖、奶酪制作和目前的食品园艺的技能。在这三个领域中,民族志观察的结果是,概念过程与材料和生态系统(包括动植物、土壤、气候、景观和人类)的密切了解直接相关。我的结论是,工艺实践及其结果意味着高度本地化的评价宇宙观。我展示了比较民族志是如何让人们和地方之间的关系,以及他们超越当地的联系的地图。
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
期刊最新文献
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