Post-COVID craft education

Q1 Arts and Humanities FormAkademisk Pub Date : 2023-09-21 DOI:10.7577/formakademisk.5417
Cecilia Heffer
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Abstract

This paper presents a hybrid model of teaching and learning that proposes new possibilities for exchang­ing tangible and intangible cross-cultural knowledge in textile craft education. The paper aims to demonstrate how online platforms can be used creatively to disseminate traditional craft knowledge and skills in new ways. The discussion centres on a unique virtual global studio between fashion and textile undergraduate students at the University of Technology Sydney and on an artisanal woodblock print studio, Tharangini, based in Bengaluru (Bangalore), India. The hybrid workshop was an adaptation of the studio in response to travel restrictions caused by the pandemic. The author argues that while the internet cannot replace the immersive cultural experience of studying in another country, digital platforms have a place alongside teaching to offer otherwise impossible opportunities. This paper explores a methodology for disseminating craft knowledge and skills across cultures through a combination of online and in-house practicum. Classes were structured around weekly Zoom sessions with Director Padmini Govind, where sustainable approaches to print production were disseminated through a suite of commissioned films and hand-carved woodblocks to explore on campus. The results show how this unique adaptation allowed students to interact with the artisan craft of woodblock printing in rich and varied ways, and it proposes that this novel hybrid model can be creatively adapted to future craft education in the 2020s.
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新冠肺炎后工艺教育
本文提出了一种教与学的混合模式,为纺织工艺教育中有形与无形的跨文化知识交流提供了新的可能性。本文旨在展示如何创造性地利用在线平台以新的方式传播传统工艺知识和技能。讨论的重点是悉尼科技大学时装和纺织本科学生之间的一个独特的虚拟全球工作室,以及位于印度班加罗尔的手工木版印刷工作室Tharangini。混合讲习班是对该工作室的改造,以应对大流行造成的旅行限制。作者认为,虽然互联网不能取代在另一个国家学习的沉浸式文化体验,但数字平台与教学一样,可以提供其他不可能的机会。本文探讨了一种通过在线和室内实习相结合的方法来传播跨文化的工艺知识和技能。课程是围绕导演Padmini Govind每周的Zoom课程进行的,在那里,通过一系列委托制作的电影和手工雕刻的木版来传播可持续的印刷生产方法,并在校园里进行探索。研究结果表明,这种独特的适应方式使学生能够以丰富多样的方式与雕版印刷的工匠工艺互动,并提出这种新颖的混合模式可以创造性地适应21世纪20年代的未来工艺教育。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
期刊最新文献
Exploring Design Literacy in Socially Responsible Design Education Design Literacy in Chilean Curricula Education for sustainable clothing consumerism? Editorial I. Perspectives on Design Literacy Editorial II. Design education in China
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