Peter Bell’s Professions

IF 0.3 2区 文学 0 LITERATURE Romanticism Pub Date : 2023-10-01 DOI:10.3366/rom.2023.0609
Christopher Simons
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Abstract

This article investigates the socioeconomic contexts of Wordsworth’s Peter Bell in relation to Peter’s ‘profession’ – to use Wordsworth’s term, when he wrote that first among the ‘great defects’ of Coleridge’s Ancient Mariner is that the protagonist ‘has no distinct character … in his profession of Mariner’. Peter Bell is a ‘potter’; Wordsworth’s footnote to the 1819 first edition defines this as ‘a hawker of earthenware’. Modern scholarship accepts the northern definition of potter as ‘pedlar’, effacing the connection to pottery. Yet evidence in the poem suggests that Wordsworth understood the socioeconomic contexts of the poem’s Swaledale setting in 1798–1800, with particular knowledge of the area’s role as the heart of Britain’s lead-mining industry. Peter’s presence in Swaledale links him, through his ‘professions’, to lead mining in the Pennines; and through lead mining, to the Staffordshire pottery industry and Wordsworth and Coleridge’s friends and patrons, Tom Wedgwood and Josiah Wedgwood II.
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彼得·贝尔的职业
这篇文章调查了华兹华斯的《彼得·贝尔》的社会经济背景与彼得的“职业”的关系——用华兹华斯的话来说,他写道柯勒律治的《老水手》的第一个“重大缺陷”是主人公“在他的水手职业中没有明显的个性”。彼得·贝尔是一个“陶工”;华兹华斯在1819年第一版的脚注中将其定义为“陶器小贩”。现代学术接受北方对potter的定义为“小贩”,抹去了与陶器的联系。然而,这首诗中的证据表明,华兹华斯了解1798年至1800年间斯瓦尔岱尔地区的社会经济背景,尤其了解该地区作为英国铅矿开采中心的地位。彼得在斯韦代尔的存在,通过他的“职业”,把他和在奔宁山脉的采矿业联系起来;再到斯塔福德郡的陶瓷业华兹华斯和柯勒律治的朋友和赞助人汤姆·韦奇伍德和约西亚·韦奇伍德二世。
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来源期刊
Romanticism
Romanticism LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
44
期刊介绍: The most distinguished scholarly journal of its kind edited and published in Britain, Romanticism offers a forum for the flourishing diversity of Romantic studies today. Focusing on the period 1750-1850, it publishes critical, historical, textual and bibliographical essays prepared to the highest scholarly standards, reflecting the full range of current methodological and theoretical debate. With an extensive reviews section, Romanticism constitutes a vital international arena for scholarly debate in this liveliest field of literary studies.
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