Editors’ Note

Abstract

Editorial| June 01 2023 Editors’ Note Journal of Popular Music Studies (2023) 35 (2): 1–4. https://doi.org/10.1525/jpms.2023.35.2.1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Editors’ Note. Journal of Popular Music Studies 1 June 2023; 35 (2): 1–4. doi: https://doi.org/10.1525/jpms.2023.35.2.1 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search As the upheavals of 2023 continue unabated in popular music, we bring you our second issue with hope for what scholarship and criticism can do to shift the cultural conversation. While this issue will be published just a few weeks before the biannual meeting of the International Association for the Study of Popular Music in Minneapolis, we write this introduction just a few weeks after the 2023 Grammy Awards. This year was remarkable in many ways. If you consider both the Latin Grammys (broadcast November 17, 2022) and the main show (broadcast February 5, 2023), two openly trans women took home trophies: Liniker and Kim Petras, respectively. In another remarkable feat, Beyoncé surpassed conductor Georg Solti’s record for the artist with the most Grammys while once again being passed over in the top categories. These landmark achievements can be a balm for some as we all reel from news of... You do not currently have access to this content.