Ukrainian Architects of the Baroque Age: Algorithms of the Worldview Development

Anton Kolomiets
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Abstract

The article raises the problem of the artistic worldviews divergence of the artist (architect) and the commissioner of the construction. It is argued that the problem occurred due to the insufficient influence of aesthetic culture on the educational field in general and in particular, on primary and secondary education. In order to draw corresponding historical parallels, the subject matter of this paper is the Baroque era and the interaction of contemporary architects and commissioners. It is hypothesized that the commonality of artistic worldviews in this tandem was a key reason for its success. Therefore, identifying and investigating the formative factors of a common worldview of the educated circles of the Baroque era may be projected to modern times as an illustrative example of socially relevant architecture. A wide range of approaches was used asthe problem was considered within the axis of“culture—education—society” and in various aspects. The scope of identified factors determined the interdisciplinary nature of the study
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巴洛克时代的乌克兰建筑师:世界观发展的算法
本文提出了艺术家(建筑师)与建筑监理的艺术世界观分歧问题。这一问题的产生,主要是审美文化对整个教育领域,特别是中小学教育的影响不够。为了得出相应的历史相似点,本文的主题是巴洛克时代以及当代建筑师和专员之间的互动。据推测,这种艺术世界观的共性是其成功的关键原因。因此,识别和调查巴洛克时代教育界共同世界观的形成因素可以作为社会相关建筑的一个说明性例子投射到现代。在“文化-教育-社会”的轴心和各个方面考虑这个问题时,使用了各种各样的方法。确定因素的范围决定了研究的跨学科性质
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