ROCK IMAGES OF KHOJIKENT

O. A. Kashchey, L. F. Nedashkovsky
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Abstract

The limestone rock with petroglyphs in the village of Khodzikent (Uzbek: Xo'jakent) is one of the most well-known and accessible rock art sites of Uzbekistan, with a rich history of discovery and study. The first mentions of signs on the rock have been known in print since 1879, but the systematic study of rock images has been organized by many researchers since the middle of the 20th century, such as H.A. Alpysbaev, G.V. Parfenov, G.V. Shatsky, D. Kabirov, M.M. Khuzhanazarov, etc. In addition to the published data, this work includes unique archival materials that shed new light on the research of the Khodzikent petroglyphs by the Bostandyk archaeological team led by G.V. Parfenov. The analysis of historiographical materials reveals a number of controversial issues related primarily to the quality of fixation of pictorial sources and discrepancies in their chronological attribution. A continuous survey of promising sites and a documentation technique, developed taking into account the specifics of the Khodzikent petroglyphs (the smoothness of their contours), allowed the authors to obtain qualitatively new results: to identify a previously unknown surface with the image of a “rosette”, fix 119 rock images on the “central” rock and determine the sequence of their creation using palimpsests and planigraphy analysis, reflect in digital drawings an integral image of the site of rock art. The relative chronology and analysis of iconography and the pictorial series indicate a possible broad chronological framework for the creation of Khodzikent rock images: from the Eneolithic to the early Middle Ages.
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霍吉肯特的岩石图像
Khodzikent村(乌兹别克语:Xo’jakent)的石灰岩岩画是乌兹别克斯坦最著名和最容易进入的岩石艺术遗址之一,有着丰富的发现和研究历史。自1879年以来,岩石上的标志第一次被提及是在印刷中,但自20世纪中叶以来,许多研究人员组织了对岩石图像的系统研究,如H.A. Alpysbaev, G.V. Parfenov, G.V. Shatsky, D. Kabirov, M.M. Khuzhanazarov等。除了已发表的数据外,这项工作还包括独特的档案材料,这些材料为G.V. Parfenov领导的Bostandyk考古小组对Khodzikent岩画的研究提供了新的视角。对史学材料的分析揭示了一些有争议的问题,这些问题主要与图像来源的固定质量和它们在时间归属上的差异有关。考虑到Khodzikent岩画的特点(其轮廓的平滑度),作者对有希望的遗址进行了持续调查,并采用了一种记录技术,从而获得了定性的新结果:为了用“玫瑰花”的图像识别一个以前未知的表面,将119个岩石图像固定在“中心”岩石上,并使用重写和平面分析确定它们的创作顺序,在数字绘图中反映出岩石艺术现场的整体图像。对图像学和图画系列的相对年代学和分析表明,霍兹肯特岩石图像的创作可能有一个广泛的时间框架:从新石器时代到中世纪早期。
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