REPRESENTATION AND SYMBOLISM OF FOLK MUSICAL INSTRUMENTS IN CONTEMPORARY UKRAINIAN NATIONAL CULTURE

Vasyl Denkovych
{"title":"REPRESENTATION AND SYMBOLISM OF FOLK MUSICAL INSTRUMENTS IN CONTEMPORARY UKRAINIAN NATIONAL CULTURE","authors":"Vasyl Denkovych","doi":"10.17721/ucs.2023.1(12).18","DOIUrl":null,"url":null,"abstract":"The article examines the issue of representation of Ukrainian folk instruments. The symbolic meaning of folk instruments is revealed, the connotations that demonstrate their deep implementation in the practice of creating national culture are highlighted. Such instruments as kobza, bandura, pipe, bugai, trembita are associated with the formation of the ethnic folk complex, which demonstrates the ability to be reincarnated in modern artistic practices. During their existence, they underwent changes in design, gained use in various musical stylistic directions. At the same time, they retained their significance as symbols of Ukrainian culture, independence and national pride. Unique musical instruments-symbols that have signs of belonging to Ukrainian culture and play an important role in the artistic space of today are considered. Their circulation in culture can be considered as a component of the integration of the nation and the connection of traditions and innovations. The analysis of Ukrainian folk instruments reveals their implementation in modern cultural genesis. Various musical instruments were a part of the life of our ancestors, performing various functions – from purely entertaining to communicative and warning. Currently, one can see the process of reviving interest in traditional musical instruments, which is accompanied by the transformation of the practices of their use. At the same time, the appeal to them acts as a factor of referring to the field of symbolic meanings, which these instruments embody, because of their traditional use. The timpani were a military signaling instrument and are currently perceived as a symbol of military life, the thirst for victory. Bandura and kobza, which were a symbol of the Cossacks, came to personify the fight against aggression. The bagpipe and trembita, which were the instruments of shepherds, have become members of modern bands in various stylistic directions, but their importance as carriers of the ethnic culture of Ukrainians is constant. A wider range of imagery and a symbol of national uniqueness are carried by instruments such as trembita and bugai. All of them represent the cultural heritage of Ukraine, demonstrating the ability to integrate and reproduce the nation","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ukrayins''ki kul''turologichni studiyi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/ucs.2023.1(12).18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The article examines the issue of representation of Ukrainian folk instruments. The symbolic meaning of folk instruments is revealed, the connotations that demonstrate their deep implementation in the practice of creating national culture are highlighted. Such instruments as kobza, bandura, pipe, bugai, trembita are associated with the formation of the ethnic folk complex, which demonstrates the ability to be reincarnated in modern artistic practices. During their existence, they underwent changes in design, gained use in various musical stylistic directions. At the same time, they retained their significance as symbols of Ukrainian culture, independence and national pride. Unique musical instruments-symbols that have signs of belonging to Ukrainian culture and play an important role in the artistic space of today are considered. Their circulation in culture can be considered as a component of the integration of the nation and the connection of traditions and innovations. The analysis of Ukrainian folk instruments reveals their implementation in modern cultural genesis. Various musical instruments were a part of the life of our ancestors, performing various functions – from purely entertaining to communicative and warning. Currently, one can see the process of reviving interest in traditional musical instruments, which is accompanied by the transformation of the practices of their use. At the same time, the appeal to them acts as a factor of referring to the field of symbolic meanings, which these instruments embody, because of their traditional use. The timpani were a military signaling instrument and are currently perceived as a symbol of military life, the thirst for victory. Bandura and kobza, which were a symbol of the Cossacks, came to personify the fight against aggression. The bagpipe and trembita, which were the instruments of shepherds, have become members of modern bands in various stylistic directions, but their importance as carriers of the ethnic culture of Ukrainians is constant. A wider range of imagery and a symbol of national uniqueness are carried by instruments such as trembita and bugai. All of them represent the cultural heritage of Ukraine, demonstrating the ability to integrate and reproduce the nation
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
当代乌克兰民族文化中民间乐器的表现与象征
文章探讨了乌克兰民间乐器的代表性问题。揭示了民间乐器的象征意义,突出了民间乐器在民族文化创造实践中的深层实施内涵。kobza、bandura、pipe、bugai、trembita等乐器与民族民俗情结的形成有关,在现代艺术实践中表现出转世的能力。在它们的存在期间,它们经历了设计上的变化,在不同的音乐风格方向上得到了应用。与此同时,它们作为乌克兰文化、独立和民族自豪感的象征仍然具有重要意义。独特的乐器-具有乌克兰文化标志的符号,在今天的艺术空间中发挥重要作用。它们在文化中的流通可以被认为是民族融合和传统与创新联系的组成部分。通过对乌克兰民间乐器的分析,揭示了其在现代文化起源中的实现。各种各样的乐器是我们祖先生活的一部分,具有各种各样的功能——从纯粹的娱乐到交流和警告。目前,人们可以看到对传统乐器的兴趣正在恢复,这伴随着它们使用方式的转变。同时,由于它们的传统用途,对它们的吸引力作为参考这些工具所体现的象征意义领域的因素。定音鼓是一种军事信号乐器,目前被认为是军事生活和对胜利的渴望的象征。班杜拉和科布扎是哥萨克人的象征,是反抗侵略的化身。风笛和trembita是牧羊人的乐器,在不同的风格方向上成为现代乐队的成员,但它们作为乌克兰民族文化载体的重要性是不变的。trembita和bugai等乐器承载着更广泛的意象和民族独特的象征。所有这些都代表了乌克兰的文化遗产,展示了民族融合和再生产的能力
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
20
审稿时长
20 weeks
期刊最新文献
INTERNATIONAL COOPERATION IN THE FIELD OF CULTURE UNDER THE CONDITIONS OF THE RUSSIAN-UKRAINIAN WAR: CULTURAL ASPECT SAVING UKRAINIAN CULTURAL HERITAGE DURING THE WAR: PRACTICES OF INTERNATIONAL INTERACTIONS THEME OF THE WAR IN FINE ARTS: PECULIARITY OF HISTORICAL AND CULTURAL TRANSFORMATIONS MOBILE APP DESIGN FUNCTIONALITY WITH DIGITALIZED CULTURAL HERITAGE OBJECTS OF KHARKIV CITY AND KHARKIV REGION FROM "RED" TO "NEW" CULTURE: TRADITION AND INNOVATIONS IN CHINESE MARXISM
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1