{"title":"Race and Transnationalism in the Americas","authors":"Christian Büschges","doi":"10.1215/00182168-10369193","DOIUrl":null,"url":null,"abstract":"Questions of ethnicity and race have always been a central issue of research on colonial and postcolonial Latin America. The contributors to the book Race and Transnationalism in the Americas seek to broaden the debate by focusing on the transnational and transcultural dimension of ethnic or racial inclusion and exclusion throughout Latin America and beyond. The authors explore diverse topics of migration, state policies, and citizenship, as well as sports, music, and film production, from the late nineteenth century to the present.Despite the fact that Latin America was the first world region to have been systematically colonized and ruled by European powers during the early modern period, the region has only recently entered the historiography of global and transnational history, especially with regard to scholars born in the region. Apart from the strong tradition of national history and limited access to academic resources (research centers, libraries, or funds) in some Latin American countries, there has always been skepticism in Latin America and in the global South in general toward what sometimes is deemed a new imperial history. Despite this, recent years have shown a renewed interest in an inter-American perspective among historians of Latin America, and the present collection of essays is just another expression of this trend. As Marc Hertzman rightly points out in his introduction to the volume, transnational history offers new perspectives on the political, social, and cultural history of Latin America when it succeeds in addressing the transnational entanglements of local phenomena in a combined look on connections and disconnections. Hertzman highlights the book's focus on “how . . . race and the categorization of race functioned as mechanisms or organizing frameworks for cultural, political, and social inclusion in the Americas” (p. 3). By contrast, the volume's editors, Benjamin Bryce and David M. K. Sheinin, point in their epilogue to the spread of racial narratives and politics of racial discrimination in the wake of recent transnational migration throughout the Americas.Alexander Dawson and Stephen Lewis analyze the inter-American indigenista movement of the first half of the twentieth century in Mexico and the United States; both scholars focus on misreadings of and tensions between different views of Indigenous culture and mestizaje. While Elaine Carey's essay highlights the transnational dimension of US and Mexican debates on drug consumption and trafficking, health care, and racism from the 1920s to the 1950s, David M. K. Sheinin focuses on the construction of the “criollo baseball player” in Venezuela via different US role models and national narratives of whiteness and Blackness from the 1940s onward. Somewhat misplaced given the book's transnational perspective is Waskar Ari-Chachaki's interesting case study on the construction of an Indigenous nation by Gregorio Titiriku's Indigenous movement in the Bolivian Altiplano, which contested assimilationist state policies during the 1920s and 1930s.Several contributions to the book address transnational migration and its political, social, and cultural dimensions. While Benjamin Bryce points out the racial hierarchies within immigration debates and policies in Argentina toward different Asian countries from 1890 to 1920, Lara Putnam discusses political debates over citizenship and legal rights for Black migrants from the British Caribbean in the wider Caribbean, the United States, and Britain from 1918 to 1962. Sonja Stephenson Watson focuses on the emergence of reggae en español in Panama following the immigration of railroad and canal workers from the Caribbean and transcultural networks in the region and to the United States from the 1960s onward. Finally, Raanan Rein analyzes the construction of a mosque in the Buenos Aires neighborhood of Palermo in 2000 in the context of historical immigration from the Middle East, the subsequent growth of an Argentine Muslim community, and integration policies toward ethnic minorities from Juan Perón to Carlos Menem.Marc Hertzman presents an interesting example of cultural appropriation by the male African Brazilian carnival association Filhos de Gandhy formed in Salvador, Bahia, in 1949, whose syncretic symbolism and performance combined cultural elements of anticolonialism, communism, and candomblé with essentializing notions of Orientalism and masculinity. Kevin Coleman and Julia Irion Martins analyze the 2015 documentary film Damiana Kryygi from Argentine filmmaker Alejandro Fernández Mouján, which shows the alliance of local settlers and European anthropologists against Indigenous people in late nineteenth- and early twentieth-century Paraguay alongside contemporary Ache Indigenous community activism.Overall, Race and Transnationalism in the Americas is a fine collection that offers insights into various issues, disciplines, and methodologies that go beyond traditional approaches focused on the nation-state.","PeriodicalId":46440,"journal":{"name":"Hahr-Hispanic American Historical Review","volume":"53 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hahr-Hispanic American Historical Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00182168-10369193","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Questions of ethnicity and race have always been a central issue of research on colonial and postcolonial Latin America. The contributors to the book Race and Transnationalism in the Americas seek to broaden the debate by focusing on the transnational and transcultural dimension of ethnic or racial inclusion and exclusion throughout Latin America and beyond. The authors explore diverse topics of migration, state policies, and citizenship, as well as sports, music, and film production, from the late nineteenth century to the present.Despite the fact that Latin America was the first world region to have been systematically colonized and ruled by European powers during the early modern period, the region has only recently entered the historiography of global and transnational history, especially with regard to scholars born in the region. Apart from the strong tradition of national history and limited access to academic resources (research centers, libraries, or funds) in some Latin American countries, there has always been skepticism in Latin America and in the global South in general toward what sometimes is deemed a new imperial history. Despite this, recent years have shown a renewed interest in an inter-American perspective among historians of Latin America, and the present collection of essays is just another expression of this trend. As Marc Hertzman rightly points out in his introduction to the volume, transnational history offers new perspectives on the political, social, and cultural history of Latin America when it succeeds in addressing the transnational entanglements of local phenomena in a combined look on connections and disconnections. Hertzman highlights the book's focus on “how . . . race and the categorization of race functioned as mechanisms or organizing frameworks for cultural, political, and social inclusion in the Americas” (p. 3). By contrast, the volume's editors, Benjamin Bryce and David M. K. Sheinin, point in their epilogue to the spread of racial narratives and politics of racial discrimination in the wake of recent transnational migration throughout the Americas.Alexander Dawson and Stephen Lewis analyze the inter-American indigenista movement of the first half of the twentieth century in Mexico and the United States; both scholars focus on misreadings of and tensions between different views of Indigenous culture and mestizaje. While Elaine Carey's essay highlights the transnational dimension of US and Mexican debates on drug consumption and trafficking, health care, and racism from the 1920s to the 1950s, David M. K. Sheinin focuses on the construction of the “criollo baseball player” in Venezuela via different US role models and national narratives of whiteness and Blackness from the 1940s onward. Somewhat misplaced given the book's transnational perspective is Waskar Ari-Chachaki's interesting case study on the construction of an Indigenous nation by Gregorio Titiriku's Indigenous movement in the Bolivian Altiplano, which contested assimilationist state policies during the 1920s and 1930s.Several contributions to the book address transnational migration and its political, social, and cultural dimensions. While Benjamin Bryce points out the racial hierarchies within immigration debates and policies in Argentina toward different Asian countries from 1890 to 1920, Lara Putnam discusses political debates over citizenship and legal rights for Black migrants from the British Caribbean in the wider Caribbean, the United States, and Britain from 1918 to 1962. Sonja Stephenson Watson focuses on the emergence of reggae en español in Panama following the immigration of railroad and canal workers from the Caribbean and transcultural networks in the region and to the United States from the 1960s onward. Finally, Raanan Rein analyzes the construction of a mosque in the Buenos Aires neighborhood of Palermo in 2000 in the context of historical immigration from the Middle East, the subsequent growth of an Argentine Muslim community, and integration policies toward ethnic minorities from Juan Perón to Carlos Menem.Marc Hertzman presents an interesting example of cultural appropriation by the male African Brazilian carnival association Filhos de Gandhy formed in Salvador, Bahia, in 1949, whose syncretic symbolism and performance combined cultural elements of anticolonialism, communism, and candomblé with essentializing notions of Orientalism and masculinity. Kevin Coleman and Julia Irion Martins analyze the 2015 documentary film Damiana Kryygi from Argentine filmmaker Alejandro Fernández Mouján, which shows the alliance of local settlers and European anthropologists against Indigenous people in late nineteenth- and early twentieth-century Paraguay alongside contemporary Ache Indigenous community activism.Overall, Race and Transnationalism in the Americas is a fine collection that offers insights into various issues, disciplines, and methodologies that go beyond traditional approaches focused on the nation-state.
种族和种族问题一直是殖民和后殖民时期拉丁美洲研究的中心问题。《美洲的种族与跨国主义》一书的作者试图通过关注拉丁美洲及其他地区民族或种族包容和排斥的跨国和跨文化维度来扩大辩论。作者探讨了从19世纪晚期到现在的移民、国家政策和公民身份,以及体育、音乐和电影制作等各种主题。尽管拉丁美洲是近代早期第一个被欧洲列强系统地殖民和统治的世界地区,但该地区直到最近才进入全球和跨国历史的史学领域,特别是对于出生在该地区的学者来说。除了一些拉丁美洲国家强大的民族历史传统和有限的学术资源(研究中心、图书馆或基金)之外,拉丁美洲和全球南方总体上一直对有时被视为新的帝国历史持怀疑态度。尽管如此,近年来,拉丁美洲历史学家对美洲之间的观点重新产生了兴趣,而本文集只是这一趋势的另一种表达。正如马克·赫茨曼(Marc Hertzman)在这本书的前言中正确指出的那样,当跨国历史成功地通过对联系和脱节的综合观察来解决当地现象的跨国纠缠时,它为拉丁美洲的政治、社会和文化史提供了新的视角。赫茨曼强调了本书对“如何……”的关注。种族和种族分类是美洲文化、政治和社会包容的机制或组织框架”(第3页)。相比之下,该卷的编辑本杰明·布莱斯(Benjamin Bryce)和大卫·m·k·谢宁(David M. K. Sheinin)在他们的后记中指出,随着最近整个美洲的跨国移民,种族叙事和种族歧视政治的传播。亚历山大·道森(Alexander Dawson)和斯蒂芬·刘易斯(Stephen Lewis)分析了二十世纪上半叶在墨西哥和美国发生的美洲土著运动;两位学者都关注对土著文化和梅斯蒂扎伊人的不同观点的误读和紧张关系。伊莱恩·凯里(Elaine Carey)的文章强调了20世纪20年代至50年代美国和墨西哥关于毒品消费和贩运、医疗保健和种族主义的辩论的跨国维度,而大卫·m·k·谢宁(David M. K. Sheinin)则通过不同的美国榜样和20世纪40年代以来白人和黑人的国家叙事,关注委内瑞拉“克里奥罗棒球运动员”的建构。考虑到这本书的跨国视角,Waskar Ari-Chachaki对Gregorio Titiriku在玻利维亚高原的土著运动中建立土著民族的有趣案例研究有些错位,该运动在20世纪20年代和30年代对同化主义国家政策提出了质疑。本书的几项贡献涉及跨国移民及其政治、社会和文化层面。本杰明•布莱斯指出了1890年至1920年间阿根廷针对不同亚洲国家的移民辩论和政策中的种族等级,而劳拉•普特南则讨论了1918年至1962年间,来自英属加勒比地区的黑人移民在更广泛的加勒比地区、美国和英国的公民权和法律权利问题上的政治辩论。Sonja Stephenson Watson专注于雷鬼舞español在巴拿马的出现,这是在20世纪60年代加勒比地区的铁路和运河工人以及该地区的跨文化网络移民到美国之后出现的。最后,Raanan Rein分析了2000年在巴勒莫布宜诺斯艾利斯附近的一座清真寺的建设,背景是历史上来自中东的移民,随后阿根廷穆斯林社区的增长,以及从Juan Perón到Carlos Menem对少数民族的融合政策。马克·赫茨曼(Marc Hertzman)提出了一个有趣的文化挪用的例子,即1949年在巴伊亚州萨尔瓦多成立的非裔巴西男性嘉年华协会Filhos de Gandhy,其融合的象征主义和表演将反殖民主义、共产主义和candomblaise的文化元素与东方主义和男子气概的本质概念结合在一起。凯文·科尔曼和朱莉娅·伊瑞恩·马丁斯分析了2015年阿根廷电影制作人亚历桑德罗Fernández Mouján的纪录片《Damiana Kryygi》,该纪录片展示了19世纪末和20世纪初巴拉圭当地定居者和欧洲人类学家与土著人民的联盟,以及当代阿奇土著社区的激进主义。
期刊介绍:
Published in cooperation with the Conference on Latin American History of the American Historical Association The Hispanic American Historical Review pioneered the study of Latin American history and culture in the United States and remains the most widely respected journal in the field. HAHR"s comprehensive book review section provides commentary, ranging from brief notices to review essays, on every facet of scholarship on Latin American history and culture. Regular notices of the activities of the Conference on Latin American History appear in the journal.