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IF 0.1 0 POETRY WALLACE STEVENS JOURNAL Pub Date : 2022-11-03 DOI:10.1353/wsj.2022.0027
Bart Eeckhout, Glen MacLeod
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Please join us in congratulating the author.</p> <p>***</p> <p>Millicent Borges Accardi’s poem “Let’s Very Often Say,” published in the Spring 2022 issue of this <em>Journal</em>, was selected by the Hopkins Press as one of ten “poignant” poems for the 2022 edition of National Poetry Month, an annual celebration established in 1996 by the Academy of American Poets.</p> <p>***</p> <p>The 2021 Wallace Stevens Award of the Academy of American Poets, a $100,000 lifetime achievement award “for outstanding and proven mastery in the art of poetry,” went to Toi Derricotte.</p> <p>***</p> <p>“Thirteen Ways of Looking at Blackboard,” a parody poem written by the junior music major Kayla Bivin at Northern Illinois University, was selected and published by McSweeney Internet Tendency, a website with a social media presence of about 200,000 followers on Facebook, 275,000 on Twitter, and more than 57,000 on Instagram. From the thirteen possible citations, we have selected two stanzas as examples from the poem: “O professors of University, / Why do you imagine class on Zoom? / Do you not see how Blackboard / Has a course room / Awaiting us?” And the final meditation: “She was working all afternoon. / She was studying / <strong>[End Page 266]</strong> And she was going to study. / Blackboard lingered open / On her desktop.”</p> <p>***</p> <p>In the spring of 2022, the artist Michelle Cotugno and the poet Jim Finnegan teamed up to organize an exhibition at the Hartford Public Library entitled “Words in Clay, Words on Paper.” It brought together objects in clay, made by Cotugno and including reprinted words of important poets and writers, with accompanying broadsides from a range of New England letterpress printers selected by Finnegan. The artistic collaboration further involved an artist talk and printer panel as well as a poetry reading. Three of Stevens’s poems were included among the broadsides; one other broadside referenced the poet.</p> <p>***</p> <p>Julien Strong and Luisa Caycedo-Kimura were the featured poets at the 2022 Rose Garden Reading, which was held, exceptionally, not at Elizabeth Park but at the nearby St. John’s Episcopal Church in West Hartford, Connecticut. This year the reading took place on June 18. The event was sponsored by the Friends and Enemies of Wallace Stevens. Julien Strong, the author of two poetry collections and two novels, teaches at Central Connecticut State University. Luisa Caycedo-Kimura is a Colombian-born writer, translator, and educator who serves as an editor of <em>Connecticut River Review</em> and a board member of the Connecticut Poetry Society.</p> <p>***</p> <p>The 57<sup>th</sup> Annual Wallace Stevens Poetry Program at the University of Connecticut, postponed from last year, featured D. A. Powell, the author of three books of poetry that are often read as a trilogy on the AIDS epidemic. Mr. Powell has been both a winner and a finalist of the National Book Critics Circle Award for two of his later volumes of poetry and is a Professor at the University of San Francisco. He read from his poetry on March 31, 2022, via Zoom. This annual event is sponsored by The Hartford to honor Stevens as a former company executive. It received additional support from UConn’s Rainbow Center, Humanities Institute, Creative Writing Program, and English Department Speakers’ Fund. Regrettably, <strong>[End Page 267]</strong> we hear that The Hartford plans to discontinue its support for this annual event in the future. As a result, the program’s future is in doubt.</p> <p>***</p> <p>For the 3238<sup>th</sup> poetry competition organized by the British magazine <em>The Spectactor</em>, poems were invited on the topic of literary feuds. 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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • News and Comments
  • Bart Eeckhout and Glen MacLeod

The tenth John N. Serio Award for the Best Article Published in The Wallace Stevens Journal was awarded to Patrick Redding for his contribution entitled “How Stevens Read His Emerson: Marginalia and the Spirit of the Age” (Spring 2020). The award was judged by a committee of three: two Editorial Board Members (Gül Bilge Han and Krzysztof Ziarek) and the Secretary of the Wallace Stevens Society, Florian Gargaillo. It was officially presented at the 2022 MLA Convention in Washington, DC. Please join us in congratulating the author.

***

Millicent Borges Accardi’s poem “Let’s Very Often Say,” published in the Spring 2022 issue of this Journal, was selected by the Hopkins Press as one of ten “poignant” poems for the 2022 edition of National Poetry Month, an annual celebration established in 1996 by the Academy of American Poets.

***

The 2021 Wallace Stevens Award of the Academy of American Poets, a $100,000 lifetime achievement award “for outstanding and proven mastery in the art of poetry,” went to Toi Derricotte.

***

“Thirteen Ways of Looking at Blackboard,” a parody poem written by the junior music major Kayla Bivin at Northern Illinois University, was selected and published by McSweeney Internet Tendency, a website with a social media presence of about 200,000 followers on Facebook, 275,000 on Twitter, and more than 57,000 on Instagram. From the thirteen possible citations, we have selected two stanzas as examples from the poem: “O professors of University, / Why do you imagine class on Zoom? / Do you not see how Blackboard / Has a course room / Awaiting us?” And the final meditation: “She was working all afternoon. / She was studying / [End Page 266] And she was going to study. / Blackboard lingered open / On her desktop.”

***

In the spring of 2022, the artist Michelle Cotugno and the poet Jim Finnegan teamed up to organize an exhibition at the Hartford Public Library entitled “Words in Clay, Words on Paper.” It brought together objects in clay, made by Cotugno and including reprinted words of important poets and writers, with accompanying broadsides from a range of New England letterpress printers selected by Finnegan. The artistic collaboration further involved an artist talk and printer panel as well as a poetry reading. Three of Stevens’s poems were included among the broadsides; one other broadside referenced the poet.

***

Julien Strong and Luisa Caycedo-Kimura were the featured poets at the 2022 Rose Garden Reading, which was held, exceptionally, not at Elizabeth Park but at the nearby St. John’s Episcopal Church in West Hartford, Connecticut. This year the reading took place on June 18. The event was sponsored by the Friends and Enemies of Wallace Stevens. Julien Strong, the author of two poetry collections and two novels, teaches at Central Connecticut State University. Luisa Caycedo-Kimura is a Colombian-born writer, translator, and educator who serves as an editor of Connecticut River Review and a board member of the Connecticut Poetry Society.

***

The 57th Annual Wallace Stevens Poetry Program at the University of Connecticut, postponed from last year, featured D. A. Powell, the author of three books of poetry that are often read as a trilogy on the AIDS epidemic. Mr. Powell has been both a winner and a finalist of the National Book Critics Circle Award for two of his later volumes of poetry and is a Professor at the University of San Francisco. He read from his poetry on March 31, 2022, via Zoom. This annual event is sponsored by The Hartford to honor Stevens as a former company executive. It received additional support from UConn’s Rainbow Center, Humanities Institute, Creative Writing Program, and English Department Speakers’ Fund. Regrettably, [End Page 267] we hear that The Hartford plans to discontinue its support for this annual event in the future. As a result, the program’s future is in doubt.

***

For the 3238th poetry competition organized by the British magazine The Spectactor, poems were invited on the topic of literary feuds. Stevens’s 1936 fisticuffs with Ernest Hemingway at Key West turned out to be among the favorite allusions. A quatrain by one contender, Basil Ransome-Davies, illustrates the kind...

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代替摘要,这里是内容的简短摘录:新闻和评论巴特·埃克豪特和格伦·麦克劳德第十届约翰·n·塞里奥奖发表在华莱士·史蒂文斯杂志上的最佳文章被授予帕特里克·雷丁,他的贡献题为“史蒂文斯如何阅读他的爱默生:旁注和时代精神”(2020年春季)。该奖项由三人组成的委员会评判:两位编辑委员会成员(g Bilge Han和Krzysztof Ziarek)和华莱士史蒂文斯协会秘书Florian Gargaillo。它是在华盛顿特区举行的2022年MLA大会上正式提出的。请和我们一起祝贺作者。***米利森特·博尔赫斯·阿卡迪的诗“让我们经常说”,发表在本刊2022年春季号上,被霍普金斯出版社选为2022年版国家诗歌月的十首“尖锐”诗歌之一,国家诗歌月是1996年由美国诗人学会设立的年度庆祝活动。*** Toi Derricotte获得了2021年美国诗人学会华莱士·史蒂文斯奖(Wallace Stevens Award),这是一项价值10万美元的终身成就奖,“表彰她在诗歌艺术方面的杰出成就”。***北伊利诺伊大学音乐专业大三学生凯拉·比文(Kayla Bivin)创作的恶搞诗《13种看黑板的方式》(13 Ways of Looking at Blackboard)被McSweeney Internet Tendency网站选中并发表。该网站在Facebook上有20万名粉丝,在Twitter上有27.5万名粉丝,在Instagram上有5.7万多名粉丝。从13个可能的引用中,我们从这首诗中选择了两个节作为例子:“哦,大学教授,/你为什么想象在Zoom上上课?”/你没看到黑板/教室/在等着我们吗?”最后的沉思是:“她整个下午都在工作。/她在学习/她要去学习。/黑板在她的桌面上迟迟没有打开。2022年春天,艺术家米歇尔·科图尼奥(Michelle Cotugno)和诗人吉姆·芬尼根(Jim Finnegan)联手在哈特福德公共图书馆组织了一场名为“粘土上的文字,纸上的文字”的展览。它汇集了由Cotugno制作的粘土制品,包括重印的重要诗人和作家的文字,以及芬尼根选择的一系列新英格兰凸版印刷机的插图。这次艺术合作还包括艺术家讲座、印刷面板以及诗歌朗诵。史蒂文斯的三首诗被收录在海报中;另一个侧面提到了这位诗人。***朱利安·斯特朗(Julien Strong)和路易莎·卡塞多·木村(Luisa Caycedo-Kimura)是2022年玫瑰花园朗读会上的主要诗人,这次朗读特别地不在伊丽莎白公园举行,而是在康涅狄格州西哈特福德附近的圣约翰圣公会教堂举行。今年的读书会在6月18日举行。这次活动是由华莱士·史蒂文斯的朋友和敌人赞助的。朱利安·斯特朗(Julien Strong)是两本诗集和两本小说的作者,在中央康涅狄格州立大学任教。路易莎·卡塞多·木村是哥伦比亚出生的作家、翻译家和教育家,她是《康涅狄格河评论》的编辑,也是康涅狄格诗歌协会的董事会成员。***康涅狄格大学(University of Connecticut)第57届华莱士·史蒂文斯(Wallace Stevens)年度诗歌项目(从去年推迟)邀请了d·a·鲍威尔(D. a . Powell),他写了三本关于艾滋病的诗集,常被当作三部曲来读。鲍威尔先生是美国国家图书评论圈奖的获奖者,并因其后期的两本诗集入围决赛,他还是旧金山大学的教授。2022年3月31日,他通过Zoom朗读了自己的诗歌。这个一年一度的活动是由《哈特福德报》赞助的,以纪念史蒂文斯作为前公司高管。它还得到了康涅狄格大学彩虹中心、人文学院、创意写作项目和英语系演讲者基金的额外支持。遗憾的是,我们听说哈特福德计划在未来停止对这一年度活动的支持。因此,该计划的未来充满疑问。***由英国杂志《the Spectactor》组织的第3238届诗歌比赛邀请了以文学纷争为主题的诗歌。斯蒂文斯1936年与欧内斯特·海明威在基韦斯特大打出手的故事是最受欢迎的典故之一。其中一位竞争者巴兹尔·兰瑟姆-戴维斯的四行诗阐释了这种……
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