The Mingei Undô, Eudald Serra and the Japanese folk craft collections of the Ethnology Museum of Barcelona: the provenance of a collection

IF 0.1 Q3 HISTORY Museum History Journal Pub Date : 2018-07-03 DOI:10.1080/19369816.2018.1526453
Muriel Gómez Pradas
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引用次数: 1

Abstract

ABSTRACTIn this article we take as a case study the provenance of the Japanese collection kept in the Ethnology Museum of Barcelona, Spain. This interesting collection came to a Spanish museum, thanks to Eudald Serra (1911−2002), a sculptor, ceramicist, designer, photographer and, above all, a great traveller. Eudald Serra lived in Japan from 1935 to 1948 and directed the acquisition trips conducted in situ for the Barcelona Ethnology Museum in 1957, 1961 and 1964. The history of this museum's collection is an extraordinary example of the formation of a collection in a newly-created public museum, but with the criteria of a private one (that is to say, each object was selected and purchased following the collector's own aesthetic guidelines and interests). Serra's aesthetic preferences and interest in Mingei Undo mark this museum collection, making it unique in Spain. Unpublished material, such as Serra's travel diary and field notes, as well as letters and official documents, have been essential for this...
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Mingei Undô, Eudald Serra和巴塞罗那民族学博物馆的日本民间工艺品收藏:一个收藏的出处
摘要本文以西班牙巴塞罗那民族学博物馆收藏的日本藏品的来源为例进行研究。这些有趣的收藏品来到了西班牙博物馆,这要归功于Eudald Serra(1911 - 2002),他是一位雕塑家、陶艺家、设计师、摄影师,最重要的是,他是一位伟大的旅行者。Eudald Serra从1935年到1948年住在日本,并指导了1957年、1961年和1964年为巴塞罗那民族学博物馆进行的实地收购之旅。这个博物馆的藏品历史是一个非凡的例子,在一个新建的公共博物馆中形成了一个藏品,但却有一个私人博物馆的标准(也就是说,每件物品都是按照收藏家自己的审美准则和兴趣来选择和购买的)。Serra的审美偏好和对Mingei Undo的兴趣标志着这个博物馆的收藏,使它在西班牙独一无二。未发表的材料,如塞拉的旅行日记和实地笔记,以及信件和官方文件,都是必不可少的……
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