{"title":"Contributors","authors":"","doi":"10.1353/cwh.2022.0033","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong>DAVID W. BLIGHT</strong> is Sterling Professor of American History at Yale University. He is the author of <em>Frederick Douglass: Prophet of Freedom</em> (2018), <em>American Oracle: The Civil War in the Civil Rights Era</em> (2011), and <em>Race and Reunion: The Civil War in American Memory</em> (2001).</p> <p><strong>JIM DOWNS</strong> is the author of <em>Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine</em> (2021). His other books include <em>Sick from Freedom: African American Sickness and Suffering during the Civil War and Reconstruction</em> (2012) and <em>Stand by Me: The Forgotten History of Gay Liberation</em> (2016). He has published essays in the <em>Atlantic, New Yorker, Washington Post, New York Times, Vice, Slate, Lancet, LA Times</em>, among others. He is the editor of <em>Civil War History</em>. Downs is the Gilder Lehrman–National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.</p> <p><strong>CHERYL FINLEY</strong> is director of the Atlanta University Center Art History + Curatorial Studies Collective, Distinguished Visiting Professor in the Department of Art and Visual Culture at Spelman College and associate professor of art history at Cornell University. Finley leads an innovative undergraduate program at the world’s largest historically Black college and university consortium in preparing the next generation of African American museum and visual arts professionals. She has written widely on photography for academic and popular publications, including <em>Aperture, Nka: Journal of Contemporary African Art, American Quarterly, Art Forum</em> and <em>Small Axe</em>. She is also the award-winning author of <em>Committed to Memory: The Art of the Slave Ship Icon</em> (2018). Finley’s current research examines the global art economy, focusing on the relationship among artists, museums, biennials and migration in the book project, “Black Art Futures,” and the interdisciplinary project “Mapping Art History at HBCUs.”</p> <p><strong>MATTHEW FOX-AMATO</strong> is associate professor of history at the University of Idaho. He is the author of <em>Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America</em> (2019), the runner-up for the 2021 Shapiro Book Prize of the Huntington Library, a finalist for the Gilder Lehrman Lincoln Prize, and a finalist for the Association of American Publishers PROSE Award. The book was also named one of the Advocate’s “Must-Read Books on Race and Hate.” Currently, Fox-Amato is working on two books, the first examining the memory of American slavery in photography and other forms of visual culture and the second book the history of the White House photographer.</p> <p><strong>IAN IVERSON</strong> is an editorial specialist at the Kentucky Historical Society’s Civil War Governors of Kentucky Digital Documentary Edition. He is a graduate of Princeton University and completed his PhD at the University of Virginia in 2022. He is currently revising his dissertation, “Moderate Men and Conservative Influences: Illinois and the Politics of Union, 1854–1861,” for book publication.</p> <p><strong>GREGORY LASKI</strong> is the author of Untimely Democracy: The Politics of Progress after Slavery (2018). He is currently civilian associate professor of English at the US Air Force Academy. A Mellon Fellow at the Newberry Library in 2021–22, he is at work on a new book project: an intellectual history of revenge in the long Reconstruction era.</p> <p><strong>SARAH ELIZABETH LEWIS</strong> is associate professor of history of art and architecture and African and African American studies at Harvard University and the founder of the Vision and Justice Project. Her books and edited volumes include <em>The Rise: Creativity, the Gift of Failure, and the Search for Mastery</em> (2014) and <em>Carrie Mae Weems</em> (2021), which won the 2021 Photography Network Book Prize, and the “Vision and Justice” issue <em>Aperture</em> magazine, which received the 2017 Infinity Award for Critical Writing and Research from the International Center of Photography. She was named an Andrew Carnegie Fellow in 2022. Her forthcoming publications include <em>Caucasian War: How Race Changed Sight in America</em> (2023), V<em>ision & Justice</em> (2024), and <em>Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law</em> (Spring 2023).” She is also on the <em>Civil War History</em> editorial board.</p> <p><strong>JAMES G. MENDEZ</strong> is currently the senior associate dean of student affairs and assistant professor in the Department of Medical Education at Loyola University Chicago Stritch School of Medicine. 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Abstract
In lieu of an abstract, here is a brief excerpt of the content:
Contributors
DAVID W. BLIGHT is Sterling Professor of American History at Yale University. He is the author of Frederick Douglass: Prophet of Freedom (2018), American Oracle: The Civil War in the Civil Rights Era (2011), and Race and Reunion: The Civil War in American Memory (2001).
JIM DOWNS is the author of Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine (2021). His other books include Sick from Freedom: African American Sickness and Suffering during the Civil War and Reconstruction (2012) and Stand by Me: The Forgotten History of Gay Liberation (2016). He has published essays in the Atlantic, New Yorker, Washington Post, New York Times, Vice, Slate, Lancet, LA Times, among others. He is the editor of Civil War History. Downs is the Gilder Lehrman–National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.
CHERYL FINLEY is director of the Atlanta University Center Art History + Curatorial Studies Collective, Distinguished Visiting Professor in the Department of Art and Visual Culture at Spelman College and associate professor of art history at Cornell University. Finley leads an innovative undergraduate program at the world’s largest historically Black college and university consortium in preparing the next generation of African American museum and visual arts professionals. She has written widely on photography for academic and popular publications, including Aperture, Nka: Journal of Contemporary African Art, American Quarterly, Art Forum and Small Axe. She is also the award-winning author of Committed to Memory: The Art of the Slave Ship Icon (2018). Finley’s current research examines the global art economy, focusing on the relationship among artists, museums, biennials and migration in the book project, “Black Art Futures,” and the interdisciplinary project “Mapping Art History at HBCUs.”
MATTHEW FOX-AMATO is associate professor of history at the University of Idaho. He is the author of Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (2019), the runner-up for the 2021 Shapiro Book Prize of the Huntington Library, a finalist for the Gilder Lehrman Lincoln Prize, and a finalist for the Association of American Publishers PROSE Award. The book was also named one of the Advocate’s “Must-Read Books on Race and Hate.” Currently, Fox-Amato is working on two books, the first examining the memory of American slavery in photography and other forms of visual culture and the second book the history of the White House photographer.
IAN IVERSON is an editorial specialist at the Kentucky Historical Society’s Civil War Governors of Kentucky Digital Documentary Edition. He is a graduate of Princeton University and completed his PhD at the University of Virginia in 2022. He is currently revising his dissertation, “Moderate Men and Conservative Influences: Illinois and the Politics of Union, 1854–1861,” for book publication.
GREGORY LASKI is the author of Untimely Democracy: The Politics of Progress after Slavery (2018). He is currently civilian associate professor of English at the US Air Force Academy. A Mellon Fellow at the Newberry Library in 2021–22, he is at work on a new book project: an intellectual history of revenge in the long Reconstruction era.
SARAH ELIZABETH LEWIS is associate professor of history of art and architecture and African and African American studies at Harvard University and the founder of the Vision and Justice Project. Her books and edited volumes include The Rise: Creativity, the Gift of Failure, and the Search for Mastery (2014) and Carrie Mae Weems (2021), which won the 2021 Photography Network Book Prize, and the “Vision and Justice” issue Aperture magazine, which received the 2017 Infinity Award for Critical Writing and Research from the International Center of Photography. She was named an Andrew Carnegie Fellow in 2022. Her forthcoming publications include Caucasian War: How Race Changed Sight in America (2023), Vision & Justice (2024), and Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law (Spring 2023).” She is also on the Civil War History editorial board.
JAMES G. MENDEZ is currently the senior associate dean of student affairs and assistant professor in the Department of Medical Education at Loyola University Chicago Stritch School of Medicine. He is the author of A Great Sacrifice...
这里是内容的一个简短摘录,而不是摘要:撰稿人DAVID W. BLIGHT是耶鲁大学美国历史斯特林教授。他是《弗雷德里克·道格拉斯:自由的先知》(2018)、《美国先知:民权时代的内战》(2011)和《种族与团聚:美国记忆中的内战》(2001)的作者。吉姆·唐斯是《帝国之病:殖民主义、奴隶制和战争如何改变医学》(2021)一书的作者。他的其他著作包括《因自由而生病:非裔美国人在内战和重建期间的疾病和痛苦》(2012年)和《伴我同行:被遗忘的同性恋解放历史》(2016年)。他曾在《大西洋月刊》、《纽约客》、《华盛顿邮报》、《纽约时报》、《Vice》、《Slate》、《柳叶刀》、《洛杉矶时报》等杂志上发表文章。他是《内战历史》的编辑。唐斯是葛底斯堡学院内战时期研究和历史的吉尔德·莱曼国家人文基金会教授。谢丽尔·芬利是亚特兰大大学艺术史与策展研究中心主任,斯佩尔曼学院艺术与视觉文化系杰出客座教授,康奈尔大学艺术史副教授。芬利在世界上历史上最大的黑人学院和大学联盟领导一个创新的本科项目,为下一代非裔美国人博物馆和视觉艺术专业人员做准备。她为学术和流行出版物撰写了大量关于摄影的文章,包括《光圈》、《Nka:当代非洲艺术杂志》、《美国季刊》、《艺术论坛》和《小斧头》。她也是《致力于记忆:奴隶船图标的艺术》(2018)的获奖作者。芬利目前的研究考察了全球艺术经济,重点关注艺术家、博物馆、双年展和移民之间的关系,在图书项目“黑人艺术未来”和跨学科项目“绘制HBCUs艺术史”中。马修·福克斯-阿马托(MATTHEW FOX-AMATO)是爱达荷大学历史学副教授。他是《揭露奴隶制:摄影、人类束缚和美国现代视觉政治的诞生》(2019)的作者,是2021年亨廷顿图书馆夏皮罗图书奖的亚军,是吉尔德·莱尔曼·林肯奖的决赛选手,也是美国出版商协会散文奖的决赛选手。这本书还被《倡导者》杂志评为“关于种族和仇恨的必读书籍”之一。目前,福克斯-阿马托正在写两本书,第一本是关于美国奴隶制在摄影和其他形式的视觉文化中的记忆,第二本书是关于白宫摄影师的历史。伊恩·艾弗森(IAN IVERSON)是肯塔基州历史学会“肯塔基州内战州长数字纪录片版”的编辑专家。他毕业于普林斯顿大学,并于2022年在弗吉尼亚大学获得博士学位。他目前正在修改他的论文,“温和的男人和保守的影响:伊利诺伊州和联盟的政治,1854年至1861年,”为图书出版。格雷戈里·拉斯基是《不合时宜的民主:奴隶制后的政治进步》(2018)一书的作者。他目前是美国空军学院的英语文职副教授。他是纽伯里图书馆(Newberry Library) 2021 - 2022年梅隆研究员,目前正在进行一个新书项目:重建时期漫长的复仇思想史。莎拉·伊丽莎白·刘易斯是哈佛大学艺术史和建筑史以及非洲和非裔美国人研究的副教授,也是“愿景与正义项目”的创始人。她的著作和编辑的书籍包括《崛起:创造力、失败的礼物和对掌握的追求》(2014年)和《嘉莉·梅·威姆斯》(2021年),后者获得了2021年摄影网络图书奖,以及《视觉与正义》杂志,该杂志获得了2017年国际摄影中心的批判性写作和研究无限奖。2022年,她被任命为安德鲁·卡内基研究员。她即将出版的出版物包括《高加索战争:种族如何改变美国的视野》(2023年)、《视野》(Vision &;《正义》(2024年)和《基础:坚守阵地法时代的种族与美学》(2023年春季)。”她也是内战历史编辑委员会的成员。JAMES G. MENDEZ,现任Loyola University Chicago Stritch School of Medicine的学生事务高级副院长和医学教育系助理教授。他是《伟大的牺牲》一书的作者。
期刊介绍:
Civil War History is the foremost scholarly journal of the sectional conflict in the United States, focusing on social, cultural, economic, political, and military issues from antebellum America through Reconstruction. Articles have featured research on slavery, abolitionism, women and war, Abraham Lincoln, fiction, national identity, and various aspects of the Northern and Southern military. Published quarterly in March, June, September, and December.