Editor's Overview

IF 0.2 3区 历史学 Q2 HISTORY CIVIL WAR HISTORY Pub Date : 2023-11-15 DOI:10.1353/cwh.2023.a912515
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She urges historians to connect this order to the broader history of emancipation and Black resistance during the Civil War.</p> <p>In keeping with the journal’s commitment to study cultural history not simply as a companion to military history but as a significant force in the field, Matthew Fox-Amato turns attention to iconoclasm. In compelling detail, Fox-Amato shows how Northern soldiers, sometimes with the help of enslaved people, contributed to <em>“the harming, destruction, theft, or appropriation of images and other visual objects.”</em></p> <p>As editor, I want to deliver historical analysis in creative ways to the broadest readership. I have aimed to accomplish this by organizing roundtable discussions that have been recorded, transcribed, and edited for publication in the journal. These informal but generative discussions—on subjects ranging from Deborah Willis’s <em>The Black Soldier</em> to Thavolia Glymph’s scholarship, to a forum on Eric Foner’s classic essay on the causes of the Civil War—provide readers with an introduction to a new argument and offer those familiar with these subjects new ways of engaging with them. For this issue, in keeping with this tradition, I have organized a roundtable discussion on Frances E. W. Harper’s 1892 novel <em>Iola Leroy</em>.</p> <p>Harper, born to free Black parents in Maryland in 1825, was an active abolitionist and poet before the Civil War began. Decades after the war ended, she taught freedpeople in the postwar South and wrote a novel, <em>Iola Leroy</em>, to chronicle their lives during the war. Based on her observations and conversations with Black people who had been enslaved and then liberated, she wrote one of the first Black novels about the Civil War. <em>Iola Leroy</em> is a breathtaking and profound primary source that serves as a rich transcript of an era. While literary critics have studied Harper and her many writings since at least the 1980s, many contemporary historians are not familiar with her or her book. As the editor of a journal committed to interdisciplinary analysis, I wanted readers to consider the novel as an archive. <strong>[End Page 9]</strong></p> <p>I thus organized a roundtable with some of the nation’s leading literary critics and social and cultural historians to acquaint readers with the book and provide new insights to those who have read it. Last academic year I had the great fortune of being a fellow at the Hutchins Center for African and African American Studies at Harvard, so the conversation took place there. I was joined by a truly distinguished cast of scholars. Literary critic and historian Henry Louis Gates Jr., who is the director of the Hutchins Center, took part in the conversation. Gates, one of the world’s leading scholars of Black history, led the effort to authenticate and re-publish many nineteenth-century Black women’s writings during the 1980s. This collection, the Schomburg Library of Black Women Writers, features more than two dozen remarkable books—from fiction to autobiography to drama—that revolutionized literary and historical studies in the 1980s, including <em>Iola Leroy</em>. “Skip” Gates has kept his commitment to using available archival evidence to analyze the past. In the beginning of the conversation, he offers an incisive analysis about how to do research in Black history. The other participants include cultural historian Rhea Lynn Barnes, social historian Rashauna Johnson, and literary critic and historian John Stauffer. 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This roundtable is a truly dynamic conversation that will interest anyone curious about the Civil War and will be a particularly useful companion for those who add <em>Iola Leroy</em> to their syllabi.</p> <p>Finally, the book review section includes a terrific overview...</p> </p>","PeriodicalId":43056,"journal":{"name":"CIVIL WAR HISTORY","volume":"35 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CIVIL WAR HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cwh.2023.a912515","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Editor’s Overview

The December 2023 issue is spectacular! It has been deeply rewarding to edit. It captures many new directions in the field. Kristen T. Oertel’s ambitious article on the Second Seminal War situates Native American history in direct conversation with the Civil War, revealing how emancipation served as a wartime strategy in 1838. Following the actions of Black combatants in a Florida swamp, Oertel shows how Gen. Thomas Sidney Jesup issued what she refers to as the “first” emancipation. She urges historians to connect this order to the broader history of emancipation and Black resistance during the Civil War.

In keeping with the journal’s commitment to study cultural history not simply as a companion to military history but as a significant force in the field, Matthew Fox-Amato turns attention to iconoclasm. In compelling detail, Fox-Amato shows how Northern soldiers, sometimes with the help of enslaved people, contributed to “the harming, destruction, theft, or appropriation of images and other visual objects.”

As editor, I want to deliver historical analysis in creative ways to the broadest readership. I have aimed to accomplish this by organizing roundtable discussions that have been recorded, transcribed, and edited for publication in the journal. These informal but generative discussions—on subjects ranging from Deborah Willis’s The Black Soldier to Thavolia Glymph’s scholarship, to a forum on Eric Foner’s classic essay on the causes of the Civil War—provide readers with an introduction to a new argument and offer those familiar with these subjects new ways of engaging with them. For this issue, in keeping with this tradition, I have organized a roundtable discussion on Frances E. W. Harper’s 1892 novel Iola Leroy.

Harper, born to free Black parents in Maryland in 1825, was an active abolitionist and poet before the Civil War began. Decades after the war ended, she taught freedpeople in the postwar South and wrote a novel, Iola Leroy, to chronicle their lives during the war. Based on her observations and conversations with Black people who had been enslaved and then liberated, she wrote one of the first Black novels about the Civil War. Iola Leroy is a breathtaking and profound primary source that serves as a rich transcript of an era. While literary critics have studied Harper and her many writings since at least the 1980s, many contemporary historians are not familiar with her or her book. As the editor of a journal committed to interdisciplinary analysis, I wanted readers to consider the novel as an archive. [End Page 9]

I thus organized a roundtable with some of the nation’s leading literary critics and social and cultural historians to acquaint readers with the book and provide new insights to those who have read it. Last academic year I had the great fortune of being a fellow at the Hutchins Center for African and African American Studies at Harvard, so the conversation took place there. I was joined by a truly distinguished cast of scholars. Literary critic and historian Henry Louis Gates Jr., who is the director of the Hutchins Center, took part in the conversation. Gates, one of the world’s leading scholars of Black history, led the effort to authenticate and re-publish many nineteenth-century Black women’s writings during the 1980s. This collection, the Schomburg Library of Black Women Writers, features more than two dozen remarkable books—from fiction to autobiography to drama—that revolutionized literary and historical studies in the 1980s, including Iola Leroy. “Skip” Gates has kept his commitment to using available archival evidence to analyze the past. In the beginning of the conversation, he offers an incisive analysis about how to do research in Black history. The other participants include cultural historian Rhea Lynn Barnes, social historian Rashauna Johnson, and literary critic and historian John Stauffer. Since the event was open to Hutchins Center fellows, Nii Ayikwei Parkes and Faith Smith both attended and added comments. This roundtable is a truly dynamic conversation that will interest anyone curious about the Civil War and will be a particularly useful companion for those who add Iola Leroy to their syllabi.

Finally, the book review section includes a terrific overview...

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编辑器的概述
这里是内容的简短摘录,而不是摘要:编辑概述2023年12月的这一期是壮观的!编辑是一件非常值得的事情。它抓住了该领域的许多新方向。克里斯汀·t·欧特尔(Kristen T. Oertel)关于第二次开创性战争的雄心勃勃的文章将美国原住民的历史与内战直接对话,揭示了1838年解放奴隶是如何成为战时战略的。跟随黑人战士在佛罗里达沼泽地的行动,欧特尔展示了托马斯·西德尼·杰瑟普将军是如何发布她所谓的“第一次”解放的。她敦促历史学家将这一秩序与内战期间解放黑奴和黑人抵抗运动的更广泛历史联系起来。为了与杂志的承诺保持一致,研究文化史不仅仅是作为军事史的伴侣,而是作为该领域的重要力量,马修·福克斯-阿马托将注意力转向了偶像破坏。福克斯-阿马托以令人信服的细节展示了北方士兵如何,有时在奴隶的帮助下,促成了“伤害、破坏、盗窃或盗用图像和其他视觉对象”。作为编辑,我希望以创造性的方式向最广泛的读者提供历史分析。我的目标是通过组织圆桌讨论来实现这一目标,这些讨论已被记录、转录和编辑,以便在期刊上发表。这些非正式但富有创造性的讨论——主题从黛博拉·威利斯的《黑人士兵》到塔弗里亚·格林夫的奖学金,再到埃里克·福纳关于内战起因的经典文章的论坛——为读者提供了一个新论点的介绍,并为那些熟悉这些主题的人提供了参与这些主题的新途径。为了这个问题,为了保持这一传统,我组织了一次圆桌讨论,讨论弗朗西斯·e·w·哈珀1892年的小说《艾奥拉·勒罗伊》。哈珀于1825年出生在马里兰州的一个自由黑人家庭,在内战开始前,他是一位活跃的废奴主义者和诗人。战争结束几十年后,她在战后的南方教自由人,并写了一部小说《伊奥拉·勒罗伊》(Iola Leroy),记录他们在战争期间的生活。根据她的观察和与被奴役和被解放的黑人的对话,她写了第一部关于内战的黑人小说。Iola Leroy是一个令人惊叹和深刻的主要来源,作为一个时代的丰富成绩单。虽然至少从20世纪80年代起,文学评论家就开始研究哈珀和她的许多作品,但许多当代历史学家并不熟悉她或她的书。作为一份致力于跨学科分析的期刊的编辑,我希望读者把这部小说当作一份档案。因此,我组织了一次圆桌会议,邀请了一些国内著名的文学评论家和社会文化历史学家,让读者熟悉这本书,并为读过这本书的人提供新的见解。上个学年,我有幸成为哈佛大学哈钦斯非洲和非裔美国人研究中心的一员,所以这次谈话就发生在那里。和我一起的还有一群真正杰出的学者。文学评论家、历史学家、哈钦斯中心主任小亨利·路易斯·盖茨(Henry Louis Gates Jr.)参加了这次对话。盖茨是世界上研究黑人历史的主要学者之一,他在20世纪80年代领导了许多19世纪黑人女性作品的鉴定和重新出版工作。朔姆伯格黑人女作家图书馆收藏了二十多本杰出的书,从小说到自传再到戏剧,这些书在20世纪80年代彻底改变了文学和历史研究,其中包括伊奥拉·勒罗伊。“斯基普”盖茨一直信守承诺,利用现有的档案证据来分析过去。在对话的一开始,他就如何研究黑人历史进行了深刻的分析。其他参与者包括文化历史学家Rhea Lynn Barnes,社会历史学家Rashauna Johnson,文学评论家和历史学家John Stauffer。由于该活动对哈钦斯中心的研究员开放,Nii Ayikwei Parkes和Faith Smith都参加了并发表了评论。这个圆桌会议是一个真正充满活力的对话,会引起任何对内战感兴趣的人的兴趣,对于那些把Iola Leroy添加到他们的教学大纲中的人来说,这将是一个特别有用的伴侣。最后,书评部分有一个很棒的概述……
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
46
期刊介绍: Civil War History is the foremost scholarly journal of the sectional conflict in the United States, focusing on social, cultural, economic, political, and military issues from antebellum America through Reconstruction. Articles have featured research on slavery, abolitionism, women and war, Abraham Lincoln, fiction, national identity, and various aspects of the Northern and Southern military. Published quarterly in March, June, September, and December.
期刊最新文献
Contesting "the Insatiable Maw of Capital": Mine Workers' Struggles in the Civil War Era Contributors The Open-Shop Movement and the Long Shadow of Slavery, the Civil War, and Reconstruction Book Review Essay: After War and Emancipation, an Irrepressible Conflict "We Can Take Care of Ourselves Now": Establishing Independent Black Labor and Industry in Postwar Yorktown, Virginia
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