‘Heaven guide him to thy husband’s cudgel’

IF 0.2 0 THEATER Early Theatre Pub Date : 2023-12-08 DOI:10.12745/et.26.2.5526
Sharon Vogel Kubik
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引用次数: 0

Abstract

This essay argues that in Shakespeare’s The Merry Wives of Windsor, when the merry wives dress Falstaff as the old woman of Brentford, they reveal his true character by visually associating him with a witch and thus force the men of Windsor to punish him for his crimes. Falstaff’s behaviour matches the social disruption of the male witch; furthermore, his position as a new and unestablished member of a community, his gender, and the fact that the authorities of Windsor are inept make it difficult for the merry wives to successfully accuse him without appealing to popular witchcraft belief.
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上天指引他找到你丈夫的拐杖
本文认为,在莎士比亚的《温莎的风流娘儿们》中,当风流娘儿们把福斯塔夫打扮成布伦特福德的老妇人时,她们通过视觉上把福斯塔夫与女巫联系在一起,从而揭示了福斯塔夫的真实性格,从而迫使温莎的男人对他的罪行进行惩罚。福斯塔夫的行为与男巫的社会混乱相吻合;此外,他作为一个社区的新成员和未建立的成员,他的性别,以及温莎当局无能的事实,使得风流妻子们很难在不诉诸流行巫术信仰的情况下成功指控他。
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来源期刊
Early Theatre
Early Theatre THEATER-
自引率
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发文量
19
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