From Representation to Sabotage: The New Practices of Russian Antiwar Groups

Ania Aizman
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Abstract

Since February 24, 2022, new oppositional groups—Feminist Antiwar Resistance (FAR), Stop the Wagons, Combat Organization of Anarcho‐Communists (BOAK), the Russian Freedom Legion, and others—have emerged in Russia. Politically, they range from socialist and anarchist to nationalist or fascist, and in their visual media present a range of anonymous protest subjectivities, from the young feminist female artist to the Molotov cocktail‐throwing anarchist to the army defector. Differences notwithstanding, antiwar groups resemble one another in their use of anonymity and sabotage, departing from the culture of the prewar Russian opposition to Putin. The new antiwar groups seek to demonstrate the existence of a broad decentralized movement, but one that continues, rather than disrupts, historical narratives. This article pays special attention to narratives produced by “railway partisans” currently operating in Russia and Belarus, analyzing how they challenge, through tactic as well as rhetoric, their regimes’ uses of World War II history for state‐building myths. I find that antiwar activists claim that sabotage, vandalism, and other forms of material damage represent continuity—rather than break or rupture—with historic forms of grassroots resistance.
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从代表到破坏:俄罗斯反战组织的新做法
自2022年2月24日以来,新的反对团体——女权反战组织(FAR)、停止马车、无政府共产主义战斗组织(BOAK)、俄罗斯自由军团等——在俄罗斯出现。在政治上,他们的范围从社会主义者和无政府主义者到民族主义者或法西斯主义者,在他们的视觉媒体上呈现了一系列匿名抗议的主体性,从年轻的女权主义女艺术家到投掷莫洛托夫鸡尾酒的无政府主义者到军队叛逃者。尽管存在差异,但反战团体在使用匿名和破坏方面彼此相似,背离了战前俄罗斯反对普京的文化。新的反战团体试图证明一个广泛分散的运动的存在,但这是一个延续而不是破坏历史叙述的运动。本文特别关注目前在俄罗斯和白俄罗斯活动的“铁路游击队”所产生的叙事,分析他们如何通过战术和修辞来挑战他们的政权将二战历史作为国家建设神话的做法。我发现反战积极分子声称,破坏、破坏和其他形式的物质破坏代表了草根抵抗历史形式的连续性,而不是断裂或破裂。
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