{"title":"Sémiotique du discours humoristique dans Serge de Yasmina Reza","authors":"Hani Georges","doi":"10.21608/abjltl.2023.237562.1042","DOIUrl":null,"url":null,"abstract":": In Serge of Yasmina Reza, we are dealing with several types of humor which mostly focus on exploiting the body and its discursive representations. There is therefore reason to consider a certain semiotics of bodily representations which constitute the basis of humorous discourse. To be able to semiotically analyze the humor in Serge , we will first resort to the notion of figurativeness which concerns the capacity of language to represent reality: while appealing to bodily figurative representation, we will question the signifying mechanisms which found the humorous body as a discursive actor. After having identified the figurative processes of bodily humor, we will secondly attempt to identify the elements of a bodily semiotics of humor in the novel: the representations of the body exploited by humor would serve as a plan of expression for a much deeper semantic level which concerns the incongruity not only between the acting bodies and their respective environments but rather in the actor itself.","PeriodicalId":108736,"journal":{"name":"Alsun Beni-Suef International Journal of Linguistics Translation and Literature","volume":"31 39","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Alsun Beni-Suef International Journal of Linguistics Translation and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21608/abjltl.2023.237562.1042","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
: In Serge of Yasmina Reza, we are dealing with several types of humor which mostly focus on exploiting the body and its discursive representations. There is therefore reason to consider a certain semiotics of bodily representations which constitute the basis of humorous discourse. To be able to semiotically analyze the humor in Serge , we will first resort to the notion of figurativeness which concerns the capacity of language to represent reality: while appealing to bodily figurative representation, we will question the signifying mechanisms which found the humorous body as a discursive actor. After having identified the figurative processes of bodily humor, we will secondly attempt to identify the elements of a bodily semiotics of humor in the novel: the representations of the body exploited by humor would serve as a plan of expression for a much deeper semantic level which concerns the incongruity not only between the acting bodies and their respective environments but rather in the actor itself.