The Classical Performances at the Temples of Agrigento and Paestum (1928–1938): From Performances of Ancient Drama to the Re-enactment of Myths and Rituals in Archeological Sites

Abstract

This article surveys and analyzes classical performances staged between 1928 and 1938 in the archeological areas of Agrigento and Paestum, and underlines similarities and differences between them to evaluate the impact of Fascist ideology on their organization. Indeed, these performances were much more concerned with staging ancient poetry recitations, pantomimes, choreographies, and parades rather than entire plays, as these were effective conduits for Fascism’s visual aesthetics, which was aimed at enhancing the archeological settings that hosted them. The events organized in Agrigento were meant to extend the presence of classical performances in ancient theaters and monuments other than Syracuse under the supervision of the National Institute of Ancient Drama (INDA) and other national and international artists, while the performances staged in Paestum were intended to promote international tourism in Italy, which included the programmatic restoration and renovation of ancient monuments.