Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies

IF 0.1 3区 艺术学 0 THEATER Nordic Theatre Studies Pub Date : 2023-12-19 DOI:10.7146/nts.v34i2.141664
Antoine Hirel
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Abstract

Named after the gender-neutral Swedish pronoun, Hen is a queer puppet show, created and performed by the French artist Johanny Bert. In this performance, the body of the puppet, made of wood, foam and, fabric, is used like a “jigsaw” - assembling different pieces together in order to create and reveal a form, an image, a meaning. It becomes the material for a new vision of how we conceive and construct the body, as it deconstructs essentializing, binary, heteronormative identities, envisioning greater possibilities and pluralities of bodies. Through the vision of non-human object in the space of a theatre, Johanny Bert unveils and rethinks the relationship sexuality and society maintain together by showing sexuality as a theatrical utopia where new forms of bodies and desires can be revealed. Guided by an interdisciplinary approach combining both Gender Studies and Visual Studies, this article talks about how the plasticity of the puppetting object can affect the perception of our own bodies. How and where does the show Hen manifest utopia for the human body and sexuality? Johanny Bert puts the concept of anthropomorphism as the threshold for questioning human sexuality into the theatre and challenges the ways we define and circumscribe bodies and desires, inviting new perspectives for sexual and corporeal paradigms, too.
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母鸡:同性恋木偶歌舞剧,性身体的乌托邦视角
以瑞典中性代词命名的《Hen》是一部同性恋木偶剧,由法国艺术家约翰尼-伯特(Johanny Bert)创作和表演。在表演中,木偶的身体由木头、泡沫和布料制成,就像一个 "拼图"--将不同的碎片拼接在一起,以创造和揭示一种形式、一种形象、一种意义。木偶成为我们构想和构建身体的新视角的材料,因为它解构了本质化、二元化和异性恋的身份,设想了身体的更大可能性和多元性。约翰尼-伯特(Johanny Bert)通过对剧场空间中非人类对象的想象,揭示并重新思考了性行为与社会之间的关系,将性行为展现为一个剧场乌托邦,在这里可以展现新形式的身体和欲望。本文以性别研究和视觉研究的跨学科方法为指导,探讨了木偶对象的可塑性如何影响我们对自身身体的感知。轩》剧如何以及在何处体现了人类身体和性行为的乌托邦?约翰尼-伯特(Johanny Bert)将 "拟人化 "概念作为质疑人类性行为的门槛,并将其融入戏剧中,挑战我们定义和限定身体与欲望的方式,为性和肉体范式带来新的视角。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
17
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