Building an Ideal Theatre

Abstract

Throughout the course of theatre history, many actors and directors have dreamt about an ideal theatre. Many young European theatre makers in the twenty-first century have preferred working in their own groups with like-minded colleagues instead of joining big institutional theatres or have tried to revolutionize the institutions.Dwelling on theoretical arguments about the terms “ideal”, “idealism”, and “utopia” in theatre, the article investigates what are the ideals of contemporary theatre makers, which ideals/utopias are realizable in theatre practice and how. To answer these questions, the case study of Estonian theatre NO99 is used. In 2004, Tiit Ojasoo and Ene-Liis Semper became the leaders of the state funded theatre Vanalinnastuudio and tried to reorganize it into an ideal theatre. The article investigates what were the ideals of the theatre makers of the NO99, how their ideals were realized, which ideals endured, and which ones failed during the fourteen years. Finally, a discussion on the developments of theatre institutions in the twenty-first century will be presented.