Between Museum Theory and Practice: Museological Education Illustrated by the Ethnology Curriculum at the Jagiellonian University

Stanisława Trebunia-Staszel
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Abstract

Curricular training in museology at Jagiellonian University has a tradition spanning over 60 years. It was initiated by Mieczysław Gładysz, who, upon assuming the Chair of Slavic Ethnography at Jagiellonian University in 1960, developed a museum education module for the students of the department he headed. He entrusted the implementation of the course to Dr Jan Bujak. The curriculum created by Gładysz and refined by Bujak encompassed a broad spectrum of issues and subjects, offering a comprehensive and multifaceted approach to museum theory and practice. After J. Bujak’s death in 1991, museology was completely removed from the curriculum of ethnological studies. It returned to university education in 2000 with the employment of Jan Święch at the Institute of Ethnology and Cultural Anthropology at Jagiellonian University. He was tasked with reactivating the Postgraduate Museological Studies Programme, as well as full-time classes. Currently, Jagiellonian University offers three museology courses as part of its ethnology studies: Museology in Contemporary Culture; Between Museum Theory and Practice; and Exhibition Design.
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博物馆理论与实践之间:以雅盖隆大学民族学课程为例说明博物馆学教育
雅盖隆大学博物馆学课程培训具有 60 多年的传统。该课程由米耶茨瓦夫-格瓦迪什(Mieczysław Gładysz)发起,他在 1960 年就任雅盖隆大学斯拉夫民族学系主任后,为他所领导的系里的学生开发了一个博物馆教育模块。他委托 Jan Bujak 博士实施该课程。由格瓦迪什创建、布雅克完善的课程涵盖了广泛的问题和主题,为博物馆理论和实践提供了一个全面和多层面的方法。1991 年 J. 布雅克去世后,博物馆学完全从民族学研究课程中删除。2000 年,随着 Jan Święch 受聘于雅盖隆大学民族学和文化人类学研究所,博物馆学重新回到了大学教育中。他的任务是重新启动博物馆学研究生课程以及全日制课程。目前,雅盖隆大学开设了三门博物馆学课程,作为民族学研究的一部分:当代文化中的博物馆学》、《博物馆理论与实践之间》和《展览设计》。
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Konferencja naukowa Etnografia w muzeum. Idee, drogi, tropy (Ciechanowiec, 20–21 kwietnia 2023 roku) Wszyscy byliśmy dziećmi. Sprawozdanie z realizacji wystawy Dzieciństwo prezentowanej w Państwowym Muzeum Etnograficznym w Warszawie Na etnograficznych ścieżkach i rozdrożach muzealnych. Garść refleksji z doświadczeń pracy kustosza w muzeum etnograficznym Muzea w pandemii: jak wyzwanie #between_ art_and_quarantine wpłynęło na funkcjonowanie sztuki dawnej w nowych mediach i w mediach społecznościowych Tajemniczy klient wchodzi do muzeum. Badania „Dostępność krakowskich muzeów dla młodych obcokrajowców”
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